Fujifilm X-T5 vs Pentax K-500
The Fujifilm X-T5 and the Pentax K-500 are two digital cameras that were officially introduced, respectively, in November 2022 and June 2013. The X-T5 is a mirrorless interchangeable lens camera, while the K-500 is a DSLR. Both cameras are equipped with an APS-C sensor. The Fujifilm has a resolution of 39.8 megapixels, whereas the Pentax provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check X-T5 price at
amazon.com

Check K-500 offers at
ebay.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-T5 and the Pentax K-500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Fujifilm X-T5 and the Pentax K-500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The X-T5 can be obtained in two different colors (black, silver), while the K-500 is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-500 is notably larger (7 percent) than the Fujifilm X-T5. Moreover, the K-500 is markedly heavier (16 percent) than the X-T5. It is worth mentioning in this context that the X-T5 is splash and dust resistant, while the K-500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the X-T5 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T5 | 130 mm | 91 mm | 64 mm | 557 g | 580 | Y | Nov 2022 | US$ 1 699 | amazon.com | |
| 2. | Pentax K-500 | 130 mm | 97 mm | 71 mm | 646 g | 710 | n | Jun 2013 | US$ 549 | ebay.com | |
| 3. | Fujifilm X-H1 | 140 mm | 97 mm | 86 mm | 673 g | 310 | Y | Feb 2018 | US$ 1 899 | ebay.com | |
| 4. | Fujifilm X-H2 | 136 mm | 93 mm | 85 mm | 660 g | 680 | Y | Sep 2022 | US$ 1 999 | amazon.com | |
| 5. | Fujifilm X-H2S | 136 mm | 93 mm | 85 mm | 660 g | 580 | Y | May 2022 | US$ 2 499 | amazon.com | |
| 6. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | US$ 1 699 | ebay.com | |
| 7. | Fujifilm X-Pro3 | 141 mm | 83 mm | 46 mm | 497 g | 440 | Y | Oct 2019 | US$ 1 799 | amazon.com | |
| 8. | Fujifilm X-T2 | 133 mm | 92 mm | 49 mm | 507 g | 340 | Y | Jul 2016 | US$ 1 599 | ebay.com | |
| 9. | Fujifilm X-T3 | 133 mm | 93 mm | 59 mm | 539 g | 390 | Y | Sep 2018 | US$ 1 499 | ebay.com | |
| 10. | Fujifilm X-T4 | 135 mm | 93 mm | 64 mm | 607 g | 500 | Y | Feb 2020 | US$ 1 699 | ebay.com | |
| 11. | Fujifilm X-T50 | 124 mm | 84 mm | 49 mm | 438 g | 305 | n | May 2024 | US$ 1 399 | amazon.com | |
| 12. | Fujifilm X100VI | 128 mm | 75 mm | 55 mm | 521 g | 450 | Y | Feb 2024 | US$ 1 599 | amazon.com | |
| 13. | Pentax K-5 | 131 mm | 97 mm | 73 mm | 760 g | 740 | Y | Sep 2010 | US$ 1 099 | ebay.com | |
| 14. | Pentax K-5 II | 131 mm | 97 mm | 73 mm | 760 g | 740 | Y | Sep 2012 | US$ 1 099 | ebay.com | |
| 15. | Pentax K-30 | 130 mm | 97 mm | 71 mm | 650 g | 410 | Y | May 2012 | US$ 849 | ebay.com | |
| 16. | Pentax K-50 | 130 mm | 97 mm | 71 mm | 650 g | 410 | Y | Jun 2013 | US$ 599 | ebay.com | |
| 17. | Pentax K-S1 | 121 mm | 93 mm | 70 mm | 558 g | 410 | n | Aug 2014 | US$ 749 | ebay.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The K-500 was launched at a markedly lower price (by 68 percent) than the X-T5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the K-500 is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 39.8MP, the X-T5 offers a higher resolution than the K-500 (16.1MP), but the X-T5 has smaller individual pixels (pixel pitch of 3.04μm versus 4.77μm for the K-500). However, the X-T5 is a much more recent model (by 9 years and 4 months) than the K-500, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-T5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-T5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-T5 for good quality output (200 dots per inch) amounts to 38.6 x 25.8 inches or 98.1 x 65.4 cm, for very good quality (250 dpi) 30.9 x 20.6 inches or 78.5 x 52.3 cm, and for excellent quality (300 dpi) 25.8 x 17.2 inches or 65.4 x 43.6 cm. The corresponding values for the Pentax K-500 are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.
The X-T5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the K-500, the X-T5 has the capacity to capture high quality composite images (160MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm X-T5 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 64-51200. The corresponding ISO settings for the Pentax K-500 are ISO 100 to ISO 51200 (no boost).
