Canon R5 Mark II vs Sony RX100 III
The Canon EOS R5 Mark II and the Sony Cyber-shot DSC-RX100 III are two digital cameras that were announced, respectively, in July 2024 and May 2014. The R5 Mark II is a mirrorless interchangeable lens camera, while the RX100 III is a fixed lens compact. The cameras are based on a full frame (R5 Mark II) and an one-inch (RX100 III) sensor. The Canon has a resolution of 44.8 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check R5 Mark II price at
amazon.com

Check RX100 III offers at
ebay.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 Mark II and the Sony Cyber-shot DSC-RX100 III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon R5 Mark II and the Sony RX100 III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 III is considerably smaller (56 percent) than the Canon R5 Mark II. It is worth mentioning in this context that the R5 Mark II is splash and dust resistant, while the RX100 III does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 III has a lens built in, whereas the R5 Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 138 mm | 98 mm | 88 mm | 746 g | 340 | Y | Jul 2024 | US$ 4 299 | amazon.com | |
| 2. | Sony RX100 III | 102 mm | 58 mm | 41 mm | 290 g | 320 | n | May 2014 | US$ 799 | ebay.com | |
| 3. | Canon G7 X | 103 mm | 60 mm | 40 mm | 304 g | 210 | n | Sep 2014 | US$ 699 | ebay.com | |
| 4. | Canon R1 | 158 mm | 150 mm | 87 mm | 1115 g | 1330 | Y | Jul 2024 | US$ 6 299 | amazon.com | |
| 5. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | US$ 3 899 | amazon.com | |
| 6. | Canon R5 C | 142 mm | 101 mm | 111 mm | 770 g | 320 | Y | Jan 2022 | US$ 4 499 | amazon.com | |
| 7. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | US$ 2 499 | amazon.com | |
| 8. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | US$ 2 499 | amazon.com | |
| 9. | Nikon Z8 | 144 mm | 119 mm | 83 mm | 910 g | 340 | Y | May 2023 | US$ 3 999 | amazon.com | |
| 10. | Panasonic S1R II | 134 mm | 102 mm | 92 mm | 795 g | 350 | Y | May 2025 | US$ 3 299 | amazon.com | |
| 11. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
| 12. | Sony A1 II | 136 mm | 97 mm | 83 mm | 743 g | 520 | Y | Nov 2024 | US$ 6 499 | amazon.com | |
| 13. | Sony A7R V | 131 mm | 97 mm | 82 mm | 723 g | 530 | Y | Oct 2022 | US$ 3 899 | amazon.com | |
| 14. | Sony RX100 | 102 mm | 58 mm | 36 mm | 240 g | 330 | n | Jun 2012 | US$ 649 | ebay.com | |
| 15. | Sony RX100 II | 102 mm | 58 mm | 38 mm | 281 g | 350 | n | Jun 2013 | US$ 749 | ebay.com | |
| 16. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | US$ 999 | ebay.com | |
| 17. | Sony RX100 VII | 102 mm | 58 mm | 43 mm | 302 g | 260 | n | Jul 2019 | US$ 1 199 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The RX100 III was launched at a lower price than the R5 Mark II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon R5 Mark II features a full frame sensor and the Sony RX100 III an one-inch sensor. The sensor area in the RX100 III is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 44.8MP, the R5 Mark II offers a higher resolution than the RX100 III (20MP), but the R5 Mark II nevertheless has larger individual pixels (pixel pitch of 4.39μm versus 2.41μm for the RX100 III) due to its larger sensor. Moreover, the R5 Mark II is a much more recent model (by 10 years and 2 months) than the RX100 III, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon R5 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 Mark II for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Sony RX100 III are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The R5 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R5 Mark II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 III are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
In terms of underlying technology, the R5 Mark II is build around a CMOS sensor, while the RX100 III uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.8 | 3332 | 97 | |
| 2. | Sony RX100 III | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.4 | 12.3 | 495 | 67 | |
| 3. | Canon G7 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 23.0 | 12.7 | 556 | 71 | |
| 4. | Canon R1 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.4 | 14.8 | 3332 | 97 | |
| 5. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
| 6. | Canon R5 C | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.5 | 3082 | 96 | |
| 7. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
| 8. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
| 9. | Nikon Z8 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.2 | 2548 | 98 | |
| 10. | Panasonic S1R II | Full Frame | 44.2 | 8144 | 5424 | 8K/30p | 25.4 | 14.8 | 3406 | 97 | |
| 11. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| 12. | Sony A1 II | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.4 | 14.8 | 3363 | 97 | |
| 13. | Sony A7R V | Full Frame | 60.2 | 9504 | 6336 | 8k/24p | 26.5 | 14.8 | 3187 | 100 | |
| 14. | Sony RX100 | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.6 | 12.4 | 390 | 66 | |
| 15. | Sony RX100 II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.5 | 12.4 | 483 | 67 | |
| 16. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
| 17. | Sony RX100 VII | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.8 | 12.4 | 418 | 63 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the R5 Mark II provides a higher video resolution than the RX100 III. It can shoot video footage at 8k/60p, while the Sony is limited to 1080/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R5 Mark II offers a substantially higher resolution than the one in the RX100 III (5760k vs 1440k dots). The adjacent table lists some of the other core features of the Canon R5 Mark II and Sony RX100 III along with similar information for a selection of comparators.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 2. | Sony RX100 III | 1440 | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
| 3. | Canon G7 X | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 6.5/s | Y | Y | |
| 4. | Canon R1 | 9440 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 5. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 6. | Canon R5 C | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | n | |
| 7. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 8. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 9. | Nikon Z8 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
| 10. | Panasonic S1R II | 5760 | n | 3.2 / 1840 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
| 11. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| 12. | Sony A1 II | 9437 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 30.0/s | n | Y | |
| 13. | Sony A7R V | 9440 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 10.0/s | n | Y | |
| 14. | Sony RX100 | none | n | 3.0 / 1229 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
| 15. | Sony RX100 II | optional | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
| 16. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
| 17. | Sony RX100 VII | 2359 | n | 3.0 / 921 | tilting | Y | 1/2000s | 90.0/s | Y | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that is present on the R5 Mark II, but is missing on the RX100 III is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R5 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R5 Mark II writes its imaging data to CFexpress (type B) or SDXC cards, while the RX100 III uses SDXC or Memory Stick PRO Duo cards. The R5 Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX100 III only has one slot. The R5 Mark II supports UHS-II cards (on both slots), while the RX100 III can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 Mark II and Sony Cyber-shot DSC-RX100 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Y | mono / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | Sony RX100 III | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 3. | Canon G7 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 4. | Canon R1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 5. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 6. | Canon R5 C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 7. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 8. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 9. | Nikon Z8 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 10. | Panasonic S1R II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 11. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 12. | Sony A1 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 13. | Sony A7R V | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 14. | Sony RX100 | - | stereo / mono | - | - | micro | 2.0 | - | - | - | |
| 15. | Sony RX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 16. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 17. | Sony RX100 VII | - | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y |
It is notable that the R5 Mark II has a hotshoe, while the RX100 III does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon R5 Mark II (unlike the RX100 III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The R5 Mark II is a recent model that features in the current product line-up of Canon. In contrast, the RX100 III has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the RX100 III was succeeded by the Sony RX100 IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
Review summary
So what is the bottom line? Is the Canon R5 Mark II better than the Sony RX100 III or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Canon EOS R5 Mark II:
- More detail: Offers more megapixels (44.8 vs 20MP) with a 50% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (8k/60p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 1440k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.59x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1229k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 10 years and 2 months of technical progress since the RX100 III launch.

