Canon M6 Mark II vs Fujifilm X-M5
The Canon EOS M6 Mark II and the Fujifilm X-M5 are two digital cameras that were revealed to the public, respectively, in August 2019 and October 2025. Both the M6 Mark II and the X-M5 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The Canon has a resolution of 32.3 megapixels, whereas the Fujifilm provides 26 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check M6 Mark II offers at
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Check X-M5 price at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M6 Mark II and the Fujifilm X-M5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon M6 Mark II and the Fujifilm X-M5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-M5 can be obtained in two different colors (black, silver), while the M6 Mark II is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-M5 is notably smaller (11 percent) than the Canon M6 Mark II. Moreover, the X-M5 is markedly lighter (13 percent) than the M6 Mark II. In this context, it is worth noting that neither the M6 Mark II nor the X-M5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the M6 Mark II gets 305 shots out of its Canon LP-E17 battery, while the X-M5 can take 330 images on a single charge of its Fujifilm NP-W126S power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon M6 Mark II | 120 mm | 70 mm | 49 mm | 408 g | 305 | n | Aug 2019 | US$ 849 | ebay.com | |
| 2. | Fujifilm X-M5 | 112 mm | 67 mm | 38 mm | 355 g | 330 | n | Oct 2025 | US$ 799 | amazon.com | |
| 3. | Canon 2000D | 129 mm | 101 mm | 78 mm | 475 g | 500 | n | Feb 2018 | US$ 449 | amazon.com | |
| 4. | Canon 4000D | 129 mm | 102 mm | 77 mm | 436 g | 500 | n | Feb 2018 | US$ 399 | amazon.com | |
| 5. | Canon G5 X Mark II | 111 mm | 61 mm | 46 mm | 340 g | 230 | n | Jul 2019 | US$ 899 | ebay.com | |
| 6. | Canon M5 | 116 mm | 89 mm | 61 mm | 427 g | 295 | n | Sep 2016 | US$ 979 | ebay.com | |
| 7. | Canon M6 | 112 mm | 68 mm | 45 mm | 390 g | 295 | n | Feb 2017 | US$ 779 | ebay.com | |
| 8. | Canon M50 | 116 mm | 88 mm | 59 mm | 390 g | 235 | n | Feb 2018 | US$ 779 | ebay.com | |
| 9. | Canon M50 Mark II | 116 mm | 88 mm | 59 mm | 387 g | 305 | n | Oct 2020 | US$ 599 | ebay.com | |
| 10. | Canon RP | 133 mm | 85 mm | 70 mm | 485 g | 250 | n | Feb 2019 | US$ 1 299 | amazon.com | |
| 11. | Fujifilm X-E3 | 121 mm | 74 mm | 43 mm | 337 g | 350 | n | Sep 2017 | US$ 899 | ebay.com | |
| 12. | Fujifilm X-M1 | 117 mm | 67 mm | 39 mm | 330 g | 350 | n | Jun 2013 | US$ 699 | ebay.com | |
| 13. | Fujifilm X-T20 | 118 mm | 83 mm | 41 mm | 383 g | 350 | n | Jan 2017 | US$ 899 | ebay.com | |
| 14. | Fujifilm X-T30 | 118 mm | 83 mm | 47 mm | 383 g | 380 | n | Feb 2019 | US$ 899 | ebay.com | |
| 15. | Fujifilm X-T200 | 121 mm | 84 mm | 55 mm | 370 g | 270 | n | Jan 2020 | US$ 699 | ebay.com | |
| 16. | Panasonic LX100 II | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Aug 2018 | US$ 999 | ebay.com | |
| 17. | Sony A6400 | 120 mm | 67 mm | 50 mm | 403 g | 410 | Y | Jan 2019 | US$ 899 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-M5 was somewhat cheaper (by 6 percent) than the M6 Mark II at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-M5 is 9 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (M6 Mark II) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a smaller sensor, the Canon M6 Mark II offers a higher resolution of 32.3 megapixels, compared with 26 MP of the Fujifilm X-M5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.23μm versus 3.76μm for the X-M5). Moreover, it should be noted that the X-M5 is much more recent (by 6 years and 1 month) than the M6 Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-M5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon M6 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M6 Mark II for good quality output (200 dots per inch) amounts to 34.8 x 23.2 inches or 88.4 x 58.9 cm, for very good quality (250 dpi) 27.8 x 18.6 inches or 70.7 x 47.1 cm, and for excellent quality (300 dpi) 23.2 x 15.5 inches or 58.9 x 39.3 cm. The corresponding values for the Fujifilm X-M5 are 31.2 x 20.8 inches or 79.2 x 52.8 cm for good quality, 25 x 16.6 inches or 63.4 x 42.3 cm for very good quality, and 20.8 x 13.9 inches or 52.8 x 35.2 cm for excellent quality prints.