In terms of underlying technology, the X-T5 is build around a BSI-CMOS sensor, while the K-500 uses a CMOS imager. The X-T5 uses Fujifilm's X-Trans layout of photosites, while the K-500 employs the more common Bayer array.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T5 | APS-C | 39.8 | 7728 | 5152 | 6.2k/30p | 24.3 | 13.9 | 2264 | 86 | |
| 2. | Pentax K-500 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.7 | 13.1 | 1087 | 79 | |
| 3. | Fujifilm X-H1 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.3 | 1806 | 82 | |
| 4. | Fujifilm X-H2 | APS-C | 39.8 | 7728 | 5152 | 8k/30p | 24.3 | 13.9 | 2249 | 86 | |
| 5. | Fujifilm X-H2S | APS-C | 26.0 | 6240 | 4160 | 6.2k/30p | 24.3 | 13.9 | 2224 | 86 | |
| 6. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
| 7. | Fujifilm X-Pro3 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.1 | 13.6 | 1968 | 84 | |
| 8. | Fujifilm X-T2 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.1 | 1653 | 81 | |
| 9. | Fujifilm X-T3 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.0 | 13.4 | 1853 | 83 | |
| 10. | Fujifilm X-T4 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.1 | 13.6 | 1995 | 84 | |
| 11. | Fujifilm X-T50 | APS-C | 39.8 | 7728 | 5152 | 6.2k/30p | 24.3 | 14.1 | 2418 | 86 | |
| 12. | Fujifilm X100VI | APS-C | 39.8 | 7728 | 5152 | 6.2K/30p | 24.3 | 14.1 | 2397 | 86 | |
| 13. | Pentax K-5 | APS-C | 16.1 | 4928 | 3264 | 1080/25p | 23.7 | 14.1 | 1162 | 82 | |
| 14. | Pentax K-5 II | APS-C | 16.1 | 4928 | 3264 | 1080/25p | 23.8 | 14.1 | 1235 | 82 | |
| 15. | Pentax K-30 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.7 | 13.0 | 1129 | 79 | |
| 16. | Pentax K-50 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.7 | 13.0 | 1120 | 79 | |
| 17. | Pentax K-S1 | APS-C | 20.0 | 5472 | 3648 | 1080/30p | 23.5 | 13.0 | 1061 | 78 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-T5 provides a higher video resolution than the K-500. It can shoot video footage at 6.2k/30p, while the Pentax is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-T5 has an electronic viewfinder (3690k dots), while the K-500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the X-T5 has a higher magnification than the one of the K-500 (0.8x vs 0.61x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Fujifilm X-T5 and Pentax K-500 in connection with corresponding information for a sample of similar cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T5 | 3690 | n | 3.0 / 1840 | tilting | Y | 1/8000s | 15.0/s | n | Y | |
| 2. | Pentax K-500 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 6.0/s | Y | Y | |
| 3. | Fujifilm X-H1 | 3690 | Y | 3.0 / 1040 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 4. | Fujifilm X-H2 | 5760 | Y | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
| 5. | Fujifilm X-H2S | 5760 | Y | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
| 6. | Fujifilm X-Pro2 | 2360 | n | 3.0 / 1620 | fixed | n | 1/8000s | 8.0/s | n | n | |
| 7. | Fujifilm X-Pro3 | 3690 | n | 3.0 / 1620 | tilting | Y | 1/8000s | 8.0/s | n | n | |
| 8. | Fujifilm X-T2 | 2360 | n | 3.0 / 1040 | full-flex | n | 1/8000s | 8.0/s | n | n | |
| 9. | Fujifilm X-T3 | 3690 | n | 3.0 / 1040 | full-flex | Y | 1/8000s | 11.0/s | n | n | |
| 10. | Fujifilm X-T4 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
| 11. | Fujifilm X-T50 | 2360 | n | 3.0 / 1840 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
| 12. | Fujifilm X100VI | 3690 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 11.0/s | n | Y | |
| 13. | Pentax K-5 | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 7.0/s | Y | Y | |
| 14. | Pentax K-5 II | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 7.0/s | Y | Y | |
| 15. | Pentax K-30 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 6.0/s | Y | Y | |
| 16. | Pentax K-50 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 6.0/s | Y | Y | |
| 17. | Pentax K-S1 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 5.4/s | Y | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-T5 has a touchscreen, while the K-500 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The X-T5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the K-500 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-T5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T5 and the Pentax K-500 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-T5 and the K-500 write their files to SDXC cards. The X-T5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the K-500 only has one slot. The X-T5 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the K-500 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-T5 and Pentax K-500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T5 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 2. | Pentax K-500 | Y | mono / mono | - | - | - | 2.0 | - | - | - | |
| 3. | Fujifilm X-H1 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
| 4. | Fujifilm X-H2 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 5. | Fujifilm X-H2S | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
| 6. | Fujifilm X-Pro2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
| 7. | Fujifilm X-Pro3 | Y | stereo / mono | Y | - | - | 3.1 | Y | - | Y | |
| 8. | Fujifilm X-T2 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
| 9. | Fujifilm X-T3 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
| 10. | Fujifilm X-T4 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
| 11. | Fujifilm X-T50 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 12. | Fujifilm X100VI | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
| 13. | Pentax K-5 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
| 14. | Pentax K-5 II | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
| 15. | Pentax K-30 | Y | mono / mono | - | - | - | 2.0 | - | - | - | |
| 16. | Pentax K-50 | Y | mono / mono | - | - | micro | 2.0 | - | - | - | |
| 17. | Pentax K-S1 | Y | stereo / mono | - | - | micro | 2.0 | - | - | - |
It is notable that the X-T5 has a microphone port, which is missing on the K-500. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Fujifilm X-T5 (unlike the K-500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The X-T5 is a recent model that features in the current product line-up of Fujifilm. In contrast, the K-500 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the K-500 from Pentax. Further information on the features and operation of the X-T5 and K-500 can be found, respectively, in the Fujifilm X-T5 Manual (free pdf) or the online Pentax K-500 Manual.
