Fujifilm GFX 100S II vs Leica C-LUX

The Fujifilm GFX 100S II and the Leica C-LUX are two digital cameras that were announced, respectively, in May 2024 and June 2018. The GFX 100S II is a mirrorless interchangeable lens camera, while the C-LUX is a fixed lens compact. The cameras are based on a medium format (GFX 100S II) and an one-inch (C-LUX) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Leica provides 20 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100S II		Leica C-LUX
Mirrorless system camera		Fixed lens compact camera
Fujifilm G mount lenses		24-360mm f/3.3-6.4
101.8 MP – Medium Format sensor		20 MP – 1" sensor
4K/30p Video		4K/30p Video
ISO 100-12,800 (50 - 102,400)		ISO 125-12,800 (80 - 25,600)
Electronic viewfinder (5760k dots)		Electronic viewfinder (2330k dots)
3.2" LCD – 2360k dots		3.0" LCD – 1240k dots
Fully flexible touchscreen		Fixed touchscreen
7 shutter flaps per second		10 shutter flaps per second
In-body stabilization		Lens-based stabilization
Weathersealed body		not weather sealed
530 shots per battery charge		370 shots per battery charge
150 x 104 x 87 mm, 883 g		113 x 67 x 46 mm, 340 g

Check GFX 100S II price at
amazon.com
Check C-LUX offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100S II and the Leica C-LUX? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 100S II and the Leica C-LUX is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The C-LUX can be obtained in two different colors (gold, blue), while the GFX 100S II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica C-LUX is considerably smaller (51 percent) than the Fujifilm GFX 100S II. It is worth mentioning in this context that the GFX 100S II is splash and dust resistant, while the C-LUX does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the C-LUX has a lens built in, whereas the GFX 100S II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the GFX 100S II gets 530 shots out of its Fujifilm NP-W235 battery, while the C-LUX can take 370 images on a single charge of its Leica BP-DC15 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100S II	150 mm	104 mm	87 mm	883 g	530	Y	May 2024	US$ 4 999	amazon.com
2.		Leica C-LUX	113 mm	67 mm	46 mm	340 g	370	n	Jun 2018	US$ 1 049	ebay.com
3.		Canon G5 X Mark II	111 mm	61 mm	46 mm	340 g	230	n	Jul 2019	US$ 899	ebay.com
4.		Canon R5 Mark II	138 mm	98 mm	88 mm	746 g	340	Y	Jul 2024	US$ 4 299	amazon.com
5.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
6.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
7.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
8.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
9.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
10.		Fujifilm GFX 100RF	134 mm	90 mm	77 mm	735 g	820	Y	Mar 2025	US$ 4 899	amazon.com
11.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
12.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
13.		Leica D-LUX 7	115 mm	66 mm	65 mm	392 g	300	n	Nov 2018	US$ 1 195	ebay.com
14.		Leica SL3-S	141 mm	108 mm	85 mm	852 g	315	Y	Jan 2025	US$ 5 299	amazon.com
15.		Leica V-LUX 5	136 mm	97 mm	131 mm	812 g	350	n	Jul 2019	US$ 1 249	amazon.com
16.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	US$ 999	ebay.com
17.		Sony RX100 VII	102 mm	58 mm	43 mm	302 g	260	n	Jul 2019	US$ 1 199	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The C-LUX was launched at a lower price than the GFX 100S II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100S II features a medium format sensor and the Leica C-LUX an one-inch sensor. The sensor area in the C-LUX is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.7. The sensor in the GFX 100S II has a native 4:3 aspect ratio, while the one in the C-LUX offers a 3:2 aspect.

With 101.8MP, the GFX 100S II offers a higher resolution than the C-LUX (20MP), but the GFX 100S II nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 2.41μm for the C-LUX) due to its larger sensor. Moreover, the GFX 100S II is a much more recent model (by 5 years and 11 months) than the C-LUX, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100S II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S II for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Leica C-LUX are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.

The GFX 100S II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the C-LUX, the GFX 100S II has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100S II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica C-LUX are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.