The Canon EOS M6 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm X-M5 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 80-51200.
In terms of underlying technology, the M6 Mark II is build around a CMOS sensor, while the X-M5 uses a BSI-CMOS imager. Like most digital cameras, the M6 Mark II uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-M5 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon M6 Mark II | APS-C | 32.3 | 6960 | 4640 | 4K/30p | 24.0 | 13.5 | 1848 | 83 | |
| 2. | Fujifilm X-M5 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.3 | 14.2 | 2558 | 86 | |
| 3. | Canon 2000D | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 11.9 | 1009 | 71 | |
| 4. | Canon 4000D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.9 | 11.4 | 695 | 63 | |
| 5. | Canon G5 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 583 | 65 | |
| 6. | Canon M5 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.4 | 1262 | 77 | |
| 7. | Canon M6 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.6 | 1317 | 78 | |
| 8. | Canon M50 | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 23.8 | 13.3 | 1684 | 81 | |
| 9. | Canon M50 Mark II | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 24.0 | 13.6 | 1939 | 83 | |
| 10. | Canon RP | Full Frame | 26.0 | 6240 | 4160 | 4K/30p | 24.3 | 11.9 | 2977 | 85 | |
| 11. | Fujifilm X-E3 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.3 | 1764 | 82 | |
| 12. | Fujifilm X-M1 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.4 | 12.6 | 1371 | 76 | |
| 13. | Fujifilm X-T20 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.2 | 1704 | 81 | |
| 14. | Fujifilm X-T30 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.1 | 13.5 | 1895 | 83 | |
| 15. | Fujifilm X-T200 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.1 | 13.6 | 1991 | 84 | |
| 16. | Panasonic LX100 II | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.8 | 12.7 | 979 | 72 | |
| 17. | Sony A6400 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.6 | 1431 | 83 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-M5 provides a faster frame rate than the M6 Mark II. It can shoot movie footage at 4K/60p, while the Canon is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The M6 Mark II and the X-M5 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the M6 Mark II can be equipped with an optional viewfinder – the EVF-DC2. The table below summarizes some of the other core capabilities of the Canon M6 Mark II and Fujifilm X-M5 in connection with corresponding information for a sample of similar cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon M6 Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 14.0/s | Y | n | |
| 2. | Fujifilm X-M5 | none | n | 3.0 / 1040 | swivel | Y | 1/4000s | 8.0/s | Y | n | |
| 3. | Canon 2000D | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
| 4. | Canon 4000D | optical | n | 2.7 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
| 5. | Canon G5 X Mark II | 2360 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 30/s | Y | Y | |
| 6. | Canon M5 | 2360 | n | 3.2 / 1620 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
| 7. | Canon M6 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
| 8. | Canon M50 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
| 9. | Canon M50 Mark II | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
| 10. | Canon RP | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | n | n | |
| 11. | Fujifilm X-E3 | 2360 | n | 3.0 / 1040 | fixed | Y | 1/4000s | 8.0/s | n | n | |
| 12. | Fujifilm X-M1 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
| 13. | Fujifilm X-T20 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
| 14. | Fujifilm X-T30 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
| 15. | Fujifilm X-T200 | 2360 | n | 3.5 / 2780 | swivel | Y | 1/4000s | 8.0/s | Y | n | |
| 16. | Panasonic LX100 II | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
| 17. | Sony A6400 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | n | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M6 Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M6 Mark II and the X-M5 write their files to SDXC cards. The M6 Mark II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the X-M5 can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M6 Mark II and Fujifilm X-M5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon M6 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
| 2. | Fujifilm X-M5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 3. | Canon 2000D | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
| 4. | Canon 4000D | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
| 5. | Canon G5 X Mark II | - | stereo / mono | - | - | micro | 3.1 | Y | - | Y | |
| 6. | Canon M5 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
| 7. | Canon M6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
| 8. | Canon M50 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
| 9. | Canon M50 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
| 10. | Canon RP | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | Y | |
| 11. | Fujifilm X-E3 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
| 12. | Fujifilm X-M1 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | Y | |
| 13. | Fujifilm X-T20 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
| 14. | Fujifilm X-T30 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
| 15. | Fujifilm X-T200 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
| 16. | Panasonic LX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
| 17. | Sony A6400 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y |
It is notable that the X-M5 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M6 Mark II lacks such a headphone port.
