Fujifilm GFX 100RF vs OM System OM-5 II

The Fujifilm GFX 100RF and the OM System OM-5 II are two enthusiast cameras that were revealed to the public, respectively, in March 2025 and June 2025. The GFX 100RF is a fixed lens compact, while the OM-5 II is a mirrorless interchangeable lens camera. The cameras are based on a medium format (GFX 100RF) and a Four Thirds (OM-5 II) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the OM System provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100RF		OM System OM-5 II
Fixed lens compact camera		Mirrorless system camera
28mm f/4.0		Micro Four Thirds lenses
101.8 MP – Medium Format sensor		20.2 MP – Four Thirds sensor
4K/30p Video		4K/30p Video
ISO 80-12,800 (40 - 102,400)		ISO 200-25,600
Electronic viewfinder (5760k dots)		Electronic viewfinder (2360k dots)
3.2" LCD – 2100k dots		3.0" LCD – 1040k dots
Tilting touchscreen		Swivel touchscreen
6 shutter flaps per second		10 shutter flaps per second
no shake reduction		In-body stabilization
Weathersealed body		Weathersealed body
820 shots per battery charge		310 shots per battery charge
134 x 90 x 77 mm, 735 g		125 x 85 x 50 mm, 414 g

Check GFX 100RF price at
amazon.com
Check OM-5 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100RF and the OM System OM-5 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 100RF and the OM System OM-5 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The GFX 100RF can be obtained in two different colors (black, silver), while the OM-5 II is available in three color-versions (black, silver, beige).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the OM System OM-5 II is notably smaller (12 percent) than the Fujifilm GFX 100RF. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the GFX 100RF has a lens built in, whereas the OM-5 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the OM-5 II and their specifications in the Micro Four Thirds Lens Catalog.

Concerning battery life, the GFX 100RF gets 820 shots out of its Fujifilm NP-W235 battery, while the OM-5 II can take 310 images on a single charge of its OM System BLS-50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100RF	134 mm	90 mm	77 mm	735 g	820	Y	Mar 2025	US$ 4 899	amazon.com
2.		OM System OM-5 II	125 mm	85 mm	50 mm	414 g	310	Y	Jun 2025	US$ 1 199	amazon.com
3.		Canon R5 C	142 mm	101 mm	111 mm	770 g	320	Y	Jan 2022	US$ 4 499	amazon.com
4.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
5.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
6.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
7.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	US$ 4 999	amazon.com
8.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	US$ 5 749	ebay.com
9.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
10.		Leica Q2	130 mm	80 mm	92 mm	718 g	370	Y	Mar 2019	US$ 4 999	amazon.com
11.		Leica Q3	130 mm	80 mm	93 mm	743 g	350	Y	May 2023	US$ 5 999	amazon.com
12.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	US$ 1 199	ebay.com
13.		OM System OM-1 II	135 mm	92 mm	73 mm	599 g	500	Y	Jan 2024	US$ 2 399	amazon.com
14.		OM System OM-3	139 mm	89 mm	46 mm	496 g	590	Y	Feb 2025	US$ 1 999	amazon.com
15.		OM System OM-5	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2022	US$ 1 199	amazon.com
16.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	US$ 1 199	ebay.com
17.		Sony RX1R III	113 mm	68 mm	88 mm	498 g	300	Y	Jul 2025	US$ 5 099	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100RF features a medium format sensor and the OM System OM-5 II a Four Thirds sensor. The sensor area in the OM-5 II is 84 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

With 101.8MP, the GFX 100RF offers a higher resolution than the OM-5 II (20.2MP), but the GFX 100RF nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 3.34μm for the OM-5 II) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 100RF implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100RF for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the OM System OM-5 II are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

Unlike the GFX 100RF, the OM-5 II has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100RF has a native sensitivity range from ISO 80 to ISO 12800, which can be extended to ISO 40-102400. The corresponding ISO settings for the OM System OM-5 II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.

