Canon R5 Mark II vs Nikon B500
The Canon EOS R5 Mark II and the Nikon Coolpix B500 are two digital cameras that were revealed to the public, respectively, in July 2024 and January 2016. The R5 Mark II is a mirrorless interchangeable lens camera, while the B500 is a fixed lens compact. The cameras are based on a full frame (R5 Mark II) and a 1/2.3-inch (B500) sensor. The Canon has a resolution of 44.8 megapixels, whereas the Nikon provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check R5 Mark II price at
amazon.com

Check B500 offers at
ebay.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 Mark II and the Nikon Coolpix B500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon R5 Mark II and the Nikon B500. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The B500 can be obtained in two different colors (black, red), while the R5 Mark II is only available in black.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon B500 is considerably smaller (34 percent) than the Canon R5 Mark II. It is worth mentioning in this context that the R5 Mark II is splash and dust resistant, while the B500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the B500 has a lens built in, whereas the R5 Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The power pack in the R5 Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 138 mm | 98 mm | 88 mm | 746 g | 340 | Y | Jul 2024 | US$ 4 299 | amazon.com | |
| 2. | Nikon B500 | 114 mm | 78 mm | 95 mm | 541 g | 600 | n | Jan 2016 | US$ 299 | ebay.com | |
| 3. | Canon R1 | 158 mm | 150 mm | 87 mm | 1115 g | 1330 | Y | Jul 2024 | US$ 6 299 | amazon.com | |
| 4. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | US$ 3 899 | amazon.com | |
| 5. | Canon R5 C | 142 mm | 101 mm | 111 mm | 770 g | 320 | Y | Jan 2022 | US$ 4 499 | amazon.com | |
| 6. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | US$ 2 499 | amazon.com | |
| 7. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | US$ 2 499 | amazon.com | |
| 8. | Nikon B600 | 122 mm | 82 mm | 99 mm | 500 g | 280 | n | Jan 2019 | US$ 349 | ebay.com | |
| 9. | Nikon L840 | 113 mm | 78 mm | 96 mm | 538 g | 590 | n | Feb 2015 | US$ 299 | ebay.com | |
| 10. | Nikon P900 | 140 mm | 103 mm | 137 mm | 899 g | 360 | n | Mar 2015 | US$ 599 | ebay.com | |
| 11. | Nikon Z8 | 144 mm | 119 mm | 83 mm | 910 g | 340 | Y | May 2023 | US$ 3 999 | amazon.com | |
| 12. | Panasonic FZ80 | 130 mm | 94 mm | 119 mm | 616 g | 330 | n | Jan 2017 | US$ 399 | ebay.com | |
| 13. | Panasonic S1R II | 134 mm | 102 mm | 92 mm | 795 g | 350 | Y | May 2025 | US$ 3 299 | amazon.com | |
| 14. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
| 15. | Sony A1 II | 136 mm | 97 mm | 83 mm | 743 g | 520 | Y | Nov 2024 | US$ 6 499 | amazon.com | |
| 16. | Sony A7R V | 131 mm | 97 mm | 82 mm | 723 g | 530 | Y | Oct 2022 | US$ 3 899 | amazon.com | |
| 17. | Sony HX80 | 102 mm | 58 mm | 36 mm | 245 g | 390 | n | Mar 2016 | US$ 349 | ebay.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The B500 was launched at a lower price than the R5 Mark II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon R5 Mark II features a full frame sensor and the Nikon B500 a 1/2.3-inch sensor. The sensor area in the B500 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the R5 Mark II has a native 3:2 aspect ratio, while the one in the B500 offers a 4:3 aspect.

