Panasonic S9 vs Sony A7R III

The Panasonic Lumix DC-S9 and the Sony Alpha A7R III are two enthusiast cameras that were officially introduced, respectively, in May 2024 and October 2017. Both the S9 and the A7R III are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The Panasonic has a resolution of 24 megapixels, whereas the Sony provides 42.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic S9		Sony A7R III
Mirrorless system camera		Mirrorless system camera
Leica L mount lenses		Sony E mount lenses
24 MP – Full Frame sensor		42.2 MP – Full Frame sensor
6K/30p Video		4K/30p Video
ISO 100-51,200 (50 - 204,800)		ISO 100-32,000 (50 - 102,400)
No viewfinder, LCD framing		Electronic viewfinder (3686k dots)
3.0" LCD – 1840k dots		3.0" LCD – 1440k dots
Swivel touchscreen		Tilting touchscreen
30 shutter flaps per second		10 shutter flaps per second
In-body stabilization		In-body stabilization
not weather sealed		Weathersealed body
470 shots per battery charge		650 shots per battery charge
126 x 74 x 47 mm, 486 g		127 x 96 x 74 mm, 650 g

Check S9 price at
amazon.com
Check A7R III offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-S9 and the Sony Alpha A7R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic S9 and the Sony A7R III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

The S9 can be obtained in four different colors (black, blue, red, green), while the A7R III is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is notably larger (31 percent) than the Panasonic S9. Moreover, the A7R III is markedly heavier (34 percent) than the S9. It is noteworthy in this context that the A7R III is splash and dust-proof, while the S9 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the S9 gets 470 shots out of its Panasonic DMW-BLK22 battery, while the A7R III can take 650 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic S9	126 mm	74 mm	47 mm	486 g	470	n	May 2024	US$ 1 499	amazon.com
2.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	US$ 3 199	ebay.com
3.		Canon R8	133 mm	86 mm	70 mm	461 g	220	n	Feb 2023	US$ 1 499	amazon.com
4.		Fujifilm X-E5	125 mm	73 mm	39 mm	445 g	305	n	Jun 2025	US$ 1 699	amazon.com
5.		Fujifilm X-S10	126 mm	85 mm	65 mm	465 g	325	n	Oct 2020	US$ 999	amazon.com
6.		Fujifilm X-S20	128 mm	85 mm	65 mm	491 g	750	n	May 2023	US$ 1 299	amazon.com
7.		Fujifilm X-T50	124 mm	84 mm	49 mm	438 g	305	n	May 2024	US$ 1 399	amazon.com
8.		Panasonic GX9	124 mm	72 mm	47 mm	407 g	260	n	Feb 2018	US$ 849	ebay.com
9.		Panasonic S1 II	134 mm	102 mm	92 mm	800 g	350	Y	May 2025	US$ 3 199	amazon.com
10.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	US$ 1 999	amazon.com
11.		Sony A7C	124 mm	71 mm	60 mm	509 g	740	Y	Sep 2020	US$ 1 799	amazon.com
12.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	US$ 3 199	ebay.com
13.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650	Y	Apr 2021	US$ 3 199	amazon.com
14.		Sony A7R IV	129 mm	96 mm	78 mm	665 g	670	Y	Jul 2019	US$ 3 499	ebay.com
15.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	US$ 2 999	ebay.com
16.		Sony A9	127 mm	96 mm	63 mm	673 g	650	Y	Apr 2017	US$ 4 499	ebay.com
17.		Sony A6700	122 mm	69 mm	64 mm	493 g	570	Y	Jul 2023	US$ 1 399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The S9 was launched at a markedly lower price (by 53 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7R III is 2 percent bigger. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 42.2MP, the A7R III offers a higher resolution than the S9 (24MP), but the A7R III has smaller individual pixels (pixel pitch of 4.52μm versus 5.94μm for the S9). Yet, the S9 is a much more recent model (by 6 years and 6 months) than the A7R III, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Sony A7R III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R III for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Panasonic S9 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

