Nikon 1 V3 vs Panasonic LX5
The Nikon 1 V3 and the Panasonic Lumix DMC-LX5 are two digital cameras that were announced, respectively, in March 2014 and July 2010. The V3 is a mirrorless interchangeable lens camera, while the LX5 is a fixed lens compact. The cameras are based on an one-inch (V3) and a 1/1.7-inch (LX5) sensor. The Nikon has a resolution of 18.2 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check V3 offers at
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Check LX5 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 V3 and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Nikon 1 V3 and the Panasonic LX5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The LX5 can be obtained in two different colors (black, white), while the V3 is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon 1 V3 and the Panasonic LX5 are of equal size. In this context, it is worth noting that neither the V3 nor the LX5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX5 has a lens built in, whereas the V3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the V3 gets 310 shots out of its Nikon EN-EL20a battery, while the LX5 can take 400 images on a single charge of its Panasonic DMW-BCJ13 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Nikon 1 V3 | 111 mm | 65 mm | 33 mm | 381 g | 310 | n | Mar 2014 | US$ 799 | ebay.com | |
| 2. | Panasonic LX5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Jul 2010 | US$ 499 | ebay.com | |
| 3. | Canon G5 X | 112 mm | 76 mm | 44 mm | 353 g | 210 | n | Oct 2015 | US$ 799 | ebay.com | |
| 4. | Canon G7 X | 103 mm | 60 mm | 40 mm | 304 g | 210 | n | Sep 2014 | US$ 699 | ebay.com | |
| 5. | Canon G7 X Mark II | 106 mm | 61 mm | 42 mm | 319 g | 265 | n | Feb 2016 | US$ 699 | ebay.com | |
| 6. | Canon G9 X | 98 mm | 58 mm | 31 mm | 209 g | 220 | n | Oct 2015 | US$ 529 | ebay.com | |
| 7. | Fujifilm X-T10 | 118 mm | 83 mm | 41 mm | 381 g | 350 | n | May 2015 | US$ 799 | ebay.com | |
| 8. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | US$ 599 | ebay.com | |
| 9. | Nikon 1 J4 | 100 mm | 60 mm | 29 mm | 232 g | 300 | n | Apr 2014 | US$ 549 | ebay.com | |
| 10. | Nikon 1 J5 | 98 mm | 60 mm | 32 mm | 231 g | 250 | n | Apr 2015 | US$ 399 | ebay.com | |
| 11. | Nikon 1 V1 | 113 mm | 76 mm | 44 mm | 383 g | 350 | n | Sep 2011 | US$ 799 | ebay.com | |
| 12. | Nikon 1 V2 | 109 mm | 82 mm | 46 mm | 278 g | 310 | n | Oct 2012 | US$ 799 | ebay.com | |
| 13. | Nikon D5500 | 124 mm | 97 mm | 70 mm | 470 g | 820 | n | Jan 2015 | US$ 899 | ebay.com | |
| 14. | Olympus XZ-1 | 111 mm | 65 mm | 42 mm | 275 g | 320 | n | Jan 2011 | US$ 499 | ebay.com | |
| 15. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | US$ 499 | ebay.com | |
| 16. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | US$ 549 | ebay.com | |
| 17. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | US$ 499 | ebay.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX5 was launched at a lower price than the V3, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon 1 V3 features an one-inch sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 60 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 4.4. The sensor in the V3 has a native 3:2 aspect ratio, while the one in the LX5 offers a 4:3 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 18.2MP, the V3 offers a higher resolution than the LX5 (10MP), but the V3 nevertheless has larger individual pixels (pixel pitch of 2.52μm versus 2.14μm for the LX5) due to its larger sensor. Moreover, the V3 is a much more recent model (by 3 years and 7 months) than the LX5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the V3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon 1 V3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the V3 for good quality output (200 dots per inch) amounts to 26.2 x 17.4 inches or 66.4 x 44.3 cm, for very good quality (250 dpi) 20.9 x 14 inches or 53.2 x 35.4 cm, and for excellent quality (300 dpi) 17.4 x 11.6 inches or 44.3 x 29.5 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The V3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon 1 V3 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
In terms of underlying technology, the V3 is build around a CMOS sensor, while the LX5 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the V3 provides substantially higher image quality than the LX5, with an overall score that is 11 points higher. This advantage is based on 1.2 bits higher color depth, 0.1 EV of lower dynamic range, and 1.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Nikon 1 V3 | 1-inch | 18.2 | 5232 | 3488 | 1080/60p | 20.8 | 10.7 | 384 | 52 | |
| 2. | Panasonic LX5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.6 | 10.8 | 132 | 41 | |
| 3. | Canon G5 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.4 | 12.3 | 471 | 62 | |
| 4. | Canon G7 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 23.0 | 12.7 | 556 | 71 | |
| 5. | Canon G7 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.8 | 11.9 | 260 | 62 | |