The X-M5 is a recent model that features in the current product line-up of Fujifilm. In contrast, the M6 Mark II has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the M6 Mark II from Canon. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
Review summary
So what conclusions can be drawn? Is the Canon M6 Mark II better than the Fujifilm X-M5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Canon EOS M6 Mark II:
- More detail: Offers more megapixels (32.3 vs 26MP) with a 12% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Faster burst: Shoots at higher frequency (14 vs 8 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been available for much longer (launched in August 2019).

Advantages of the Fujifilm X-M5:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More compact: Is smaller (112x67mm vs 120x70mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 53g or 13 percent) and is thus easier to take along.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More modern: Reflects 6 years and 1 month of technical progress since the M6 Mark II launch.
If the count of individual advantages (bullet points above) is taken as a guide, the X-M5 comes out slightly ahead of the M6 Mark II (8 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M6 Mark II and the Fujifilm X-M5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M6 Mark II or the X-M5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon M6 Mark II | .. | + | 4.5/5 | 85/100 | 4/5 | 4/5 | Aug 2019 | US$ 849 | ebay.com | |
| 2. | Fujifilm X-M5 | .. | .. | .. | 84/100 | .. | .. | Oct 2025 | US$ 799 | amazon.com | |
| 3. | Canon 2000D | 3/5 | o | 3.5/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | US$ 449 | amazon.com | |
| 4. | Canon 4000D | 2.5/5 | o | 3/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | US$ 399 | amazon.com | |
| 5. | Canon G5 X Mark II | 4/5 | + | 4/5 | 82/100 | .. | 4/5 | Jul 2019 | US$ 899 | ebay.com | |
| 6. | Canon M5 | 4/5 | + | 4/5 | 82/100 | 4/5 | 4/5 | Sep 2016 | US$ 979 | ebay.com | |
| 7. | Canon M6 | .. | .. | .. | 80/100 | 4/5 | 4/5 | Feb 2017 | US$ 779 | ebay.com | |
| 8. | Canon M50 | .. | + | 4/5 | 79/100 | .. | 3.5/5 | Feb 2018 | US$ 779 | ebay.com | |
| 9. | Canon M50 Mark II | 4/5 | .. | 4/5 | .. | 4.5/5 | 3.5/5 | Oct 2020 | US$ 599 | ebay.com | |
| 10. | Canon RP | 4/5 | + | 4/5 | .. | 4.5/5 | 4/5 | Feb 2019 | US$ 1 299 | amazon.com | |
| 11. | Fujifilm X-E3 | 4.5/5 | + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2017 | US$ 899 | ebay.com | |
| 12. | Fujifilm X-M1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Jun 2013 | US$ 699 | ebay.com | |
| 13. | Fujifilm X-T20 | 5/5 | + + | 5/5 | 82/100 | 5/5 | 4.5/5 | Jan 2017 | US$ 899 | ebay.com | |
| 14. | Fujifilm X-T30 | 5/5 | + + | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2019 | US$ 899 | ebay.com | |
| 15. | Fujifilm X-T200 | 3.5/5 | .. | 4/5 | 82/100 | 4/5 | 4.5/5 | Jan 2020 | US$ 699 | ebay.com | |
| 16. | Panasonic LX100 II | 4.5/5 | + | 4.2/5 | 82/100 | 4.5/5 | 4.5/5 | Aug 2018 | US$ 999 | ebay.com | |
| 17. | Sony A6400 | 4/5 | + | 4/5 | 85/100 | 4.5/5 | 4/5 | Jan 2019 | US$ 899 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check M6 Mark II offers at