In terms of underlying technology, the GFX 100S II is build around a BSI-CMOS sensor, while the C-LUX uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100S II	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3720	101
2.		Leica C-LUX	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	481	64
3.		Canon G5 X Mark II	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
4.		Canon R5 Mark II	Full Frame	44.8	8192	5464	8k/60p	25.4	14.8	3332	97
5.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
6.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
7.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
8.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
9.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
10.		Fujifilm GFX 100RF	Medium Format	101.8	11648	8736	4K/30p	25.9	15.1	3805	101
11.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
12.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
13.		Leica D-LUX 7	Four Thirds	16.8	4736	3552	4K/30p	22.9	12.8	1002	72
14.		Leica SL3-S	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3383	97
15.		Leica V-LUX 5	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	584	65
16.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
17.		Sony RX100 VII	1-inch	20.0	5472	3648	4K/30p	21.8	12.4	418	63
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 100S II offers a substantially higher resolution than the one in the C-LUX (5760k vs 2330k dots). The adjacent table lists some of the other core features of the Fujifilm GFX 100S II and Leica C-LUX along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100S II	5760	Y	3.2 / 2360	full-flex	Y	1/4000s	7.0/s	n	Y
2.		Leica C-LUX	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
3.		Canon G5 X Mark II	2360	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
4.		Canon R5 Mark II	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
5.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
6.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
7.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
8.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
9.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
10.		Fujifilm GFX 100RF	5760	n	3.2 / 2100	tilting	Y	1/4000s	6.0/s	n	n
11.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
12.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
13.		Leica D-LUX 7	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
14.		Leica SL3-S	5760	Y	3.2 / 2333	tilting	Y	1/8000s	30.0/s	n	Y
15.		Leica V-LUX 5	2360	n	3.0 / 1240	swivel	Y	1/4000s	12.0/s	Y	Y
16.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
17.		Sony RX100 VII	2359	n	3.0 / 921	tilting	Y	1/2000s	90.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 100S II, but is missing on the C-LUX is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100S II and the Leica C-LUX both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 100S II and the C-LUX write their files to SDXC cards. The GFX 100S II features dual card slots, which can be very useful in case a memory card fails. In contrast, the C-LUX only has one slot. The GFX 100S II supports UHS-II cards (on both slots), while the C-LUX can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100S II and Leica C-LUX and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Leica C-LUX	-	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Canon G5 X Mark II	-	stereo / mono	-	-	micro	3.1	Y	-	Y
4.		Canon R5 Mark II	Y	mono / mono	Y	Y	full	3.2	Y	-	Y
5.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
6.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
7.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
8.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
9.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
10.		Fujifilm GFX 100RF	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
12.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
13.		Leica D-LUX 7	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
14.		Leica SL3-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Leica V-LUX 5	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
16.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony RX100 VII	-	stereo / mono	Y	-	micro	2.0	Y	Y	Y

It is notable that the GFX 100S II has a hotshoe, while the C-LUX does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Fujifilm GFX 100S II (unlike the C-LUX) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 100S II is a recent model that features in the current product line-up of Fujifilm. In contrast, the C-LUX has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the C-LUX from Leica. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Leica websites.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 100S II and the Leica C-LUX? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Fujifilm GFX 100S II:

• More detail: Offers more megapixels (101.8 vs 20MP) with a 121% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2330k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.84x vs 0.53x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1240k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Longer lasting: Can take more shots (530 versus 370) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 5 years and 11 months of technical progress since the C-LUX launch.

Advantages of the Leica C-LUX:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has an integrated lens, whereas the GFX 100S II necessitates an extra lens.
• More compact: Is smaller (113x67mm vs 150x104mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 100S II).
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been around for much longer (launched in June 2018).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 100S II is the clear winner of the match-up (27 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100S II and the Leica C-LUX place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GFX 100S II and the C-LUX in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100S II	..	..	..	..	..	..	May 2024	US$ 4 999	amazon.com
2.		Leica C-LUX	..	..	3.5/5	..	4.5/5	4/5	Jun 2018	US$ 1 049	ebay.com
3.		Canon G5 X Mark II	4/5	+	4/5	82/100	..	4/5	Jul 2019	US$ 899	ebay.com
4.		Canon R5 Mark II	..	..	..	93/100	..	..	Jul 2024	US$ 4 299	amazon.com
5.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
6.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
7.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
8.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
9.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
10.		Fujifilm GFX 100RF	..	..	..	..	..	..	Mar 2025	US$ 4 899	amazon.com
11.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
12.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
13.		Leica D-LUX 7	..	..	..	..	..	4.5/5	Nov 2018	US$ 1 195	ebay.com
14.		Leica SL3-S	..	..	..	..	..	..	Jan 2025	US$ 5 299	amazon.com
15.		Leica V-LUX 5	..	..	..	..	4/5	4/5	Jul 2019	US$ 1 249	amazon.com
16.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	US$ 999	ebay.com
17.		Sony RX100 VII	4.5/5	..	4/5	..	4/5	5/5	Jul 2019	US$ 1 199	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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