| 6. | Canon G9 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.5 | 12.3 | 495 | 63 | |
| 7. | Fujifilm X-T10 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 12.9 | 1546 | 79 | |
| 8. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
| 9. | Nikon 1 J4 | 1-inch | 18.2 | 5232 | 3488 | 1080/60p | 20.8 | 10.7 | 426 | 53 | |
| 10. | Nikon 1 J5 | 1-inch | 20.7 | 5568 | 3712 | 4K/15p | 21.1 | 12.0 | 479 | 65 | |
| 11. | Nikon 1 V1 | 1-inch | 10.0 | 3872 | 2592 | 1080/60i | 21.3 | 11.0 | 346 | 54 | |
| 12. | Nikon 1 V2 | 1-inch | 14.2 | 4608 | 3072 | 1080/60p | 20.2 | 10.8 | 403 | 50 | |
| 13. | Nikon D5500 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 14.0 | 1438 | 84 | |
| 14. | Olympus XZ-1 | 1/1.7 | 10.1 | 3664 | 2752 | 720/30p | 18.8 | 10.4 | 117 | 34 | |
| 15. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
| 16. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
| 17. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the V3 provides a higher video resolution than the LX5. It can shoot video footage at 1080/60p, while the Panasonic is limited to 720/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The V3 and the LX5 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the DF-N1000 for the V3 and the DMW-LVF1 for the LX5 – are available as accessories. The adjacent table lists some of the other core features of the Nikon 1 V3 and Panasonic LX5 along with similar information for a selection of comparators.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Nikon 1 V3 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 60.0/s | Y | n | |
| 2. | Panasonic LX5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
| 3. | Canon G5 X | 2360 | n | 3.0 / 1040 | swivel | Y | 1/2000s | 5.9/s | Y | Y | |
| 4. | Canon G7 X | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 6.5/s | Y | Y | |
| 5. | Canon G7 X Mark II | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 8.0/s | Y | Y | |
| 6. | Canon G9 X | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 6.0/s | Y | Y | |
| 7. | Fujifilm X-T10 | 2360 | n | 3.0 / 920 | tilting | n | 1/4000s | 8.0/s | Y | n | |
| 8. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
| 9. | Nikon 1 J4 | none | n | 3.0 / 1037 | Fixed | Y | 1/4000s | 60.0/s | Y | n | |
| 10. | Nikon 1 J5 | none | n | 3.0 / 1037 | tilting | Y | 1/4000s | 60.0/s | Y | n | |
| 11. | Nikon 1 V1 | 1440 | n | 3.0 / 921 | fixed | n | 1/4000s | 10.0/s | n | n | |
| 12. | Nikon 1 V2 | 1440 | n | 3.0 / 921 | fixed | n | 1/4000s | 15.0/s | Y | n | |
| 13. | Nikon D5500 | optical | n | 3.2 / 1037 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
| 14. | Olympus XZ-1 | optional | n | 3.0 / 614 | fixed | n | 1/2000s | 2.0/s | Y | Y | |
| 15. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
| 16. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
| 17. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The V3 has a touchscreen, while the LX5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the V3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon 1 V3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The V3 writes its imaging data to micro SDXC cards, while the LX5 uses SDXC cards. The V3 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX5 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 V3 and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Nikon 1 V3 | - | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
| 2. | Panasonic LX5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
| 3. | Canon G5 X | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
| 4. | Canon G7 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 5. | Canon G7 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 6. | Canon G9 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 7. | Fujifilm X-T10 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
| 8. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 9. | Nikon 1 J4 | - | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
| 10. | Nikon 1 J5 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 11. | Nikon 1 V1 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 12. | Nikon 1 V2 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 13. | Nikon D5500 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
| 14. | Olympus XZ-1 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
| 15. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
| 16. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
| 17. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the V3 has a microphone port, which is missing on the LX5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the V3 and the LX5 have been discontinued, but can regularly be found used on ebay. The LX5 was replaced by the Panasonic LX7, while the V3 does not have a direct successor. Further information on the features and operation of the V3 and LX5 can be found, respectively, in the Nikon 1 V3 Manual (free pdf) or the online Panasonic LX5 Manual.
