Fujifilm GFX 100S II vs X-A2

The Fujifilm GFX 100S II and the Fujifilm X-A2 are two digital cameras that were revealed to the public, respectively, in May 2024 and January 2015. Both the GFX 100S II and the X-A2 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100S II) and an APS-C (X-A2) sensor. The GFX 100S II has a resolution of 101.8 megapixels, whereas the X-A2 provides 16 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100S II		Fujifilm X-A2
Mirrorless system camera		Mirrorless system camera
Fujifilm G mount lenses		Fujifilm X mount lenses
101.8 MP – Medium Format sensor		16 MP – APS-C sensor
4K/30p Video		1080/30p Video
ISO 100-12,800 (50 - 102,400)		ISO 200-6,400 (100 - 25,600)
Electronic viewfinder (5760k dots)		No viewfinder, LCD framing
3.2" LCD – 2360k dots		3.0" LCD – 920k dots
Fully flexible touchscreen		Tilting screen (no touchscreen)
7 shutter flaps per second		5.6 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
530 shots per battery charge		410 shots per battery charge
150 x 104 x 87 mm, 883 g		117 x 67 x 40 mm, 350 g

Check GFX 100S II price at
amazon.com
Check X-A2 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100S II and the Fujifilm X-A2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 100S II and the Fujifilm X-A2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The X-A2 can be obtained in three different colors (black, brown, white), while the GFX 100S II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-A2 is considerably smaller (50 percent) than the Fujifilm GFX 100S II. Moreover, the X-A2 is substantially lighter (60 percent) than the GFX 100S II. It is worth mentioning in this context that the GFX 100S II is splash and dust resistant, while the X-A2 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 100S II gets 530 shots out of its Fujifilm NP-W235 battery, while the X-A2 can take 410 images on a single charge of its Fujifilm NP-W126 power pack. The power pack in the GFX 100S II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	US$ 4 999	amazon.com
2.		Fujifilm X-A2	117 mm	67 mm	40 mm	350 g	410	n	Jan 2015	US$ 399	ebay.com
3.		Canon R5 Mark II	138 mm	98 mm	88 mm	746 g	340	Y	Jul 2024	US$ 4 299	amazon.com
4.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
5.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
6.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
7.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
8.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
9.		Fujifilm GFX 100RF	134 mm	90 mm	77 mm	735 g	820	Y	Mar 2025	US$ 4 899	amazon.com
10.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
11.		Fujifilm X-A1	117 mm	67 mm	39 mm	330 g	350	n	Sep 2013	US$ 399	ebay.com
12.		Fujifilm X-A3	117 mm	67 mm	40 mm	339 g	410	n	Aug 2016	US$ 399	ebay.com
13.		Fujifilm X-A10	117 mm	67 mm	40 mm	331 g	410	n	Dec 2016	US$ 399	ebay.com
14.		Fujifilm X-E2S	129 mm	75 mm	37 mm	350 g	350	n	Jan 2016	US$ 699	ebay.com
15.		Fujifilm X-T10	118 mm	83 mm	41 mm	381 g	350	n	May 2015	US$ 799	ebay.com
16.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
17.		Leica SL3-S	141 mm	108 mm	85 mm	852 g	315	Y	Jan 2025	US$ 5 299	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-A2 was launched at a markedly lower price (by 92 percent) than the GFX 100S II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100S II features a medium format sensor and the Fujifilm X-A2 an APS-C sensor. The sensor area in the X-A2 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 100S II has a native 4:3 aspect ratio, while the one in the X-A2 offers a 3:2 aspect.

With 101.8MP, the GFX 100S II offers a higher resolution than the X-A2 (16MP), but the GFX 100S II has smaller individual pixels (pixel pitch of 3.76μm versus 4.80μm for the X-A2). However, the GFX 100S II is a much more recent model (by 9 years and 4 months) than the X-A2, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100S II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S II for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Fujifilm X-A2 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.

The GFX 100S II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the X-A2, the GFX 100S II has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100S II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm X-A2 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.

