Leica D-LUX 7 vs Panasonic GM5

The Leica D-LUX 7 and the Panasonic Lumix DMC-GM5 are two digital cameras that were officially introduced, respectively, in November 2018 and September 2014. The D-LUX 7 is a fixed lens compact, while the GM5 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The Leica has a resolution of 16.8 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Leica D-LUX 7		Panasonic GM5
Fixed lens compact camera		Mirrorless system camera
24-75mm f/1.7-2.8		Micro Four Thirds lenses
16.8 MP – Four Thirds sensor		15.8 MP – Four Thirds sensor
4K/30p Video		1080/60p Video
ISO 200-25,600		ISO 200-25,600
Electronic viewfinder (2764k dots)		Electronic viewfinder (1166k dots)
3.0" LCD – 1240k dots		3.0" LCD – 921k dots
Fixed touchscreen		Fixed touchscreen
11 shutter flaps per second		5.8 shutter flaps per second
300 shots per battery charge		220 shots per battery charge
115 x 66 x 65 mm, 392 g		99 x 60 x 36 mm, 211 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Leica D-LUX 7 and the Panasonic Lumix DMC-GM5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Leica D-LUX 7 and the Panasonic GM5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

The GM5 can be obtained in two different colors (black, silver), while the D-LUX 7 is only available in silver.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM5 is notably smaller (22 percent) than the Leica D-LUX 7. In this context, it is worth noting that neither the D-LUX 7 nor the GM5 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 7 has a lens built in, whereas the GM5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GM5 and their specifications in the Micro Four Thirds Lens Catalog.

Concerning battery life, the D-LUX 7 gets 300 shots out of its Leica BP-DC15 battery, while the GM5 can take 220 images on a single charge of its Panasonic DMW-BLH7 power pack. The power pack in the D-LUX 7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Leica D-LUX 7	115 mm	66 mm	65 mm	392 g	300	n	Nov 2018	US$ 1 195	ebay.com
2.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	US$ 749	ebay.com
3.		Fujifilm X100S	127 mm	74 mm	54 mm	445 g	330	n	Jan 2013	US$ 1 299	ebay.com
4.		Fujifilm X100T	127 mm	74 mm	52 mm	440 g	330	n	Sep 2014	US$ 1 299	ebay.com
5.		Fujifilm X100F	127 mm	75 mm	52 mm	469 g	390	n	Jan 2017	US$ 1 299	ebay.com
6.		Leica C-LUX	113 mm	67 mm	46 mm	340 g	370	n	Jun 2018	US$ 1 049	ebay.com
7.		Leica D-LUX Typ 109	118 mm	66 mm	55 mm	405 g	300	n	Sep 2014	US$ 1 195	ebay.com
8.		Leica V-LUX Typ 114	137 mm	99 mm	131 mm	830 g	360	n	Sep 2014	US$ 1 349	ebay.com
9.		Leica V-LUX 5	136 mm	97 mm	131 mm	812 g	350	n	Jul 2019	US$ 1 249	amazon.com
10.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	US$ 599	ebay.com
11.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	US$ 649	ebay.com
12.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	US$ 899	ebay.com
13.		Panasonic GM1	99 mm	55 mm	30 mm	204 g	230	n	Oct 2013	US$ 749	ebay.com
14.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	US$ 699	ebay.com
15.		Panasonic LX100 II	115 mm	66 mm	65 mm	392 g	300	n	Aug 2018	US$ 999	ebay.com
16.		Panasonic TZ90	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	US$ 449	ebay.com
17.		Sony RX100 VI	102 mm	58 mm	43 mm	301 g	240	n	Jun 2018	US$ 1 199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a Four Thirds sensor, but their sensors differ slightly in size. The sensor area in the GM5 is 22 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 2.2 (D-LUX 7) and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The D-LUX 7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Despite having a smaller sensor, the Leica D-LUX 7 offers a higher resolution of 16.8 megapixels, compared with 15.8 MP of the Panasonic GM5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.32μm versus 3.77μm for the GM5). However, it should be noted that the D-LUX 7 is much more recent (by 4 years and 2 months) than the GM5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the D-LUX 7 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The Leica D-LUX 7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The Panasonic Lumix DMC-GM5 offers exactly the same ISO settings.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Leica D-LUX 7	Four Thirds	16.8	4736	3552	4K/30p	22.9	12.8	1002	72
2.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
3.		Fujifilm X100S	APS-C	16.0	4896	3264	1080/60p	23.3	12.5	1329	75
4.		Fujifilm X100T	APS-C	16.0	4896	3264	1080/60p	23.6	12.8	1483	78
5.		Fujifilm X100F	APS-C	24.0	6000	4000	1080/60p	23.9	13.2	1704	81
6.		Leica C-LUX	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	481	64
7.		Leica D-LUX Typ 109	Four Thirds	12.7	4112	3088	4K/30p	22.4	12.1	607	67
8.		Leica V-LUX Typ 114	1-inch	20.0	5472	3648	4K/30p	21.6	11.7	127	60
9.		Leica V-LUX 5	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	584	65
10.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
11.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
12.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
13.		Panasonic GM1	Four Thirds	15.8	4592	3448	1080/60i	22.3	11.7	660	66
14.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
15.		Panasonic LX100 II	Four Thirds	16.8	4736	3552	4K/30p	22.8	12.7	979	72
16.		Panasonic TZ90	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
17.		Sony RX100 VI	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	478	64
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D-LUX 7 provides a higher video resolution than the GM5. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the D-LUX 7 offers a substantially higher resolution than the one in the GM5 (2764k vs 1166k dots). The adjacent table lists some of the other core features of the Leica D-LUX 7 and Panasonic GM5 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Leica D-LUX 7	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
2.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
3.		Fujifilm X100S	2360	n	2.8 / 460	fixed	n	1/4000s	6.0/s	Y	n
4.		Fujifilm X100T	2360	n	3.0 / 1040	fixed	n	1/4000s	6.0/s	Y	n
5.		Fujifilm X100F	2360	n	3.0 / 1040	fixed	n	1/4000s	8.0/s	Y	n
6.		Leica C-LUX	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
7.		Leica D-LUX Typ 109	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
8.		Leica V-LUX Typ 114	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
9.		Leica V-LUX 5	2360	n	3.0 / 1240	swivel	Y	1/4000s	12.0/s	Y	Y
10.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
11.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
12.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
13.		Panasonic GM1	none	n	3.0 / 1036	fixed	Y	1/500s	5.0/s	Y	n
14.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
15.		Panasonic LX100 II	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
16.		Panasonic TZ90	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
17.		Sony RX100 VI	2359	n	3.0 / 1229	tilting	Y	1/2000s	24.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Leica D-LUX 7 and the Panasonic GM5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the D-LUX 7 and the GM5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica D-LUX 7 and Panasonic Lumix DMC-GM5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Leica D-LUX 7	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
2.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Fujifilm X100S	Y	stereo / mono	-	-	micro	2.0	-	-	-
4.		Fujifilm X100T	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
5.		Fujifilm X100F	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Leica C-LUX	-	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Leica D-LUX Typ 109	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
8.		Leica V-LUX Typ 114	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
9.		Leica V-LUX 5	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
10.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
11.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
12.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
13.		Panasonic GM1	-	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic LX100 II	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
16.		Panasonic TZ90	-	stereo / mono	-	-	micro	2.0	Y	-	-
17.		Sony RX100 VI	-	stereo / mono	-	-	micro	2.0	Y	Y	Y

