Fujifilm GFX 100S II vs Kodak AZ901
The Fujifilm GFX 100S II and the Kodak PixPro AZ901 are two digital cameras that were revealed to the public, respectively, in May 2024 and January 2016. The GFX 100S II is a mirrorless interchangeable lens camera, while the AZ901 is a fixed lens compact. The cameras are based on a medium format (GFX 100S II) and a 1/2.3-inch (AZ901) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Kodak provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check GFX 100S II price at
amazon.com

Check AZ901 price at
amazon.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100S II and the Kodak PixPro AZ901? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 100S II and the Kodak AZ901. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Kodak AZ901 is notably smaller (7 percent) than the Fujifilm GFX 100S II. It is worth mentioning in this context that the GFX 100S II is splash and dust resistant, while the AZ901 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the AZ901 has a lens built in, whereas the GFX 100S II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the GFX 100S II gets 530 shots out of its Fujifilm NP-W235 battery, while the AZ901 can take 400 images on a single charge of its Kodak LB-070 power pack. The power pack in the GFX 100S II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100S II | 150 mm | 104 mm | 87 mm | 883 g | 530 | Y | May 2024 | US$ 4 999 | amazon.com | |
| 2. | Kodak AZ901 | 139 mm | 104 mm | 119 mm | 777 g | 400 | n | Jan 2016 | US$ 499 | amazon.com | |
| 3. | Canon G9 X | 98 mm | 58 mm | 31 mm | 209 g | 220 | n | Oct 2015 | US$ 529 | ebay.com | |
| 4. | Canon R5 Mark II | 138 mm | 98 mm | 88 mm | 746 g | 340 | Y | Jul 2024 | US$ 4 299 | amazon.com | |
| 5. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | US$ 4 499 | ebay.com | |
| 6. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | US$ 6 499 | ebay.com | |
| 7. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | US$ 3 999 | amazon.com | |
| 8. | Fujifilm GFX 100 | 156 mm | 144 mm | 75 mm | 1320 g | 800 | Y | May 2019 | US$ 9 999 | ebay.com | |
| 9. | Fujifilm GFX 100 II | 152 mm | 117 mm | 99 mm | 1030 g | 540 | Y | Sep 2023 | US$ 7 499 | amazon.com | |
| 10. | Fujifilm GFX 100RF | 134 mm | 90 mm | 77 mm | 735 g | 820 | Y | Mar 2025 | US$ 4 899 | amazon.com | |
| 11. | Fujifilm GFX 100S | 150 mm | 104 mm | 87 mm | 900 g | 460 | Y | Jan 2021 | US$ 5 999 | amazon.com | |
| 12. | Hasselblad X2D 100C | 149 mm | 106 mm | 75 mm | 895 g | 420 | Y | Sep 2022 | US$ 8 199 | amazon.com | |
| 13. | Leica Q Typ 116 | 130 mm | 80 mm | 93 mm | 640 g | 300 | n | Jun 2015 | US$ 4 249 | ebay.com | |
| 14. | Leica SL3-S | 141 mm | 108 mm | 85 mm | 852 g | 315 | Y | Jan 2025 | US$ 5 299 | amazon.com | |
| 15. | Nikon B700 | 125 mm | 85 mm | 107 mm | 565 g | 350 | n | Feb 2016 | US$ 499 | ebay.com | |
| 16. | Sony HX90V | 102 mm | 58 mm | 36 mm | 245 g | 360 | n | Apr 2015 | US$ 429 | ebay.com | |
| 17. | Sony HX350 | 130 mm | 93 mm | 103 mm | 652 g | 300 | n | Dec 2016 | US$ 449 | ebay.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The AZ901 was launched at a lower price than the GFX 100S II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 100S II features a medium format sensor and the Kodak AZ901 a 1/2.3-inch sensor. The sensor area in the AZ901 is 98 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

With 101.8MP, the GFX 100S II offers a higher resolution than the AZ901 (20.2MP), but the GFX 100S II nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.18μm for the AZ901) due to its larger sensor. Moreover, the GFX 100S II is a much more recent model (by 8 years and 4 months) than the AZ901, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100S II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S II for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Kodak AZ901 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The GFX 100S II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the AZ901, the GFX 100S II has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm GFX 100S II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Kodak PixPro AZ901 are ISO 100 to ISO 3200 (no boost).