Review summary
So what is the bottom line? Which of the two cameras – the Nikon 1 V3 or the Panasonic LX5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Nikon 1 V3:
- More detail: Offers more megapixels (18.2 vs 10MP) with a 38% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (11 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.2 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (1.5 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60p vs 720/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (60 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years and 7 months of technical progress since the LX5 launch.

Advantages of the Panasonic Lumix DMC-LX5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Ready to shoot: Has an integrated lens, whereas the V3 necessitates an extra lens.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the V3).
- Longer lasting: Gets more shots (400 versus 310) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in July 2010).
If the number of relative strengths (bullet points above) is taken as a guide, the V3 is the clear winner of the match-up (18 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 V3 and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the V3 and the LX5 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Nikon 1 V3 | 3/5 | .. | .. | 76/100 | 4.5/5 | 4/5 | Mar 2014 | US$ 799 | ebay.com | |
| 2. | Panasonic LX5 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Jul 2010 | US$ 499 | ebay.com | |
| 3. | Canon G5 X | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Oct 2015 | US$ 799 | ebay.com | |
| 4. | Canon G7 X | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Sep 2014 | US$ 699 | ebay.com | |
| 5. | Canon G7 X Mark II | 4.5/5 | + + | .. | 81/100 | 4.5/5 | 4.5/5 | Feb 2016 | US$ 699 | ebay.com | |
| 6. | Canon G9 X | 3.5/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2015 | US$ 529 | ebay.com | |
| 7. | Fujifilm X-T10 | 4.5/5 | + + | .. | 80/100 | 5/5 | 5/5 | May 2015 | US$ 799 | ebay.com | |
| 8. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | US$ 599 | ebay.com | |
| 9. | Nikon 1 J4 | 3/5 | .. | .. | .. | 4.5/5 | 4/5 | Apr 2014 | US$ 549 | ebay.com | |
| 10. | Nikon 1 J5 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2015 | US$ 399 | ebay.com | |
| 11. | Nikon 1 V1 | .. | + | .. | 69/100 | 4.5/5 | 4/5 | Sep 2011 | US$ 799 | ebay.com | |
| 12. | Nikon 1 V2 | 3/5 | .. | .. | .. | 4.5/5 | 4/5 | Oct 2012 | US$ 799 | ebay.com | |
| 13. | Nikon D5500 | 5/5 | + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2015 | US$ 899 | ebay.com | |
| 14. | Olympus XZ-1 | 4/5 | .. | .. | 74/100 | 4.5/5 | 4.5/5 | Jan 2011 | US$ 499 | ebay.com | |
| 15. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | US$ 499 | ebay.com | |
| 16. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | US$ 549 | ebay.com | |
| 17. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | US$ 499 | ebay.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check V3 offers at
ebay.com

Check LX5 offers at
ebay.com