Unlike the S9, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DC-S9 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic S9	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3297	96
2.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
3.		Canon R8	Full Frame	24.0	6000	4000	4k/60p	24.5	14.7	3295	93
4.		Fujifilm X-E5	APS-C	39.8	7728	5152	6.2k/30p	24.3	14.2	2523	86
5.		Fujifilm X-S10	APS-C	26.0	6240	4160	4K/30p	24.2	13.7	2057	85
6.		Fujifilm X-S20	APS-C	26.0	6240	4160	4K/60p	24.3	14.0	2315	86
7.		Fujifilm X-T50	APS-C	39.8	7728	5152	6.2k/30p	24.3	14.1	2418	86
8.		Panasonic GX9	Four Thirds	20.2	5184	3888	4K/30p	23.1	12.8	1163	74
9.		Panasonic S1 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.8	3406	97
10.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
11.		Sony A7C	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3407	95
12.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
13.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
14.		Sony A7R IV	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
15.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
16.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92
17.		Sony A6700	APS-C	25.6	6192	4128	4K/120p	24.3	14.0	2329	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S9 provides a higher video resolution than the A7R III. It can shoot video footage at 6K/30p, while the Sony is limited to 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S9 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic S9 and Sony A7R III along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic S9	none	n	3.0 / 1840	swivel	Y	1/8000s	30.0/s	n	Y
2.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
3.		Canon R8	2360	n	3.0 / 1620	swivel	Y	1/4000s	6.0/s	n	n
4.		Fujifilm X-E5	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	n	Y
5.		Fujifilm X-S10	2360	n	3.0 / 1040	swivel	Y	1/4000s	8.0/s	Y	Y
6.		Fujifilm X-S20	2360	n	3.0 / 1840	swivel	Y	1/4000s	8.0/s	Y	Y
7.		Fujifilm X-T50	2360	n	3.0 / 1840	tilting	Y	1/4000s	8.0/s	Y	Y
8.		Panasonic GX9	2760	n	3.0 / 1240	tilting	Y	1/4000s	9.0/s	Y	Y
9.		Panasonic S1 II	5760	n	3.2 / 1840	full-flex	Y	1/8000s	10.0/s	n	Y
10.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
11.		Sony A7C	2360	n	3.0 / 922	swivel	Y	1/4000s	10.0/s	n	Y
12.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
13.		Sony A7R IIIA	3686	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R IV	5760	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
16.		Sony A9	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
17.		Sony A6700	2360	n	3.0 / 1037	swivel	Y	1/4000s	11.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic S9 and the Sony A7R III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The S9 writes its imaging data to SDXC cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. The A7R III features dual card slots, which can be very useful in case a memory card fails. In contrast, the S9 only has one slot. Both the S9 and the A7R III support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s (the second slot of the A7R III only offers slower UHS-I transfer rates, though).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-S9 and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic S9	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
2.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
3.		Canon R8	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Fujifilm X-E5	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
5.		Fujifilm X-S10	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
6.		Fujifilm X-S20	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
7.		Fujifilm X-T50	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
8.		Panasonic GX9	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
9.		Panasonic S1 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
10.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
11.		Sony A7C	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
12.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
13.		Sony A7R IIIA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
14.		Sony A7R IV	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A9	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
17.		Sony A6700	Y	stereo / mono	Y	Y	YES	3.2	Y	Y	Y

It is notable that the A7R III has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The S9 lacks such a headphone port.

Studio photographers will appreciate that the Sony A7R III (unlike the S9) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The S9 is a recent model that features in the current product line-up of Panasonic. In contrast, the A7R III has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the A7R III was succeeded by the Sony A7R IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.

Review summary

So what conclusions can be drawn? Is the Panasonic S9 better than the Sony A7R III or vice versa? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Panasonic Lumix DC-S9:

• Better video: Provides higher definition movie capture (6K/30p vs 4K/30p).
• More detailed LCD: Has a higher resolution rear screen (1840k vs 1440k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (30 vs 10 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (126x74mm vs 127x96mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 164g or 25 percent) and hence easier to carry around.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 3.1).
• More affordable: Was introduced into a lower priced category (53 percent cheaper at launch).
• More modern: Reflects 6 years and 6 months of technical progress since the A7R III launch.

Advantages of the Sony Alpha A7R III:

• More detail: Has more megapixels (42.2 vs 24MP), which boosts linear resolution by 33%.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Longer lasting: Gets more shots (650 versus 470) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been around for much longer (launched in October 2017).

If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (10 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic S9 and the Sony A7R III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the S9 or the A7R III. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic S9	..	..	..	..	..	..	May 2024	US$ 1 499	amazon.com
2.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	US$ 3 199	ebay.com
3.		Canon R8	4.5/5	+ +	4.5/5	87/100	4/5	4.5/5	Feb 2023	US$ 1 499	amazon.com
4.		Fujifilm X-E5	..	..	..	..	..	..	Jun 2025	US$ 1 699	amazon.com
5.		Fujifilm X-S10	5/5	..	4.5/5	86/100	4.5/5	4.5/5	Oct 2020	US$ 999	amazon.com
6.		Fujifilm X-S20	5/5	+ +	5/5	86/100	..	4.5/5	May 2023	US$ 1 299	amazon.com
7.		Fujifilm X-T50	..	..	..	85/100	..	..	May 2024	US$ 1 399	amazon.com
8.		Panasonic GX9	4/5	+	4/5	84/100	4.5/5	4.5/5	Feb 2018	US$ 849	ebay.com
9.		Panasonic S1 II	..	..	..	..	..	..	May 2025	US$ 3 199	amazon.com
10.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	US$ 1 999	amazon.com
11.		Sony A7C	3.5/5	..	3.5/5	86/100	4/5	4/5	Sep 2020	US$ 1 799	amazon.com
12.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	US$ 3 199	ebay.com
13.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	US$ 3 199	amazon.com
14.		Sony A7R IV	5/5	+	4.5/5	91/100	4.5/5	5/5	Jul 2019	US$ 3 499	ebay.com
15.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	US$ 2 999	ebay.com
16.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	US$ 4 499	ebay.com
17.		Sony A6700	4.5/5	+	4.5/5	88/100	4.5/5	4.5/5	Jul 2023	US$ 1 399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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