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100S II | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.9 | 15.1 | 3720 | 101 | |
| 2. | Kodak AZ901 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/30p | 20.3 | 11.7 | 806 | 48 | |
| 3. | Canon G9 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.5 | 12.3 | 495 | 63 | |
| 4. | Canon R5 Mark II | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.8 | 3332 | 97 | |
| 5. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
| 6. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
| 7. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
| 8. | Fujifilm GFX 100 | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.7 | 14.5 | 3227 | 99 | |
| 9. | Fujifilm GFX 100 II | Medium Format | 101.8 | 11648 | 8736 | 8K/30p | 25.9 | 15.0 | 3651 | 101 | |
| 10. | Fujifilm GFX 100RF | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.9 | 15.1 | 3805 | 101 | |
| 11. | Fujifilm GFX 100S | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.8 | 14.7 | 3391 | 100 | |
| 12. | Hasselblad X2D 100C | Medium Format | 102.1 | 11656 | 8762 | none | 25.9 | 14.9 | 3550 | 101 | |
| 13. | Leica Q Typ 116 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.3 | 12.7 | 2221 | 85 | |
| 14. | Leica SL3-S | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.8 | 3383 | 97 | |
| 15. | Nikon B700 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.4 | 11.8 | 818 | 48 | |
| 16. | Sony HX90V | 1/2.3 | 18.0 | 4896 | 3672 | 1080/60p | 20.2 | 11.6 | 738 | 47 | |
| 17. | Sony HX350 | 1/2.3 | 19.9 | 5152 | 3864 | 1080/60p | 20.5 | 11.9 | 896 | 49 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GFX 100S II provides a higher video resolution than the AZ901. It can shoot video footage at 4K/30p, while the Kodak is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 100S II offers a substantially higher resolution than the one in the AZ901 (5760k vs 202k dots). The table below summarizes some of the other core capabilities of the Fujifilm GFX 100S II and Kodak AZ901 in connection with corresponding information for a sample of similar cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100S II | 5760 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 7.0/s | n | Y | |
| 2. | Kodak AZ901 | 202 | n | 3.0 / 920 | swivel | n | 1/2000s | 5.0/s | Y | Y | |
| 3. | Canon G9 X | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 6.0/s | Y | Y | |
| 4. | Canon R5 Mark II | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 5. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
| 6. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
| 7. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
| 8. | Fujifilm GFX 100 | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
| 9. | Fujifilm GFX 100 II | 9440 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 8.0/s | n | Y | |
| 10. | Fujifilm GFX 100RF | 5760 | n | 3.2 / 2100 | tilting | Y | 1/4000s | 6.0/s | n | n | |
| 11. | Fujifilm GFX 100S | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
| 12. | Hasselblad X2D 100C | 5760 | Y | 3.6 / 2360 | tilting | Y | 1/4000s | 3.3/s | n | Y | |
| 13. | Leica Q Typ 116 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
| 14. | Leica SL3-S | 5760 | Y | 3.2 / 2333 | tilting | Y | 1/8000s | 30.0/s | n | Y | |
| 15. | Nikon B700 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 5.0/s | Y | Y | |
| 16. | Sony HX90V | 638 | n | 3.0 / 921 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
| 17. | Sony HX350 | 202 | n | 3.0 / 922 | tilting | n | 1/4000s | 10.0/s | Y | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that is present on the GFX 100S II, but is missing on the AZ901 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The AZ901 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 100S II does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100S II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 100S II and the AZ901 write their files to SDXC cards. The GFX 100S II features dual card slots, which can be very useful in case a memory card fails. In contrast, the AZ901 only has one slot. The GFX 100S II supports UHS-II cards (on both slots), while the AZ901 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100S II and Kodak PixPro AZ901 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 2. | Kodak AZ901 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 3. | Canon G9 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 4. | Canon R5 Mark II | Y | mono / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 5. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
| 6. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
| 7. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
| 8. | Fujifilm GFX 100 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
| 9. | Fujifilm GFX 100 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 10. | Fujifilm GFX 100RF | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 11. | Fujifilm GFX 100S | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 12. | Hasselblad X2D 100C | Y | stereo / mono | - | - | - | 3.2 | Y | - | - | |
| 13. | Leica Q Typ 116 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 14. | Leica SL3-S | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 15. | Nikon B700 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
| 16. | Sony HX90V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 17. | Sony HX350 | - | stereo / mono | - | - | micro | 2.0 | - | - | - |
It is notable that the GFX 100S II has a hotshoe, while the AZ901 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm GFX 100S II (unlike the AZ901) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GFX 100S II and the AZ901 are recent models that are part of the current product line-up. The AZ901 replaced the earlier Kodak AZ651, while the GFX 100S II followed on from the Fujifilm GFX 100S. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Kodak websites.