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 20D vs Panasonic LX5
- Leica D-LUX 8 vs Nikon 1 V3
- Leica D-LUX 8 vs Panasonic LX5
- Leica S Typ 006 vs Panasonic LX5
- Leica S3 vs Panasonic LX5
- Nikon 1 V3 vs Nikon D3100
- Nikon 1 V3 vs Panasonic TZ90
- Nikon 1 V3 vs Pentax K-3 II
- Nikon 1 V3 vs Sony HX80
- Nikon 1 V3 vs Sony NEX-5
- Olympus XZ-2 vs Panasonic LX5
- Panasonic LX5 vs Ricoh GR IIIx
Specifications: Nikon 1 V3 vs Panasonic LX5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Nikon 1 V3 | Panasonic LX5 |
|---|---|---|
| Camera Type | Mirrorless system camera | Fixed lens compact camera |
| Camera Lens | Nikon 1 mount lenses | 24-90mm f/2.0-3.3 |
| Launch Date | March 2014 | July 2010 |
| Launch Price | USD 799 | USD 499 |
| Sensor Specs | Nikon 1 V3 | Panasonic LX5 |
| Sensor Technology | CMOS | CCD |
| Sensor Format | 1" Sensor | 1/1.7" Sensor |
| Sensor Size | 13.2 x 8.8 mm | 7.85 x 5.89 mm |
| Sensor Area | 116.16 mm2 | 46.2365 mm2 |
| Sensor Diagonal | 15.9 mm | 9.8 mm |
| Crop Factor | 2.7x | 4.4x |
| Sensor Resolution | 18.2 Megapixels | 10 Megapixels |
| Image Resolution | 5232 x 3488 pixels | 3648 x 2736 pixels |
| Pixel Pitch | 2.52 μm | 2.14 μm |
| Pixel Density | 15.71 MP/cm2 | 21.59 MP/cm2 |
| Moiré control | no AA filter | Anti-Alias filter |
| Movie Capability | 1080/60p Video | 720/60p Video |
| ISO Setting | 160 - 12,800 ISO | 80 - 3,200 ISO |
| ISO Boost | no Enhancement | 80 - 12,800 ISO |
| Image Processor | EXPEED 4 | Venus FHD |
| DXO Sensor Quality (score) | 52 | 41 |
| DXO Color Depth (bits) | 20.8 | 19.6 |
| DXO Dynamic Range (EV) | 10.7 | 10.8 |
| DXO Low Light (ISO) | 384 | 132 |
| Screen Specs | Nikon 1 V3 | Panasonic LX5 |
| Viewfinder Type | Viewfinder optional | Viewfinder optional |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.0inch |
| LCD Resolution | 1037k dots | 460k dots |
| LCD Attachment | Tilting screen | Fixed screen |
| Touch Input | Touchscreen | no Touchscreen |
| Shooting Specs | Nikon 1 V3 | Panasonic LX5 |
| Focus System | On-Sensor Phase-detect | Contrast-detect AF |
| Continuous Shooting | 60 shutter flaps/s | 2.5 shutter flaps/s |
| Electronic Shutter | up to 1/16000s | no E-Shutter |
| Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
| Fill Flash | Built-in Flash | Built-in Flash |
| Storage Medium | mSDXC cards | SDXC cards |
| Single or Dual Card Slots | Single card slot | Single card slot |
| UHS card support | UHS-I | no |
| Connectivity Specs | Nikon 1 V3 | Panasonic LX5 |
| External Flash | no Hotshoe | Hotshoe |
| USB Connector | USB 2.0 | USB 2.0 |
| HDMI Port | mini HDMI | mini HDMI |
| Microphone Port | External MIC port | no MIC socket |
| Wifi Support | Wifi built-in | no Wifi |
| Body Specs | Nikon 1 V3 | Panasonic LX5 |
| Battery Type | Nikon EN-EL20a | Panasonic DMW-BCJ13 |
| Battery Life (CIPA) | 310 shots per charge | 400 shots per charge |
| Body Dimensions |
111 x 65 x 33 mm (4.4 x 2.6 x 1.3 in) |
110 x 65 x 43 mm (4.3 x 2.6 x 1.7 in) |
| Camera Weight | 381 g (13.4 oz) | 271 g (9.6 oz) |

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