Canon R5 Mark II vs OM System TG-7
The Canon EOS R5 Mark II and the OM System Tough TG-7 are two digital cameras that were officially introduced, respectively, in July 2024 and September 2023. The R5 Mark II is a mirrorless interchangeable lens camera, while the TG-7 is a fixed lens compact. The cameras are based on a full frame (R5 Mark II) and a 1/2.3-inch (TG-7) sensor. The Canon has a resolution of 44.8 megapixels, whereas the OM System provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check R5 Mark II price at
amazon.com

Check TG-7 price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 Mark II and the OM System Tough TG-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon R5 Mark II and the OM System TG-7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The TG-7 can be obtained in two different colors (black, red), while the R5 Mark II is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the OM System TG-7 is considerably smaller (44 percent) than the Canon R5 Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the TG-7 is water-proof up to 15m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TG-7 has a lens built in, whereas the R5 Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 138 mm | 98 mm | 88 mm | 746 g | 340 | Y | Jul 2024 | EUR 4 799 | amazon.com | |
| 2. | OM System TG-7 | 114 mm | 66 mm | 33 mm | 249 g | 330 | Y | Sep 2023 | EUR 549 | amazon.com | |
| 3. | Canon R1 | 158 mm | 150 mm | 87 mm | 1115 g | 1330 | Y | Jul 2024 | EUR 7 499 | amazon.com | |
| 4. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | EUR 4 499 | amazon.com | |
| 5. | Canon R5 C | 142 mm | 101 mm | 111 mm | 770 g | 320 | Y | Jan 2022 | EUR 4 999 | amazon.com | |
| 6. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | EUR 2 699 | amazon.com | |
| 7. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | EUR 2 899 | amazon.com | |
| 8. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | EUR 3 999 | amazon.com | |
| 9. | Fujifilm GFX 100S II | 150 mm | 104 mm | 87 mm | 883 g | 530 | Y | May 2024 | EUR 5 499 | amazon.com | |
| 10. | Nikon Z8 | 144 mm | 119 mm | 83 mm | 910 g | 340 | Y | May 2023 | EUR 4 599 | amazon.com | |
| 11. | Olympus E-PM1 | 110 mm | 64 mm | 34 mm | 265 g | 330 | n | Jun 2011 | EUR 449 | ebay.com | |
| 12. | Olympus TG-4 | 112 mm | 66 mm | 31 mm | 247 g | 380 | Y | Apr 2015 | EUR 399 | ebay.com | |
| 13. | Olympus TG-5 | 113 mm | 66 mm | 32 mm | 250 g | 340 | Y | May 2017 | EUR 479 | ebay.com | |
| 14. | Olympus TG-6 | 113 mm | 66 mm | 32 mm | 253 g | 340 | Y | May 2019 | EUR 479 | ebay.com | |
| 15. | Olympus XZ-1 | 111 mm | 65 mm | 42 mm | 275 g | 320 | n | Jan 2011 | EUR 480 | ebay.com | |
| 16. | Panasonic S1R II | 134 mm | 102 mm | 92 mm | 795 g | 350 | Y | May 2025 | EUR 3 599 | amazon.com | |
| 17. | Sony A1 II | 136 mm | 97 mm | 83 mm | 743 g | 520 | Y | Nov 2024 | EUR 7 499 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The TG-7 was launched at a lower price than the R5 Mark II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon R5 Mark II features a full frame sensor and the OM System TG-7 a 1/2.3-inch sensor. The sensor area in the TG-7 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the R5 Mark II has a native 3:2 aspect ratio, while the one in the TG-7 offers a 4:3 aspect.