Review summary
So what conclusions can be drawn? Is the Fujifilm GFX 100S II better than the Kodak AZ901 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Fujifilm GFX 100S II:
- More detail: Offers more megapixels (101.8 vs 20.2MP) with a 125% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 202k dots).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (530 versus 400) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 8 years and 4 months of technical progress since the AZ901 launch.

Advantages of the Kodak PixPro AZ901:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has an integrated lens, whereas the GFX 100S II necessitates an extra lens.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 100S II).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in January 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100S II is the clear winner of the match-up (31 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 100S II and the Kodak AZ901 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 100S II and the AZ901 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100S II | .. | .. | .. | .. | .. | .. | May 2024 | US$ 4 999 | amazon.com | |
| 2. | Kodak AZ901 | .. | .. | .. | .. | 3.5/5 | 3/5 | Jan 2016 | US$ 499 | amazon.com | |
| 3. | Canon G9 X | 3.5/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2015 | US$ 529 | ebay.com | |
| 4. | Canon R5 Mark II | .. | .. | .. | 93/100 | .. | .. | Jul 2024 | US$ 4 299 | amazon.com | |
| 5. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | US$ 4 499 | ebay.com | |
| 6. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | US$ 6 499 | ebay.com | |
| 7. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | US$ 3 999 | amazon.com | |
| 8. | Fujifilm GFX 100 | 4.5/5 | + + | 4.8/5 | 90/100 | 5/5 | 4.5/5 | May 2019 | US$ 9 999 | ebay.com | |
| 9. | Fujifilm GFX 100 II | 5/5 | + | 5/5 | .. | .. | 4.5/5 | Sep 2023 | US$ 7 499 | amazon.com | |
| 10. | Fujifilm GFX 100RF | .. | .. | .. | .. | .. | .. | Mar 2025 | US$ 4 899 | amazon.com | |
| 11. | Fujifilm GFX 100S | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jan 2021 | US$ 5 999 | amazon.com | |
| 12. | Hasselblad X2D 100C | 4/5 | .. | 5/5 | .. | .. | .. | Sep 2022 | US$ 8 199 | amazon.com | |
| 13. | Leica Q Typ 116 | 5/5 | .. | .. | 80/100 | 4.5/5 | 4.5/5 | Jun 2015 | US$ 4 249 | ebay.com | |
| 14. | Leica SL3-S | .. | .. | .. | .. | .. | .. | Jan 2025 | US$ 5 299 | amazon.com | |
| 15. | Nikon B700 | .. | + | .. | .. | 4/5 | 4/5 | Feb 2016 | US$ 499 | ebay.com | |
| 16. | Sony HX90V | 4/5 | + + | .. | .. | 4/5 | 4.5/5 | Apr 2015 | US$ 429 | ebay.com | |
| 17. | Sony HX350 | .. | .. | .. | .. | .. | 4/5 | Dec 2016 | US$ 449 | ebay.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check GFX 100S II price at
amazon.com

Check AZ901 price at
amazon.com
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark II vs Kodak AZ901
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- Fujifilm GFX 100S II vs Leica SL2
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- Fujifilm GFX 100S II vs Nikon Z7 II
- Fujifilm GFX 100S II vs OM System TG-7
- Fujifilm GFX 100S II vs Olympus E-M1X
- Fujifilm X-Pro1 vs Kodak AZ901