With 44.8MP, the R5 Mark II offers a higher resolution than the B500 (15.9MP), but the R5 Mark II nevertheless has larger individual pixels (pixel pitch of 4.39μm versus 1.33μm for the B500) due to its larger sensor. Moreover, the R5 Mark II is a much more recent model (by 8 years and 5 months) than the B500, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the B500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon R5 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 Mark II for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Nikon B500 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The R5 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R5 Mark II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon Coolpix B500 are ISO 80 to ISO 6400 (no boost).
In terms of underlying technology, the R5 Mark II is build around a CMOS sensor, while the B500 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.8 | 3332 | 97 | |
| 2. | Nikon B500 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60i | 20.3 | 11.7 | 810 | 48 | |
| 3. | Canon R1 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.4 | 14.8 | 3332 | 97 | |
| 4. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
| 5. | Canon R5 C | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.5 | 3082 | 96 | |
| 6. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
| 7. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
| 8. | Nikon B600 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.7 | 12.2 | 1095 | 52 | |
| 9. | Nikon L840 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60i | 20.2 | 11.6 | 721 | 47 | |
| 10. | Nikon P900 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.2 | 11.6 | 727 | 47 | |
| 11. | Nikon Z8 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.2 | 2548 | 98 | |
| 12. | Panasonic FZ80 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.5 | 11.9 | 900 | 49 | |
| 13. | Panasonic S1R II | Full Frame | 44.2 | 8144 | 5424 | 8K/30p | 25.4 | 14.8 | 3406 | 97 | |
| 14. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| 15. | Sony A1 II | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.4 | 14.8 | 3363 | 97 | |
| 16. | Sony A7R V | Full Frame | 60.2 | 9504 | 6336 | 8k/24p | 26.5 | 14.8 | 3187 | 100 | |
| 17. | Sony HX80 | 1/2.3 | 18.0 | 4896 | 3672 | 1080/60p | 20.4 | 11.8 | 822 | 48 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R5 Mark II provides a higher video resolution than the B500. It can shoot video footage at 8k/60p, while the Nikon is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the R5 Mark II has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the B500 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon R5 Mark II, the Nikon B500, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 2. | Nikon B500 | none | n | 3.0 / 921 | tilting | n | 1/4000s | 7.4/s | Y | Y | |
| 3. | Canon R1 | 9440 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 4. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 5. | Canon R5 C | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | n | |
| 6. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 7. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 8. | Nikon B600 | none | n | 3.0 / 921 | fixed | n | 1/4000s | 7.4/s | Y | Y | |
| 9. | Nikon L840 | none | n | 3.0 / 921 | tilting | n | 1/4000s | 7.4/s | Y | Y | |
| 10. | Nikon P900 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 7.0/s | Y | Y | |
| 11. | Nikon Z8 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
| 12. | Panasonic FZ80 | 1166 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
| 13. | Panasonic S1R II | 5760 | n | 3.2 / 1840 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
| 14. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| 15. | Sony A1 II | 9437 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 30.0/s | n | Y | |
| 16. | Sony A7R V | 9440 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 10.0/s | n | Y | |
| 17. | Sony HX80 | 638 | n | 3.0 / 922 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that is present on the R5 Mark II, but is missing on the B500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The R5 Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the B500 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R5 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R5 Mark II writes its imaging data to CFexpress (type B) or SDXC cards, while the B500 uses SDXC cards. The R5 Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the B500 only has one slot. The R5 Mark II supports UHS-II cards (on both slots), while the B500 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 Mark II and Nikon Coolpix B500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | Y | mono / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | Nikon B500 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
| 3. | Canon R1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 4. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 5. | Canon R5 C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 6. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 7. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 8. | Nikon B600 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
| 9. | Nikon L840 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 10. | Nikon P900 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
| 11. | Nikon Z8 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 12. | Panasonic FZ80 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
| 13. | Panasonic S1R II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 14. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 15. | Sony A1 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 16. | Sony A7R V | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 17. | Sony HX80 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the R5 Mark II has a hotshoe, while the B500 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon R5 Mark II (unlike the B500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The R5 Mark II is a recent model that features in the current product line-up of Canon. In contrast, the B500 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the B500 was succeeded by the Nikon B600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
Review summary
So what is the bottom line? Is there a clear favorite between the Canon R5 Mark II and the Nikon B500? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Canon EOS R5 Mark II:
- More detail: Offers more megapixels (44.8 vs 15.9MP) with a 71% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (8k/60p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 7.4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 8 years and 5 months of technical progress since the B500 launch.

Reasons to prefer the Nikon Coolpix B500:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has an integrated lens, whereas the R5 Mark II necessitates an extra lens.
- More compact: Is smaller (114x78mm vs 138x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the R5 Mark II).
- Longer lasting: Gets more shots (600 versus 340) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in January 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the R5 Mark II is the clear winner of the match-up (31 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R5 Mark II and the Nikon B500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the R5 Mark II or the B500 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Canon R5 Mark II | .. | .. | .. | 93/100 | .. | .. | Jul 2024 | US$ 4 299 | amazon.com | |
| 2. | Nikon B500 | .. | + | .. | .. | 4/5 | 3.5/5 | Jan 2016 | US$ 299 | ebay.com | |
| 3. | Canon R1 | .. | .. | .. | .. | .. | .. | Jul 2024 | US$ 6 299 | amazon.com | |
| 4. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | US$ 3 899 | amazon.com | |
| 5. | Canon R5 C | .. | + + | .. | .. | .. | .. | Jan 2022 | US$ 4 499 | amazon.com | |
| 6. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | US$ 2 499 | amazon.com | |
| 7. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | US$ 2 499 | amazon.com | |
| 8. | Nikon B600 | .. | + | .. | .. | 3.5/5 | 3/5 | Jan 2019 | US$ 349 | ebay.com | |
| 9. | Nikon L840 | .. | + + | .. | .. | 3.5/5 | 4/5 | Feb 2015 | US$ 299 | ebay.com | |
| 10. | Nikon P900 | .. | .. | .. | 77/100 | 4/5 | 4/5 | Mar 2015 | US$ 599 | ebay.com | |
| 11. | Nikon Z8 | 5/5 | .. | 5/5 | 94/100 | 5/5 | 4.5/5 | May 2023 | US$ 3 999 | amazon.com | |
| 12. | Panasonic FZ80 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Jan 2017 | US$ 399 | ebay.com | |
| 13. | Panasonic S1R II | .. | .. | .. | .. | .. | .. | May 2025 | US$ 3 299 | amazon.com | |
| 14. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
| 15. | Sony A1 II | .. | .. | .. | .. | .. | .. | Nov 2024 | US$ 6 499 | amazon.com | |
| 16. | Sony A7R V | 5/5 | + + | 4.5/5 | 92/100 | .. | .. | Oct 2022 | US$ 3 899 | amazon.com | |
| 17. | Sony HX80 | .. | .. | .. | .. | .. | .. | Mar 2016 | US$ 349 | ebay.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check R5 Mark II price at
amazon.com