In terms of underlying technology, the GFX 100S II is build around a BSI-CMOS sensor, while the X-A2 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
2.		Fujifilm X-A2	APS-C	16.0	4896	3264	1080/30p	23.6	12.8	1515	79
3.		Canon R5 Mark II	Full Frame	44.8	8192	5464	8k/60p	25.4	14.8	3332	97
4.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
5.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
6.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
7.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
8.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
9.		Fujifilm GFX 100RF	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3805	101
10.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
11.		Fujifilm X-A1	APS-C	16.0	4896	3264	1080/30p	23.4	12.6	1390	76
12.		Fujifilm X-A3	APS-C	24.0	6000	4000	1080/60p	23.8	13.1	1663	81
13.		Fujifilm X-A10	APS-C	16.0	4896	3264	1080/30p	23.9	13.2	1691	81
14.		Fujifilm X-E2S	APS-C	16.0	4896	3264	1080/60p	23.7	13.0	1608	80
15.		Fujifilm X-T10	APS-C	16.0	4896	3264	1080/60p	23.7	12.9	1546	79
16.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
17.		Leica SL3-S	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3383	97
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GFX 100S II provides a higher video resolution than the X-A2. It can shoot video footage at 4K/30p, while the X-A2 is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 100S II has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-A2 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm GFX 100S II and Fujifilm X-A2 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
2.		Fujifilm X-A2	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
3.		Canon R5 Mark II	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
4.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
5.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
6.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
7.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
9.		Fujifilm GFX 100RF	5760	n	3.2 / 2100	tilting	Y	1/4000s	6.0/s	n	n
10.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
11.		Fujifilm X-A1	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
12.		Fujifilm X-A3	none	n	3.0 / 1040	tilting	Y	1/4000s	6.0/s	Y	n
13.		Fujifilm X-A10	none	n	3.0 / 1040	tilting	n	1/4000s	6.0/s	Y	n
14.		Fujifilm X-E2S	2360	n	3.0 / 1040	fixed	n	1/4000s	7.0/s	Y	n
15.		Fujifilm X-T10	2360	n	3.0 / 920	tilting	n	1/4000s	8.0/s	Y	n
16.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
17.		Leica SL3-S	5760	Y	3.2 / 2333	tilting	Y	1/8000s	30.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 100S II, but is missing on the X-A2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100S II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 100S II and the X-A2 write their files to SDXC cards. The GFX 100S II features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-A2 only has one slot. The GFX 100S II supports UHS-II cards (on both slots), while the X-A2 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100S II and Fujifilm X-A2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Fujifilm X-A2	Y	stereo / mono	-	-	mini	2.0	Y	-	-
3.		Canon R5 Mark II	Y	mono / mono	Y	Y	full	3.2	Y	-	Y
4.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
5.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
6.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
7.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
8.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Fujifilm GFX 100RF	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
10.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Fujifilm X-A1	Y	stereo / mono	-	-	mini	2.0	Y	-	-
12.		Fujifilm X-A3	Y	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Fujifilm X-A10	-	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Fujifilm X-E2S	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
15.		Fujifilm X-T10	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
16.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
17.		Leica SL3-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the GFX 100S II has a microphone port, which is missing on the X-A2. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Fujifilm GFX 100S II (unlike the X-A2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 100S II is a recent model that features in the current product line-up of Fujifilm. In contrast, the X-A2 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the X-A2 was succeeded by the Fujifilm X-A3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm website.

Review summary

So how do things add up? Which of the two cameras – the Fujifilm GFX 100S II or the Fujifilm X-A2 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Advantages of the Fujifilm GFX 100S II:

• More detail: Offers more megapixels (101.8 vs 16MP) with a 147% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 920k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (7 vs 5.6 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Can take more shots (530 versus 410) on a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 9 years and 4 months of technical progress since the X-A2 launch.

Arguments in favor of the Fujifilm X-A2:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More compact: Is smaller (117x67mm vs 150x104mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 533g or 60 percent) and is thus easier to take along.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in January 2015).

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100S II is the clear winner of the match-up (30 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100S II and the Fujifilm X-A2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GFX 100S II or the X-A2 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	US$ 4 999	amazon.com
2.		Fujifilm X-A2	4/5	..	..	..	4.5/5	4.5/5	Jan 2015	US$ 399	ebay.com
3.		Canon R5 Mark II	..	..	..	93/100	..	..	Jul 2024	US$ 4 299	amazon.com
4.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
5.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
6.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
7.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
8.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
9.		Fujifilm GFX 100RF	..	..	..	..	..	..	Mar 2025	US$ 4 899	amazon.com
10.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
11.		Fujifilm X-A1	..	..	..	..	4.5/5	4.5/5	Sep 2013	US$ 399	ebay.com
12.		Fujifilm X-A3	..	..	..	74/100	4.5/5	4/5	Aug 2016	US$ 399	ebay.com
13.		Fujifilm X-A10	..	..	..	..	4/5	4/5	Dec 2016	US$ 399	ebay.com
14.		Fujifilm X-E2S	4.5/5	..	..	77/100	4.5/5	4.5/5	Jan 2016	US$ 699	ebay.com
15.		Fujifilm X-T10	4.5/5	+ +	..	80/100	5/5	5/5	May 2015	US$ 799	ebay.com
16.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
17.		Leica SL3-S	..	..	..	..	..	..	Jan 2025	US$ 5 299	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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