Panasonic L1 vs Sony A7C R

The Panasonic Lumix DMC-L1 and the Sony Alpha A7C R are two digital cameras that were officially introduced, respectively, in February 2006 and August 2023. The L1 is a DSLR, while the A7C R is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (L1) and a full frame (A7C R) sensor. The Panasonic has a resolution of 7.4 megapixels, whereas the Sony provides 60.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic L1		Sony A7C R
Digital single lens reflex		Mirrorless system camera
Four Thirds lenses		Sony E mount lenses
7.4 MP – Four Thirds sensor		60.2 MP – Full Frame sensor
no Video		4K/60p Video
ISO 100-1,600		ISO 100-32,000 (50 - 102,400)
Optical viewfinder		Electronic viewfinder (2360k dots)
2.5" LCD – 207k dots		3.0" LCD – 1037k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
3 shutter flaps per second		8 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
750 shots per battery charge		520 shots per battery charge
146 x 87 x 64 mm, 606 g		124 x 71 x 63 mm, 520 g

Check L1 offers at
ebay.com
Check A7C R price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-L1 and the Sony Alpha A7C R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic L1 and the Sony A7C R are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

The A7C R can be obtained in two different colors (black, silver), while the L1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7C R is considerably smaller (31 percent) than the Panasonic L1. Moreover, the A7C R is markedly lighter (14 percent) than the L1. It is noteworthy in this context that the A7C R is splash and dust-proof, while the L1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (L1) and the Sony FE Lens Catalog (A7C R). Mirrorless cameras, such as the A7C R, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

The power pack in the A7C R can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic L1	146 mm	87 mm	64 mm	606 g	750	n	Feb 2006	US$ 999	ebay.com
2.		Sony A7C R	124 mm	71 mm	63 mm	520 g	520	Y	Aug 2023	US$ 2 999	amazon.com
3.		Canon 300D	142 mm	99 mm	72 mm	649 g	400	n	Aug 2003	US$ 899	ebay.com
4.		Canon 350D	127 mm	94 mm	64 mm	540 g	400	n	Feb 2005	US$ 899	ebay.com
5.		Leica Digilux 3	146 mm	87 mm	77 mm	606 g	750	n	Sep 2006	US$ 1 499	ebay.com
6.		Leica V-LUX 1	141 mm	86 mm	142 mm	734 g	360	n	Sep 2006	US$ 849	ebay.com
7.		Nikon D70s	140 mm	111 mm	78 mm	679 g	500	n	Apr 2005	US$ 899	ebay.com
8.		Nikon D80	132 mm	103 mm	77 mm	668 g	600	n	Aug 2006	US$ 999	ebay.com
9.		Olympus E-300	147 mm	85 mm	64 mm	624 g	750	n	Sep 2004	US$ 799	ebay.com
10.		Olympus E-330	140 mm	87 mm	72 mm	637 g	750	n	Jan 2006	US$ 999	ebay.com
11.		Olympus E-500	130 mm	95 mm	66 mm	479 g	750	n	Sep 2005	US$ 599	ebay.com
12.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	US$ 599	ebay.com
13.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	US$ 3 199	ebay.com
14.		Sony A7R IV	129 mm	96 mm	78 mm	665 g	670	Y	Jul 2019	US$ 3 499	ebay.com
15.		Sony A7R V	131 mm	97 mm	82 mm	723 g	530	Y	Oct 2022	US$ 3 899	amazon.com
16.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	US$ 2 999	ebay.com
17.		Sony ZV-E1	121 mm	72 mm	54 mm	483 g	570	Y	Mar 2023	US$ 2 199	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The L1 was launched at a markedly lower price (by 67 percent) than the A7C R, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic L1 features a Four Thirds sensor and the Sony A7C R a full frame sensor. The sensor area in the A7C R is 278 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the L1 has a native 4:3 aspect ratio, while the one in the A7C R offers a 3:2 aspect.