Review summary
So how do things add up? Is there a clear favorite between the Fujifilm X-T5 and the Pentax K-500? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Fujifilm X-T5:
- More detail: Offers more megapixels (39.8 vs 16.1MP) with a 57% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (6.2k/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.8x vs 0.61x).
- More detailed LCD: Has a higher resolution rear screen (1840k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/6000s) to freeze action.
- Faster burst: Shoots at higher frequency (15 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Less heavy: Is lighter (by 89g or 14 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
- More modern: Reflects 9 years and 4 months of technical progress since the K-500 launch.

Reasons to prefer the Pentax K-500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Gets more shots (710 versus 580) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (68 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in June 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the X-T5 is the clear winner of the match-up (26 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-T5 and the Pentax K-500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the X-T5 or the K-500 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm X-T5 | 5/5 | + + | 4.5/5 | 90/100 | 4.5/5 | .. | Nov 2022 | US$ 1 699 | amazon.com | |
| 2. | Pentax K-500 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jun 2013 | US$ 549 | ebay.com | |
| 3. | Fujifilm X-H1 | .. | + | 5/5 | 86/100 | 4.5/5 | 4.5/5 | Feb 2018 | US$ 1 899 | ebay.com | |
| 4. | Fujifilm X-H2 | 5/5 | + + | 5/5 | 89/100 | 5/5 | 5/5 | Sep 2022 | US$ 1 999 | amazon.com | |
| 5. | Fujifilm X-H2S | 5/5 | + | 5/5 | 90/100 | 5/5 | 5/5 | May 2022 | US$ 2 499 | amazon.com | |
| 6. | Fujifilm X-Pro2 | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | US$ 1 699 | ebay.com | |
| 7. | Fujifilm X-Pro3 | 4/5 | + | 4/5 | 85/100 | 4/5 | .. | Oct 2019 | US$ 1 799 | amazon.com | |
| 8. | Fujifilm X-T2 | 5/5 | + + | .. | 86/100 | 4.5/5 | 5/5 | Jul 2016 | US$ 1 599 | ebay.com | |
| 9. | Fujifilm X-T3 | 5/5 | + + | 4.5/5 | 88/100 | 5/5 | 5/5 | Sep 2018 | US$ 1 499 | ebay.com | |
| 10. | Fujifilm X-T4 | 5/5 | + + | 5/5 | 88/100 | 5/5 | 5/5 | Feb 2020 | US$ 1 699 | ebay.com | |
| 11. | Fujifilm X-T50 | .. | .. | .. | 85/100 | .. | .. | May 2024 | US$ 1 399 | amazon.com | |
| 12. | Fujifilm X100VI | 5/5 | + + | 4.5/5 | 87/100 | .. | 4.5/5 | Feb 2024 | US$ 1 599 | amazon.com | |
| 13. | Pentax K-5 | 4/5 | .. | .. | 83/100 | 5/5 | 4.5/5 | Sep 2010 | US$ 1 099 | ebay.com | |
| 14. | Pentax K-5 II | 5/5 | .. | .. | 80/100 | 5/5 | 4.5/5 | Sep 2012 | US$ 1 099 | ebay.com | |
| 15. | Pentax K-30 | 4/5 | .. | .. | 78/100 | 4.5/5 | 4.5/5 | May 2012 | US$ 849 | ebay.com | |
| 16. | Pentax K-50 | 5/5 | .. | .. | .. | 5/5 | 4.5/5 | Jun 2013 | US$ 599 | ebay.com | |
| 17. | Pentax K-S1 | 4/5 | .. | .. | .. | 4.5/5 | 4/5 | Aug 2014 | US$ 749 | ebay.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check X-T5 price at
amazon.com

Check K-500 offers at
ebay.com
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon D30 vs Fujifilm X-T5
- Canon G5 X vs Fujifilm X-T5
- Canon SX10 vs Pentax K-500
- Fujifilm X-T5 vs Fujifilm XP140
- Fujifilm X-T5 vs Nikon D5300