In terms of underlying technology, the GFX 100RF is build around a BSI-CMOS sensor, while the OM-5 II uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100RF	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3805	101
2.		OM System OM-5 II	Four Thirds	20.2	5184	3888	4K/30p	23.4	13.7	1889	78
3.		Canon R5 C	Full Frame	44.8	8192	5464	8k/60p	25.4	14.5	3082	96
4.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
5.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
6.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
7.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
8.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
9.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
10.		Leica Q2	Full Frame	46.7	8368	5584	4K/30p	26.4	13.5	2491	96
11.		Leica Q3	Full Frame	60.3	9528	6328	8K/30p	25.4	14.7	3216	96
12.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
13.		OM System OM-1 II	Four Thirds	20.2	5184	3888	4K/60p	23.4	13.6	1749	78
14.		OM System OM-3	Four Thirds	20.2	5184	3888	4K/60p	23.4	13.7	1852	78
15.		OM System OM-5	Four Thirds	20.2	5184	3888	4K/30p	23.4	13.4	1622	78
16.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
17.		Sony RX1R III	Full Frame	60.2	9504	6336	4K/30p	25.4	14.9	3417	97
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 100RF offers a substantially higher resolution than the one in the OM-5 II (5760k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100RF, the OM System OM-5 II, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100RF	5760	n	3.2 / 2100	tilting	Y	1/4000s	6.0/s	n	n
2.		OM System OM-5 II	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
3.		Canon R5 C	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	n
4.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
5.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
6.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
7.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
8.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
9.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
10.		Leica Q2	3680	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	n	Y
11.		Leica Q3	5760	n	3.0 / 1840	tilting	Y	1/2000s	15.0/s	n	Y
12.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
13.		OM System OM-1 II	5760	n	3.0 / 1640	swivel	Y	1/8000s	10.0/s	n	Y
14.		OM System OM-3	2360	n	3.0 / 1640	swivel	Y	1/8000s	6.0/s	n	Y
15.		OM System OM-5	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
16.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
17.		Sony RX1R III	2360	n	3.0 / 2360	fixed	Y	1/4000s	5.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100RF and the OM System OM-5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 100RF and the OM-5 II write their files to SDXC cards. The GFX 100RF features dual card slots, which can be very useful in case a memory card fails. In contrast, the OM-5 II only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100RF and OM System OM-5 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100RF	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		OM System OM-5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
3.		Canon R5 C	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
5.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
6.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
7.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
9.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
10.		Leica Q2	Y	stereo / mono	-	-	-	-	Y	-	Y
11.		Leica Q3	Y	stereo / mono	-	-	micro	3.1	Y	-	Y
12.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
13.		OM System OM-1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
14.		OM System OM-3	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
15.		OM System OM-5	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
16.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
17.		Sony RX1R III	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y

Both the GFX 100RF and the OM-5 II are recent models that are part of the current product line-up. The OM-5 II replaced the earlier OM System OM-5, while the GFX 100RF does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and OM System websites.

Review summary

So how do things add up? Is the Fujifilm GFX 100RF better than the OM System OM-5 II or vice versa? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Fujifilm GFX 100RF:

• More detail: Offers more megapixels (101.8 vs 20.2MP) with a 125% higher linear resolution.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.84x vs 0.68x).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
• Ready to shoot: Has a lens built-in, whereas the OM-5 II requires a separate lens.
• Longer lasting: Can take more shots (820 versus 310) on a single battery charge.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.

Arguments in favor of the OM System OM-5 II:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• More compact: Is smaller (125x85mm vs 134x90mm) and will fit more readily into a bag.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100RF is the clear winner of the match-up (14 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100RF and the OM System OM-5 II place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the GFX 100RF or the OM-5 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100RF	..	..	..	..	..	..	Mar 2025	US$ 4 899	amazon.com
2.		OM System OM-5 II	..	..	..	..	..	..	Jun 2025	US$ 1 199	amazon.com
3.		Canon R5 C	..	+ +	..	..	..	..	Jan 2022	US$ 4 499	amazon.com
4.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
5.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
6.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
7.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	US$ 4 999	amazon.com
8.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	US$ 5 749	ebay.com
9.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
10.		Leica Q2	..	..	4.5/5	84/100	4.5/5	4/5	Mar 2019	US$ 4 999	amazon.com
11.		Leica Q3	5/5	..	4.5/5	..	..	4.5/5	May 2023	US$ 5 999	amazon.com
12.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	US$ 1 199	ebay.com
13.		OM System OM-1 II	..	..	..	..	..	..	Jan 2024	US$ 2 399	amazon.com
14.		OM System OM-3	..	..	..	86/100	..	..	Feb 2025	US$ 1 999	amazon.com
15.		OM System OM-5	5/5	..	4.5/5	83/100	5/5	4.5/5	Oct 2022	US$ 1 199	amazon.com
16.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	US$ 1 199	ebay.com
17.		Sony RX1R III	..	..	..	..	..	..	Jul 2025	US$ 5 099	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check GFX 100RF price at
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Other camera comparisons

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