Panasonic G3 vs Sony NEX-7

The Panasonic Lumix DMC-G3 and the Sony Alpha NEX-7 are two digital cameras that were announced, respectively, in May 2011 and August 2011. Both the G3 and the NEX-7 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G3) and an APS-C (NEX-7) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic G3		Sony NEX-7
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
15.8 MP – Four Thirds sensor		24 MP – APS-C sensor
1080/60i Video		1080/60i Video
ISO 160-6,400		ISO 100-16,000
Electronic viewfinder (1440k dots)		Electronic viewfinder (2359k dots)
3.0" LCD – 460k dots		3.0" LCD – 921k dots
Swivel touchscreen		Tilting screen (no touchscreen)
4 shutter flaps per second		10 shutter flaps per second
270 shots per battery charge		430 shots per battery charge
115 x 84 x 47 mm, 336 g		120 x 67 x 43 mm, 400 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G3 and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic G3 and the Sony NEX-7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The G3 can be obtained in four different colors (black, brown, red, white), while the NEX-7 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is notably smaller (17 percent) than the Panasonic G3. However, the NEX-7 is markedly heavier (19 percent) than the G3. In this context, it is worth noting that neither the G3 nor the NEX-7 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G3) and the Sony E-Mount Lens Catalog (NEX-7). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G3 gets 270 shots out of its Panasonic DMW-BLD10 battery, while the NEX-7 can take 430 images on a single charge of its Sony NP-FW50 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	US$ 599	ebay.com
2.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	US$ 1 349	ebay.com
3.		Fujifilm X100	126 mm	75 mm	54 mm	445 g	300	n	Sep 2010	US$ 1 199	ebay.com
4.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	US$ 599	ebay.com
5.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	US$ 599	ebay.com
6.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	US$ 599	ebay.com
7.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	US$ 599	ebay.com
8.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	US$ 499	ebay.com
9.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	US$ 549	ebay.com
10.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	US$ 549	ebay.com
11.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	US$ 499	ebay.com
12.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	US$ 899	ebay.com
13.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	US$ 699	ebay.com
14.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	US$ 329	ebay.com
15.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	US$ 599	ebay.com
16.		Sony A6400	120 mm	67 mm	50 mm	403 g	410	Y	Jan 2019	US$ 899	amazon.com
17.		Sony RX1	113 mm	65 mm	70 mm	482 g	270	n	Sep 2012	US$ 2 799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G3 was launched at a markedly lower price (by 56 percent) than the NEX-7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic G3 features a Four Thirds sensor and the Sony NEX-7 an APS-C sensor. The sensor area in the NEX-7 is 62 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G3 has a native 4:3 aspect ratio, while the one in the NEX-7 offers a 3:2 aspect.

With 24MP, the NEX-7 offers a higher resolution than the G3 (15.8MP), but the NEX-7 nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 3.77μm for the G3) due to its larger sensor. Moreover, the NEX-7 is a somewhat more recent model (by 3 months) than the G3, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony NEX-7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G3 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The Panasonic Lumix DMC-G3 has a native sensitivity range from ISO 160 to ISO 6400. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the NEX-7 offers substantially better image quality than the G3 (overall score 25 points higher). The advantage is based on 3.1 bits higher color depth, 2.8 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
2.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
3.		Fujifilm X100	APS-C	12.2	4288	2848	720/30p	22.9	12.4	1001	73
4.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
5.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
6.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
7.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
8.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
9.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
10.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
11.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
12.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
13.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
14.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
15.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
16.		Sony A6400	APS-C	24.0	6000	4000	4K/30p	24.0	13.6	1431	83
17.		Sony RX1	Full Frame	24.0	6000	4000	1080/60p	25.1	14.3	2534	93

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60i).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the NEX-7 offers a substantially higher resolution than the one in the G3 (2359k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Panasonic G3, the Sony NEX-7, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
2.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
3.		Fujifilm X100	1440	n	2.8 / 460	fixed	n	1/4000s	5.0/s	Y	n
4.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
5.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
6.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
7.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
8.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
9.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
10.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
11.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
12.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
13.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
14.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
15.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
16.		Sony A6400	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
17.		Sony RX1	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G3 has a touchscreen, while the NEX-7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The G3 writes its imaging data to SDXC cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G3 and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-
3.		Fujifilm X100	Y	stereo / -	-	-	mini	2.0	-	-	-
4.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
5.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
8.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
9.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
12.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
13.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony A6400	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
17.		Sony RX1	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the NEX-7 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G3 does not feature such a mic input.

Both the G3 and the NEX-7 have been discontinued, but can regularly be found used on ebay. The G3 was replaced by the Panasonic G5, while the NEX-7 does not have a direct successor. Further information on the features and operation of the G3 and NEX-7 can be found, respectively, in the Panasonic G3 Manual (free pdf) or the online Sony NEX-7 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Panasonic G3 or the Sony NEX-7 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Panasonic Lumix DMC-G3:

• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less heavy: Is lighter (by 64g or 16 percent) and hence easier to carry around.
• More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in May 2011).

Reasons to prefer the Sony Alpha NEX-7:

• More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
• Better image quality: Scores substantially higher (25 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (3.1 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.8 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (0.6 stops ISO advantage).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 1440k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.70x).
• More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
• Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (120x67mm vs 115x84mm) and will fit more readily into a bag.
• Longer lasting: Gets more shots (430 versus 270) out of a single battery charge.
• More modern: Was introduced somewhat (3 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the NEX-7 is the clear winner of the contest (13 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic G3 and the Sony NEX-7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the G3 and the NEX-7 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	US$ 599	ebay.com
2.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	US$ 1 349	ebay.com
3.		Fujifilm X100	3/5	..	..	75/100	4/5	5/5	Sep 2010	US$ 1 199	ebay.com
4.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	US$ 599	ebay.com
5.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	US$ 599	ebay.com
6.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	US$ 599	ebay.com
7.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	US$ 599	ebay.com
8.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	US$ 499	ebay.com
9.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	US$ 549	ebay.com
10.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	US$ 549	ebay.com
11.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	US$ 499	ebay.com
12.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	US$ 899	ebay.com
13.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	US$ 699	ebay.com
14.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	US$ 329	ebay.com
15.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	US$ 599	ebay.com
16.		Sony A6400	4/5	+	4/5	85/100	4.5/5	4/5	Jan 2019	US$ 899	amazon.com
17.		Sony RX1	5/5	..	..	79/100	4/5	4.5/5	Sep 2012	US$ 2 799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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