- Fujifilm X-T5 vs Nikon D70s
- Fujifilm X-T5 vs Sony A7S III
- Leica M-E Typ 240 vs Pentax K-500
- Olympus E-PM2 vs Pentax K-500
- Panasonic GH5s vs Pentax K-500
- Panasonic ZS80 vs Pentax K-500
- Pentax K-500 vs Sony A9
Specifications: Fujifilm X-T5 vs Pentax K-500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Fujifilm X-T5 | Pentax K-500 |
|---|---|---|
| Camera Type | Mirrorless system camera | Digital single lens reflex |
| Camera Lens | Fujifilm X mount lenses | Pentax K mount lenses |
| Launch Date | November 2022 | June 2013 |
| Launch Price | USD 1,699 | USD 549 |
| Sensor Specs | Fujifilm X-T5 | Pentax K-500 |
| Sensor Technology | BSI-CMOS | CMOS |
| Sensor Format | APS-C Sensor | APS-C Sensor |
| Sensor Size | 23.5 x 15.7 mm | 23.5 x 15.6 mm |
| Sensor Area | 368.95 mm2 | 366.6 mm2 |
| Sensor Diagonal | 28.3 mm | 28.2 mm |
| Crop Factor | 1.5x | 1.5x |
| Sensor Resolution | 39.8 Megapixels | 16.1 Megapixels |
| Image Resolution | 7728 x 5152 pixels | 4928 x 3264 pixels |
| Pixel Pitch | 3.04 μm | 4.77 μm |
| Pixel Density | 10.79 MP/cm2 | 4.39 MP/cm2 |
| Moiré control | no AA filter | Anti-Alias filter |
| Movie Capability | 6.2k/30p Video | 1080/30p Video |
| ISO Setting | 125 - 12,800 ISO | 100 - 51,200 ISO |
| ISO Boost | 64 - 51,200 ISO | no Enhancement |
| Image Processor | X-Processor 5 | PRIME M |
| DXO Sensor Quality (score) | .. | 79 |
| DXO Color Depth (bits) | .. | 23.7 |
| DXO Dynamic Range (EV) | .. | 13.1 |
| DXO Low Light (ISO) | .. | 1087 |
| Screen Specs | Fujifilm X-T5 | Pentax K-500 |
| Viewfinder Type | Electronic viewfinder | Optical viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.8x | 0.61x |
| Viewfinder Resolution | 3690k dots | |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.0inch |
| LCD Resolution | 1840k dots | 921k dots |
| LCD Attachment | Tilting screen | Fixed screen |
| Touch Input | Touchscreen | no Touchscreen |
| Shooting Specs | Fujifilm X-T5 | Pentax K-500 |
| Focus System | On-Sensor Phase-detect | Phase-detect AF |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/8000s | 1/6000s |
| Continuous Shooting | 15 shutter flaps/s | 6 shutter flaps/s |
| Electronic Shutter | up to 1/180000s | no E-Shutter |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | In-body stabilization |
| Fill Flash | no On-Board Flash | Built-in Flash |
| Storage Medium | SDXC cards | SDXC cards |
| Single or Dual Card Slots | Dual card slots | Single card slot |
| UHS card support | UHS-II | no |
| Connectivity Specs | Fujifilm X-T5 | Pentax K-500 |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 2.0 |
| HDMI Port | micro HDMI | no HDMI |
| Microphone Port | External MIC port | no MIC socket |
| Wifi Support | Wifi built-in | no Wifi |
| Bluetooth Support | Bluetooth built-in | no Bluetooth |
| Body Specs | Fujifilm X-T5 | Pentax K-500 |
| Environmental Sealing | Weathersealed body | not weather sealed |
| Battery Type | Fujifilm NP-W235 | 4xAA |
| Battery Life (CIPA) | 580 shots per charge | 710 shots per charge |
| In-Camera Charging | USB charging | no USB charging |
| Body Dimensions |
130 x 91 x 64 mm (5.1 x 3.6 x 2.5 in) |
130 x 97 x 71 mm (5.1 x 3.8 x 2.8 in) |
| Camera Weight | 557 g (19.6 oz) | 646 g (22.8 oz) |

Check X-T5 price at
amazon.com

Check K-500 offers at
ebay.com
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