With 60.2MP, the A7C R offers a higher resolution than the L1 (7.4MP), but the A7C R has smaller individual pixels (pixel pitch of 3.76μm versus 5.51μm for the L1). Yet, the A7C R is a much more recent model (by 17 years and 6 months) than the L1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7C R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7C R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7C R for good quality output (200 dots per inch) amounts to 47.5 x 31.7 inches or 120.7 x 80.5 cm, for very good quality (250 dpi) 38 x 25.3 inches or 96.6 x 64.4 cm, and for excellent quality (300 dpi) 31.7 x 21.1 inches or 80.5 x 53.6 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.

The A7C R has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the L1, the A7C R has the capacity to capture high quality composite images (240MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-L1 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha A7C R are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the L1 is build around a CMOS sensor, while the A7C R uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic L1	Four Thirds	7.4	3136	2352	none	20.8	10.4	80	52
2.		Sony A7C R	Full Frame	60.2	9504	6336	4K/60p	25.4	14.7	3227	96
3.		Canon 300D	APS-C	6.3	3072	2048	none	21.0	10.8	544	55
4.		Canon 350D	APS-C	8.0	3456	2304	none	21.8	10.8	637	60
5.		Leica Digilux 3	Four Thirds	7.4	3136	2352	none	21.0	10.6	127	53
6.		Leica V-LUX 1	1/1.8	10.0	3648	2736	480/30p	18.4	9.5	-727	29
7.		Nikon D70s	APS-C	6.0	3008	2000	none	20.4	10.3	529	50
8.		Nikon D80	APS-C	10.0	3872	2592	none	22.1	11.2	524	61
9.		Olympus E-300	Four Thirds	8.0	3264	2448	none	20.4	10.1	-40	48
10.		Olympus E-330	Four Thirds	7.4	3136	2352	none	20.8	10.4	73	52
11.		Olympus E-500	Four Thirds	8.0	3264	2448	none	20.7	10.3	45	51
12.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
13.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
14.		Sony A7R IV	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
15.		Sony A7R V	Full Frame	60.2	9504	6336	8k/24p	26.5	14.8	3187	100
16.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
17.		Sony ZV-E1	Full Frame	12.0	4240	2832	4K/60p	25.4	14.6	3181	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The A7C R indeed provides for movie recording, while the L1 does not. The highest resolution format that the A7C R can use is 4K/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7C R has an electronic viewfinder (2360k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7C R offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7C R has a higher magnification (0.7x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Panasonic L1 and Sony A7C R in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic L1	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
2.		Sony A7C R	2360	n	3.0 / 1037	swivel	Y	1/4000s	8.0/s	n	Y
3.		Canon 300D	optical	n	1.8 / 118	fixed	n	1/4000s	2.5/s	Y	n
4.		Canon 350D	optical	n	1.8 / 115	fixed	n	1/4000s	3.0/s	Y	n
5.		Leica Digilux 3	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
6.		Leica V-LUX 1	235	n	2.0 / 207	tilting	n	1/2000s	2.0/s	Y	Y
7.		Nikon D70s	optical	n	2.0 / 130	fixed	n	1/8000s	3.0/s	Y	n
8.		Nikon D80	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
9.		Olympus E-300	optical	n	1.8 / 134	fixed	n	1/4000s	2.5/s	Y	n
10.		Olympus E-330	optical	n	2.5 / 215	tilting	n	1/4000s	3.0/s	Y	n
11.		Olympus E-500	optical	n	2.5 / 215	fixed	n	1/4000s	2.5/s	Y	n
12.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
13.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
14.		Sony A7R IV	5760	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A7R V	9440	n	3.2 / 2100	full-flex	Y	1/8000s	10.0/s	n	Y
16.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
17.		Sony ZV-E1	none	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The L1 has one, while the A7C R does not. While the built-in flash of the L1 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7C R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Sony A7C R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The L1 writes its imaging data to SDHC cards, while the A7C R uses SDXC or Memory Stick PRO Duo cards. The A7C R supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the L1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-L1 and Sony Alpha A7C R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic L1	Y	- / -	-	-	-	2.0	-	-	-
2.		Sony A7C R	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Canon 300D	Y	- / -	-	-	-	1.1	-	-	-
4.		Canon 350D	Y	- / -	-	-	-	2.0	-	-	-
5.		Leica Digilux 3	Y	stereo / mono	-	-	-	2.0	-	-	-
6.		Leica V-LUX 1	Y	mono / mono	-	-	-	2.0	-	-	-
7.		Nikon D70s	Y	- / -	-	-	-	2.0	-	-	-
8.		Nikon D80	Y	- / -	-	-	-	2.0	-	-	-
9.		Olympus E-300	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-330	Y	- / -	-	-	-	2.0	-	-	-
11.		Olympus E-500	Y	- / -	-	-	-	2.0	-	-	-
12.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-
13.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A7R IV	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A7R V	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
16.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony ZV-E1	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y