Both the D-LUX 7 and the GM5 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Leica and Panasonic. Further information on the features and operation of the D-LUX 7 and GM5 can be found, respectively, in the Leica D-LUX 7 Manual (free pdf) or the online Panasonic GM5 Manual.

Review summary

So what is the bottom line? Is the Leica D-LUX 7 better than the Panasonic GM5 or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Leica D-LUX 7:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 1166k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
• More detailed LCD: Has a higher resolution rear screen (1240k vs 921k dots).
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
• Faster burst: Shoots at higher frequency (11 vs 5.8 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has a lens built-in, whereas the GM5 requires a separate lens.
• Longer lasting: Can take more shots (300 versus 220) on a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
• More modern: Reflects 4 years and 2 months of technical progress since the GM5 launch.

Arguments in favor of the Panasonic Lumix DMC-GM5:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• More compact: Is smaller (99x60mm vs 115x66mm) and will fit more readily into a bag.
• More heavily discounted: Has been around for much longer (launched in September 2014).

If the count of relative strengths (bullet points above) is taken as a measure, the D-LUX 7 is the clear winner of the match-up (15 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Leica D-LUX 7 and the Panasonic GM5 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D-LUX 7 or the GM5. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Leica D-LUX 7	..	..	..	..	..	4.5/5	Nov 2018	US$ 1 195	ebay.com
2.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	US$ 749	ebay.com
3.		Fujifilm X100S	5/5	+ +	..	81/100	4.5/5	5/5	Jan 2013	US$ 1 299	ebay.com
4.		Fujifilm X100T	5/5	+	..	81/100	4.5/5	5/5	Sep 2014	US$ 1 299	ebay.com
5.		Fujifilm X100F	5/5	+	3.9/5	83/100	4.5/5	4.5/5	Jan 2017	US$ 1 299	ebay.com
6.		Leica C-LUX	..	..	3.5/5	..	4.5/5	4/5	Jun 2018	US$ 1 049	ebay.com
7.		Leica D-LUX Typ 109	..	..	..	..	4.5/5	4.5/5	Sep 2014	US$ 1 195	ebay.com
8.		Leica V-LUX Typ 114	..	..	..	..	..	5/5	Sep 2014	US$ 1 349	ebay.com
9.		Leica V-LUX 5	..	..	..	..	4/5	4/5	Jul 2019	US$ 1 249	amazon.com
10.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	US$ 599	ebay.com
11.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	US$ 649	ebay.com
12.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	US$ 899	ebay.com
13.		Panasonic GM1	3/5	+	..	78/100	5/5	4.5/5	Oct 2013	US$ 749	ebay.com
14.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	US$ 699	ebay.com
15.		Panasonic LX100 II	4.5/5	+	4.2/5	82/100	4.5/5	4.5/5	Aug 2018	US$ 999	ebay.com
16.		Panasonic TZ90	..	+ +	4/5	..	4/5	4/5	Apr 2017	US$ 449	ebay.com
17.		Sony RX100 VI	4.5/5	+ +	..	83/100	4/5	4.5/5	Jun 2018	US$ 1 199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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