With 44.8MP, the R5 Mark II offers a higher resolution than the TG-7 (12MP), but the R5 Mark II nevertheless has larger individual pixels (pixel pitch of 4.39μm versus 1.53μm for the TG-7) due to its larger sensor. Moreover, the R5 Mark II is a somewhat more recent model (by 10 months) than the TG-7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon R5 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 Mark II for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the OM System TG-7 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The R5 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R5 Mark II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the OM System Tough TG-7 are ISO 100 to ISO 12800 (no boost).
In terms of underlying technology, the R5 Mark II is build around a CMOS sensor, while the TG-7 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.8 | 3332 | 97 | |
| 2. | OM System TG-7 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 20.9 | 12.7 | 1553 | 54 | |
| 3. | Canon R1 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.4 | 14.8 | 3332 | 97 | |
| 4. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
| 5. | Canon R5 C | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.5 | 3082 | 96 | |
| 6. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
| 7. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
| 8. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
| 9. | Fujifilm GFX 100S II | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.9 | 15.1 | 3720 | 101 | |
| 10. | Nikon Z8 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.2 | 2548 | 98 | |
| 11. | Olympus E-PM1 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 21.0 | 10.3 | 499 | 52 | |
| 12. | Olympus TG-4 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.2 | 11.6 | 737 | 47 | |
| 13. | Olympus TG-5 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 20.5 | 11.9 | 934 | 50 | |
| 14. | Olympus TG-6 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 20.7 | 12.2 | 1127 | 52 | |
| 15. | Olympus XZ-1 | 1/1.7 | 10.1 | 3664 | 2752 | 720/30p | 18.8 | 10.4 | 117 | 34 | |
| 16. | Panasonic S1R II | Full Frame | 44.2 | 8144 | 5424 | 8K/30p | 25.4 | 14.8 | 3406 | 97 | |
| 17. | Sony A1 II | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.4 | 14.8 | 3363 | 97 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the R5 Mark II provides a higher video resolution than the TG-7. It can shoot video footage at 8k/60p, while the OM System is limited to 4K/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the R5 Mark II has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the TG-7 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon R5 Mark II and OM System TG-7 in connection with corresponding information for a sample of similar cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 2. | OM System TG-7 | none | n | 3.0 / 1040 | fixed | n | 1/2000s | 20.0/s | Y | Y | |
| 3. | Canon R1 | 9440 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 4. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 5. | Canon R5 C | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | n | |
| 6. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 7. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 8. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
| 9. | Fujifilm GFX 100S II | 5760 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 7.0/s | n | Y | |
| 10. | Nikon Z8 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
| 11. | Olympus E-PM1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 5.5/s | n | Y | |
| 12. | Olympus TG-4 | none | n | 3.0 / 460 | fixed | n | 1/2000s | 5.0/s | Y | Y | |
| 13. | Olympus TG-5 | none | n | 3.0 / 460 | fixed | n | 1/2000s | 20.0/s | Y | Y | |
| 14. | Olympus TG-6 | none | n | 3.0 / 1040 | fixed | n | 1/2000s | 20.0/s | Y | Y | |
| 15. | Olympus XZ-1 | optional | n | 3.0 / 614 | fixed | n | 1/2000s | 2.0/s | Y | Y | |
| 16. | Panasonic S1R II | 5760 | n | 3.2 / 1840 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
| 17. | Sony A1 II | 9437 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 30.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that is present on the R5 Mark II, but is missing on the TG-7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The R5 Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the TG-7 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R5 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 Mark II and the OM System TG-7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R5 Mark II writes its imaging data to CFexpress (type B) or SDXC cards, while the TG-7 uses SDXC cards. The R5 Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the TG-7 only has one slot. The R5 Mark II supports UHS-II cards (on both slots), while the TG-7 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 Mark II and OM System Tough TG-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Y | mono / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | OM System TG-7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 3. | Canon R1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 4. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 5. | Canon R5 C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 6. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 7. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 8. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
| 9. | Fujifilm GFX 100S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 10. | Nikon Z8 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 11. | Olympus E-PM1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 12. | Olympus TG-4 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 13. | Olympus TG-5 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 14. | Olympus TG-6 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 15. | Olympus XZ-1 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
| 16. | Panasonic S1R II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 17. | Sony A1 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
It is notable that the R5 Mark II has a hotshoe, while the TG-7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon R5 Mark II (unlike the TG-7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the TG-7 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the R5 Mark II and the TG-7 are recent models that are part of the current product line-up. The TG-7 replaced the earlier Olympus TG-6, while the R5 Mark II followed on from the Canon R5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and OM System websites.
Review summary
So how do things add up? Is there a clear favorite between the Canon R5 Mark II and the OM System TG-7? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Canon EOS R5 Mark II:
- More detail: Offers more megapixels (44.8 vs 12MP) with a 97% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (8k/60p vs 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 10 months after the TG-7).

Arguments in favor of the OM System Tough TG-7:
- Faster burst: Shoots at higher frequency (20 vs 12 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the R5 Mark II necessitates an extra lens.
- More compact: Is smaller (114x66mm vs 138x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the R5 Mark II).
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 15m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in September 2023).
If the count of relative strengths (bullet points above) is taken as a measure, the R5 Mark II is the clear winner of the match-up (27 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R5 Mark II and the OM System TG-7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the R5 Mark II and the TG-7 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | .. | .. | .. | 93/100 | .. | .. | Jul 2024 | EUR 4 799 | amazon.com | |
| 2. | OM System TG-7 | 4/5 | .. | 4.5/5 | .. | 4/5 | 4/5 | Sep 2023 | EUR 549 | amazon.com | |
| 3. | Canon R1 | .. | .. | .. | .. | .. | .. | Jul 2024 | EUR 7 499 | amazon.com | |
| 4. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | EUR 4 499 | amazon.com | |
| 5. | Canon R5 C | .. | + + | .. | .. | .. | .. | Jan 2022 | EUR 4 999 | amazon.com | |
| 6. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | EUR 2 699 | amazon.com | |
| 7. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | EUR 2 899 | amazon.com | |
| 8. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | EUR 3 999 | amazon.com | |
| 9. | Fujifilm GFX 100S II | .. | .. | .. | .. | .. | .. | May 2024 | EUR 5 499 | amazon.com | |
| 10. | Nikon Z8 | 5/5 | .. | 5/5 | 94/100 | 5/5 | 4.5/5 | May 2023 | EUR 4 599 | amazon.com | |
| 11. | Olympus E-PM1 | .. | 86/100 | .. | 71/100 | 4.5/5 | 4.5/5 | Jun 2011 | EUR 449 | ebay.com | |
| 12. | Olympus TG-4 | .. | + | .. | 79/100 | 4/5 | 4/5 | Apr 2015 | EUR 399 | ebay.com | |
| 13. | Olympus TG-5 | .. | + + | 4.5/5 | .. | 4/5 | 4/5 | May 2017 | EUR 479 | ebay.com | |
| 14. | Olympus TG-6 | 4/5 | + + | 4.5/5 | 76/100 | 4/5 | 4/5 | May 2019 | EUR 479 | ebay.com | |
| 15. | Olympus XZ-1 | 4/5 | .. | .. | 74/100 | 4.5/5 | 4.5/5 | Jan 2011 | EUR 480 | ebay.com | |
| 16. | Panasonic S1R II | .. | .. | .. | .. | .. | .. | May 2025 | EUR 3 599 | amazon.com | |
| 17. | Sony A1 II | .. | .. | .. | .. | .. | .. | Nov 2024 | EUR 7 499 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Check R5 Mark II price at
amazon.com