- Kodak AZ901 vs Nikon Df
- Kodak AZ901 vs Olympus TG-6
- Kodak AZ901 vs Sony A7R
Specifications: Fujifilm GFX 100S II vs Kodak AZ901
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Fujifilm GFX 100S II | Kodak AZ901 |
|---|---|---|
| Camera Type | Mirrorless system camera | Fixed lens compact camera |
| Camera Lens | Fujifilm G mount lenses | 22-1980mm f/3.1-6.8 |
| Launch Date | May 2024 | January 2016 |
| Launch Price | USD 4,999 | USD 499 |
| Sensor Specs | Fujifilm GFX 100S II | Kodak AZ901 |
| Sensor Technology | BSI-CMOS | BSI-CMOS |
| Sensor Format | Medium Format Sensor | 1/2.3" Sensor |
| Sensor Size | 43.8 x 32.9 mm | 6.17 x 4.55 mm |
| Sensor Area | 1441.02 mm2 | 28.0735 mm2 |
| Sensor Diagonal | 54.8 mm | 7.7 mm |
| Crop Factor | 0.79x | 5.6x |
| Sensor Resolution | 101.8 Megapixels | 20.2 Megapixels |
| Image Resolution | 11648 x 8736 pixels | 5184 x 3888 pixels |
| Pixel Pitch | 3.76 μm | 1.18 μm |
| Pixel Density | 7.06 MP/cm2 | 71.80 MP/cm2 |
| Moiré control | no AA filter | Anti-Alias filter |
| Movie Capability | 4K/30p Video | 1080/30p Video |
| ISO Setting | 100 - 12,800 ISO | 100 - 3,200 ISO |
| ISO Boost | 50 - 102,400 ISO | no Enhancement |
| Screen Specs | Fujifilm GFX 100S II | Kodak AZ901 |
| Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.84x | |
| Viewfinder Resolution | 5760k dots | 202k dots |
| Top-Level Screen | Control Panel | no Top Display |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.0inch |
| LCD Resolution | 2360k dots | 920k dots |
| LCD Attachment | Fully flexible screen | Swivel screen |
| Touch Input | Touchscreen | no Touchscreen |
| Shooting Specs | Fujifilm GFX 100S II | Kodak AZ901 |
| Focus System | On-Sensor Phase-detect | Contrast-detect AF |
| Manual Focusing Aid | Focus Peaking | no Peaking Feature |
| Continuous Shooting | 7 shutter flaps/s | 5 shutter flaps/s |
| Electronic Shutter | up to 1/32000s | no E-Shutter |
| Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
| Image Stabilization | In-body stabilization | Lens-based stabilization |
| Fill Flash | no On-Board Flash | Built-in Flash |
| Storage Medium | SDXC cards | SDXC cards |
| Single or Dual Card Slots | Dual card slots | Single card slot |
| UHS card support | Dual UHS-II | no |
| Connectivity Specs | Fujifilm GFX 100S II | Kodak AZ901 |
| External Flash | Hotshoe | no Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 2.0 |
| HDMI Port | micro HDMI | micro HDMI |
| Microphone Port | External MIC port | no MIC socket |
| Headphone Socket | Headphone port | no Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | no Bluetooth |
| Body Specs | Fujifilm GFX 100S II | Kodak AZ901 |
| Environmental Sealing | Weathersealed body | not weather sealed |
| Battery Type | Fujifilm NP-W235 | Kodak LB-070 |
| Battery Life (CIPA) | 530 shots per charge | 400 shots per charge |
| In-Camera Charging | USB charging | no USB charging |
| Body Dimensions |
150 x 104 x 87 mm (5.9 x 4.1 x 3.4 in) |
139 x 104 x 119 mm (5.5 x 4.1 x 4.7 in) |
| Camera Weight | 883 g (31.1 oz) | 777 g (27.4 oz) |

Check GFX 100S II price at
amazon.com

Check AZ901 price at
amazon.com
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