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Check X-M5 price at
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Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon M200 vs Fujifilm X-M5
- Canon M6 Mark II vs Fujifilm X-A2
- Canon M6 Mark II vs Fujifilm X-M1
- Canon M6 Mark II vs Nikon D60
- Canon M6 Mark II vs Panasonic L10
- Canon M6 Mark II vs Panasonic LX100 II
- Canon M6 Mark II vs Sony RX10
- Fujifilm X-M5 vs Hasselblad X2D 100C
- Fujifilm X-M5 vs Nikon Z50
- Fujifilm X-M5 vs Nikon Z6 III
- Fujifilm X-M5 vs Nikon Z8
- Fujifilm X-M5 vs Panasonic G9 II
Specifications: Canon M6 Mark II vs Fujifilm X-M5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon M6 Mark II | Fujifilm X-M5 |
|---|---|---|
| Camera Type | Mirrorless system camera | Mirrorless system camera |
| Camera Lens | Canon EF-M mount lenses | Fujifilm X mount lenses |
| Launch Date | August 2019 | October 2025 |
| Launch Price | USD 849 | USD 799 |
| Sensor Specs | Canon M6 Mark II | Fujifilm X-M5 |
| Sensor Technology | CMOS | BSI-CMOS |
| Sensor Format | APS-C Sensor | APS-C Sensor |
| Sensor Size | 22.5 x 15.0 mm | 23.5 x 15.6 mm |
| Sensor Area | 337.5 mm2 | 366.6 mm2 |
| Sensor Diagonal | 27 mm | 28.2 mm |
| Crop Factor | 1.6x | 1.5x |
| Sensor Resolution | 32.3 Megapixels | 26 Megapixels |
| Image Resolution | 6960 x 4640 pixels | 6240 x 4160 pixels |
| Pixel Pitch | 3.23 μm | 3.76 μm |
| Pixel Density | 9.57 MP/cm2 | 7.08 MP/cm2 |
| Moiré control | Anti-Alias filter | no AA filter |
| Movie Capability | 4K/30p Video | 4K/60p Video |
| ISO Setting | 100 - 25,600 ISO | 160 - 12,800 ISO |
| ISO Boost | 100 - 51,200 ISO | 80 - 51,200 ISO |
| Image Processor | DIGIC 8 | X-Processor 5 |
| Screen Specs | Canon M6 Mark II | Fujifilm X-M5 |
| Viewfinder Type | Viewfinder optional | no viewfinder |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.0inch |
| LCD Resolution | 1040k dots | 1040k dots |
| LCD Attachment | Tilting screen | Swivel screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Canon M6 Mark II | Fujifilm X-M5 |
| Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
| Continuous Shooting | 14 shutter flaps/s | 8 shutter flaps/s |
| Electronic Shutter | up to 1/16000s | up to 1/32000s |
| Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
| Fill Flash | Built-in Flash | Built-in Flash |
| Storage Medium | SDXC cards | SDXC cards |
| Single or Dual Card Slots | Single card slot | Single card slot |
| UHS card support | UHS-II | UHS-I |
| Connectivity Specs | Canon M6 Mark II | Fujifilm X-M5 |
| External Flash | Hotshoe | Hotshoe |
| USB Connector | USB 2.0 | USB 3.2 |
| HDMI Port | micro HDMI | micro HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | no Headphone port | Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
| Body Specs | Canon M6 Mark II | Fujifilm X-M5 |
| Battery Type | Canon LP-E17 | Fujifilm NP-W126S |
| Battery Life (CIPA) | 305 shots per charge | 330 shots per charge |
| In-Camera Charging | USB charging | USB charging |
| Body Dimensions |
120 x 70 x 49 mm (4.7 x 2.8 x 1.9 in) |
112 x 67 x 38 mm (4.4 x 2.6 x 1.5 in) |
| Camera Weight | 408 g (14.4 oz) | 355 g (12.5 oz) |

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