Arguments in favor of the Sony Cyber-shot DSC-RX100 III:
- Ready to shoot: Has an integrated lens, whereas the R5 Mark II necessitates an extra lens.
- More compact: Is smaller (102x58mm vs 138x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the R5 Mark II).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in May 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the R5 Mark II is the clear winner of the match-up (30 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R5 Mark II and the Sony RX100 III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the R5 Mark II and the RX100 III in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | .. | .. | .. | 93/100 | .. | .. | Jul 2024 | US$ 4 299 | amazon.com | |
| 2. | Sony RX100 III | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | May 2014 | US$ 799 | ebay.com | |
| 3. | Canon G7 X | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Sep 2014 | US$ 699 | ebay.com | |
| 4. | Canon R1 | .. | .. | .. | .. | .. | .. | Jul 2024 | US$ 6 299 | amazon.com | |
| 5. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | US$ 3 899 | amazon.com | |
| 6. | Canon R5 C | .. | + + | .. | .. | .. | .. | Jan 2022 | US$ 4 499 | amazon.com | |
| 7. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | US$ 2 499 | amazon.com | |
| 8. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | US$ 2 499 | amazon.com | |
| 9. | Nikon Z8 | 5/5 | .. | 5/5 | 94/100 | 5/5 | 4.5/5 | May 2023 | US$ 3 999 | amazon.com | |
| 10. | Panasonic S1R II | .. | .. | .. | .. | .. | .. | May 2025 | US$ 3 299 | amazon.com | |
| 11. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
| 12. | Sony A1 II | .. | .. | .. | .. | .. | .. | Nov 2024 | US$ 6 499 | amazon.com | |
| 13. | Sony A7R V | 5/5 | + + | 4.5/5 | 92/100 | .. | .. | Oct 2022 | US$ 3 899 | amazon.com | |
| 14. | Sony RX100 | 5/5 | + + | .. | 78/100 | 4/5 | 5/5 | Jun 2012 | US$ 649 | ebay.com | |
| 15. | Sony RX100 II | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jun 2013 | US$ 749 | ebay.com | |
| 16. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | US$ 999 | ebay.com | |
| 17. | Sony RX100 VII | 4.5/5 | .. | 4/5 | .. | 4/5 | 5/5 | Jul 2019 | US$ 1 199 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check R5 Mark II price at
amazon.com