Check B500 offers at
ebay.com
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon R5 Mark II vs Canon SL1
- Canon R5 Mark II vs Fujifilm X-M1
- Canon R5 Mark II vs Nikon P7800
- Canon R5 Mark II vs Nikon Z9
- Canon R5 Mark II vs Panasonic GF7
- Canon R5 Mark II vs Sony RX100 VII
- Fujifilm X-E2S vs Nikon B500
- Nikon B500 vs Nikon D300
- Nikon B500 vs Nikon D5000
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Specifications: Canon R5 Mark II vs Nikon B500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Canon R5 Mark II | Nikon B500 |
|---|---|---|
| Camera Type | Mirrorless system camera | Fixed lens compact camera |
| Camera Lens | Canon RF mount lenses | 22.5-900mm f/3.0-6.5 |
| Launch Date | July 2024 | January 2016 |
| Launch Price | USD 4,299 | USD 299 |
| Sensor Specs | Canon R5 Mark II | Nikon B500 |
| Sensor Technology | CMOS | BSI-CMOS |
| Sensor Format | Full Frame Sensor | 1/2.3" Sensor |
| Sensor Size | 36.0 x 24.0 mm | 6.17 x 4.55 mm |
| Sensor Area | 864 mm2 | 28.0735 mm2 |
| Sensor Diagonal | 43.3 mm | 7.7 mm |
| Crop Factor | 1.0x | 5.6x |
| Sensor Resolution | 44.8 Megapixels | 15.9 Megapixels |
| Image Resolution | 8192 x 5464 pixels | 4608 x 3456 pixels |
| Pixel Pitch | 4.39 μm | 1.33 μm |
| Pixel Density | 5.18 MP/cm2 | 56.73 MP/cm2 |
| Moiré control | Anti-Alias filter | no AA filter |
| Movie Capability | 8k/60p Video | 1080/60i Video |
| ISO Setting | 100 - 51,200 ISO | 80 - 6,400 ISO |
| ISO Boost | 50 - 102,400 ISO | no Enhancement |
| Screen Specs | Canon R5 Mark II | Nikon B500 |
| Viewfinder Type | Electronic viewfinder | no viewfinder |
| Viewfinder Field of View | 100% | |
| Viewfinder Magnification | 0.76x | |
| Viewfinder Resolution | 5760k dots | |
| Top-Level Screen | Control Panel | no Top Display |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.0inch |
| LCD Resolution | 2100k dots | 921k dots |
| LCD Attachment | Swivel screen | Tilting screen |
| Touch Input | Touchscreen | no Touchscreen |
| Shooting Specs | Canon R5 Mark II | Nikon B500 |
| Focus System | On-Sensor Phase-detect | Contrast-detect AF |
| Manual Focusing Aid | Focus Peaking | no Peaking Feature |
| Continuous Shooting | 12 shutter flaps/s | 7.4 shutter flaps/s |
| Electronic Shutter | up to 1/32000s | no E-Shutter |
| Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
| Image Stabilization | In-body stabilization | Lens-based stabilization |
| Fill Flash | no On-Board Flash | Built-in Flash |
| Storage Medium | CFexB or SDXC cards | SDXC cards |
| Single or Dual Card Slots | Dual card slots | Single card slot |
| UHS card support | Dual UHS-II | no |
| Connectivity Specs | Canon R5 Mark II | Nikon B500 |
| External Flash | Hotshoe | no Hotshoe |
| Studio Flash | PC Sync socket | no PC Sync |
| USB Connector | USB 3.2 | USB 2.0 |
| HDMI Port | full HDMI | micro HDMI |
| Microphone Port | External MIC port | no MIC socket |
| Headphone Socket | Headphone port | no Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Near-Field Communication | no NFC | NFC built-in |
| Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
| Body Specs | Canon R5 Mark II | Nikon B500 |
| Environmental Sealing | Weathersealed body | not weather sealed |
| Battery Type | Canon LP-E6P | Nikon 4xAA |
| Battery Life (CIPA) | 340 shots per charge | 600 shots per charge |
| In-Camera Charging | USB charging | no USB charging |
| Body Dimensions |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
114 x 78 x 95 mm (4.5 x 3.1 x 3.7 in) |
| Camera Weight | 746 g (26.3 oz) | 541 g (19.1 oz) |

Check R5 Mark II price at
amazon.com

Check B500 offers at
ebay.com
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