Check TG-7 price at
amazon.com
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Specifications: Canon R5 Mark II vs OM System TG-7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon R5 Mark II | OM System TG-7 |
|---|---|---|
| Camera Type | Mirrorless system camera | Fixed lens compact camera |
| Camera Lens | Canon RF mount lenses | 25-100mm f/2.0-4.9 |
| Launch Date | July 2024 | September 2023 |
| Launch Price | USD 4,299 | USD 549 |
| Sensor Specs | Canon R5 Mark II | OM System TG-7 |
| Sensor Technology | CMOS | BSI-CMOS |
| Sensor Format | Full Frame Sensor | 1/2.3" Sensor |
| Sensor Size | 36.0 x 24.0 mm | 6.17 x 4.55 mm |
| Sensor Area | 864 mm2 | 28.0735 mm2 |
| Sensor Diagonal | 43.3 mm | 7.7 mm |
| Crop Factor | 1.0x | 5.6x |
| Sensor Resolution | 44.8 Megapixels | 12 Megapixels |
| Image Resolution | 8192 x 5464 pixels | 4000 x 3000 pixels |
| Pixel Pitch | 4.39 μm | 1.53 μm |
| Pixel Density | 5.18 MP/cm2 | 42.74 MP/cm2 |
| Moiré control | Anti-Alias filter | Anti-Alias filter |
| Movie Capability | 8k/60p Video | 4K/30p Video |
| ISO Setting | 100 - 51,200 ISO | 100 - 12,800 ISO |
| ISO Boost | 50 - 102,400 ISO | no Enhancement |
| Image Processor | DIGIC X | TruePic VIII |
| Screen Specs | Canon R5 Mark II | OM System TG-7 |
| Viewfinder Type | Electronic viewfinder | no viewfinder |
| Viewfinder Field of View | 100% | |
| Viewfinder Magnification | 0.76x | |
| Viewfinder Resolution | 5760k dots | |
| Top-Level Screen | Control Panel | no Top Display |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.0inch |
| LCD Resolution | 2100k dots | 1040k dots |
| LCD Attachment | Swivel screen | Fixed screen |
| Touch Input | Touchscreen | no Touchscreen |
| Shooting Specs | Canon R5 Mark II | OM System TG-7 |
| Focus System | On-Sensor Phase-detect | Contrast-detect AF |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/8000s | 1/2000s |
| Continuous Shooting | 12 shutter flaps/s | 20 shutter flaps/s |
| Electronic Shutter | up to 1/32000s | no E-Shutter |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | In-body stabilization |
| Fill Flash | no On-Board Flash | Built-in Flash |
| Storage Medium | CFexB or SDXC cards | SDXC cards |
| Single or Dual Card Slots | Dual card slots | Single card slot |
| UHS card support | Dual UHS-II | UHS-I |
| Connectivity Specs | Canon R5 Mark II | OM System TG-7 |
| External Flash | Hotshoe | no Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 2.0 |
| HDMI Port | full HDMI | micro HDMI |
| Microphone Port | External MIC port | no MIC socket |
| Headphone Socket | Headphone port | no Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | no Bluetooth |
| Geotagging | no internal GPS | GPS built-in |
| Body Specs | Canon R5 Mark II | OM System TG-7 |
| Environmental Sealing | Weathersealed body | Waterproof body (15m) |
| Battery Type | Canon LP-E6P | OM System LI-92B |
| Battery Life (CIPA) | 340 shots per charge | 330 shots per charge |
| In-Camera Charging | USB charging | USB charging |
| Body Dimensions |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
114 x 66 x 33 mm (4.5 x 2.6 x 1.3 in) |
| Camera Weight | 746 g (26.3 oz) | 249 g (8.8 oz) |

Check R5 Mark II price at
amazon.com

Check TG-7 price at
amazon.com
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