Check RX100 III offers at
ebay.com
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 20D vs Canon R5 Mark II
- Canon 300D vs Sony RX100 III
- Canon R5 Mark II vs Leica TL2
- Canon R5 Mark II vs Nikon D6
- Canon R5 Mark II vs Nikon Z9
- Canon R5 Mark II vs Panasonic FZ82
- Canon R5 Mark II vs Panasonic S9
- Fujifilm X-E2S vs Sony RX100 III
- Nikon 1 V2 vs Sony RX100 III
- Nikon D3400 vs Sony RX100 III
- Sony HX400V vs Sony RX100 III
- Sony NEX-6 vs Sony RX100 III
Specifications: Canon R5 Mark II vs Sony RX100 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon R5 Mark II | Sony RX100 III |
|---|---|---|
| Camera Type | Mirrorless system camera | Fixed lens compact camera |
| Camera Lens | Canon RF mount lenses | 24-70mm f/1.8-2.8 |
| Launch Date | July 2024 | May 2014 |
| Launch Price | USD 4,299 | USD 799 |
| Sensor Specs | Canon R5 Mark II | Sony RX100 III |
| Sensor Technology | CMOS | BSI-CMOS |
| Sensor Format | Full Frame Sensor | 1" Sensor |
| Sensor Size | 36.0 x 24.0 mm | 13.2 x 8.8 mm |
| Sensor Area | 864 mm2 | 116.16 mm2 |
| Sensor Diagonal | 43.3 mm | 15.9 mm |
| Crop Factor | 1.0x | 2.7x |
| Sensor Resolution | 44.8 Megapixels | 20 Megapixels |
| Image Resolution | 8192 x 5464 pixels | 5472 x 3648 pixels |
| Pixel Pitch | 4.39 μm | 2.41 μm |
| Pixel Density | 5.18 MP/cm2 | 17.18 MP/cm2 |
| Moiré control | Anti-Alias filter | Anti-Alias filter |
| Movie Capability | 8k/60p Video | 1080/60p Video |
| ISO Setting | 100 - 51,200 ISO | 100 - 12,800 ISO |
| ISO Boost | 50 - 102,400 ISO | 80 - 25,600 ISO |
| Image Processor | DIGIC X | BIONZ X |
| DXO Sensor Quality (score) | .. | 67 |
| DXO Color Depth (bits) | .. | 22.4 |
| DXO Dynamic Range (EV) | .. | 12.3 |
| DXO Low Light (ISO) | .. | 495 |
| Screen Specs | Canon R5 Mark II | Sony RX100 III |
| Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.76x | 0.59x |
| Viewfinder Resolution | 5760k dots | 1440k dots |
| Top-Level Screen | Control Panel | no Top Display |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.0inch |
| LCD Resolution | 2100k dots | 1229k dots |
| LCD Attachment | Swivel screen | Tilting screen |
| Touch Input | Touchscreen | no Touchscreen |
| Shooting Specs | Canon R5 Mark II | Sony RX100 III |
| Focus System | On-Sensor Phase-detect | Contrast-detect AF |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/8000s | 1/2000s |
| Continuous Shooting | 12 shutter flaps/s | 10 shutter flaps/s |
| Electronic Shutter | up to 1/32000s | no E-Shutter |
| Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
| Image Stabilization | In-body stabilization | Lens-based stabilization |
| Fill Flash | no On-Board Flash | Built-in Flash |
| Storage Medium | CFexB or SDXC cards | MS or SDXC cards |
| Single or Dual Card Slots | Dual card slots | Single card slot |
| UHS card support | Dual UHS-II | UHS-I |
| Connectivity Specs | Canon R5 Mark II | Sony RX100 III |
| External Flash | Hotshoe | no Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 2.0 |
| HDMI Port | full HDMI | micro HDMI |
| Microphone Port | External MIC port | no MIC socket |
| Headphone Socket | Headphone port | no Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Near-Field Communication | no NFC | NFC built-in |
| Bluetooth Support | Bluetooth built-in | no Bluetooth |
| Body Specs | Canon R5 Mark II | Sony RX100 III |
| Environmental Sealing | Weathersealed body | not weather sealed |
| Battery Type | Canon LP-E6P | Sony NP-BX1 |
| Battery Life (CIPA) | 340 shots per charge | 320 shots per charge |
| In-Camera Charging | USB charging | USB charging |
| Body Dimensions |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
102 x 58 x 41 mm (4.0 x 2.3 x 1.6 in) |
| Camera Weight | 746 g (26.3 oz) | 290 g (10.2 oz) |

Check R5 Mark II price at
amazon.com

Check RX100 III offers at
ebay.com
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