It is notable that the A7C R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the L1 does not provide wifi capability.

The A7C R is a recent model that features in the current product line-up of Sony. In contrast, the L1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the L1 was succeeded by the Panasonic L10. Further information on the features and operation of the L1 and A7C R can be found, respectively, in the Panasonic L1 Manual (free pdf) or the online Sony A7C R Manual.

Review summary

So how do things add up? Is the Panasonic L1 better than the Sony A7C R or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Panasonic Lumix DMC-L1:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Longer lasting: Can take more shots (750 versus 520) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (67 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in February 2006).

Advantages of the Sony Alpha A7C R:

• More detail: Has more megapixels (60.2 vs 7.4MP), which boosts linear resolution by 191%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can capture not only stills but also 4K/60p video.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.7x vs 0.47x).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 207k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (124x71mm vs 146x87mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 86g or 14 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
• More modern: Reflects 17 years and 6 months of technical progress since the L1 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A7C R is the clear winner of the contest (31 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic L1 and the Sony A7C R place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the L1 or the A7C R perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic L1	..	85/100	..	+	..	3.5/5	Feb 2006	US$ 999	ebay.com
2.		Sony A7C R	4/5	..	4/5	88/100	..	4/5	Aug 2023	US$ 2 999	amazon.com
3.		Canon 300D	..	..	..	+ +	..	..	Aug 2003	US$ 899	ebay.com
4.		Canon 350D	..	80/100	..	+ +	o	..	Feb 2005	US$ 899	ebay.com
5.		Leica Digilux 3	..	..	..	..	..	..	Sep 2006	US$ 1 499	ebay.com
6.		Leica V-LUX 1	..	..	..	..	..	..	Sep 2006	US$ 849	ebay.com
7.		Nikon D70s	..	..	..	..	..	5/5	Apr 2005	US$ 899	ebay.com
8.		Nikon D80	..	+	..	+ +	o	4.5/5	Aug 2006	US$ 999	ebay.com
9.		Olympus E-300	..	..	..	+	o	4.5/5	Sep 2004	US$ 799	ebay.com
10.		Olympus E-330	..	..	..	+	o	..	Jan 2006	US$ 999	ebay.com
11.		Olympus E-500	..	76/100	..	+ +	..	..	Sep 2005	US$ 599	ebay.com
12.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	US$ 599	ebay.com
13.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	US$ 3 199	ebay.com
14.		Sony A7R IV	5/5	+	4.5/5	91/100	4.5/5	5/5	Jul 2019	US$ 3 499	ebay.com
15.		Sony A7R V	5/5	+ +	4.5/5	92/100	..	..	Oct 2022	US$ 3 899	amazon.com
16.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	US$ 2 999	ebay.com
17.		Sony ZV-E1	..	+	4/5	..	..	4.5/5	Mar 2023	US$ 2 199	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Check L1 offers at
ebay.com
Check A7C R price at
amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

~

Check L1 offers at
ebay.com
Check A7C R price at
amazon.com

Did you notice an error on this page? If so, please get in touch, so that we can correct the information.