Canon SL1 vs Panasonic G5

The Canon EOS Rebel SL1 (called Canon 100D in some regions) and the Panasonic Lumix DMC-G5 are two digital cameras that were officially introduced, respectively, in March 2013 and July 2012. The SL1 is a DSLR, while the G5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (SL1) and a Four Thirds (G5) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon SL1		Panasonic G5
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Micro Four Thirds lenses
17.9 MP – APS-C sensor		15.9 MP – Four Thirds sensor
1080/30p Video		1080/60p Video
ISO 100-12,800 (100 - 25,600)		ISO 160-12,800
Optical viewfinder		Electronic viewfinder (1440k dots)
3.0" LCD – 1040k dots		3.0" LCD – 920k dots
Fixed touchscreen		Swivel touchscreen
4.9 shutter flaps per second		6 shutter flaps per second
380 shots per battery charge		320 shots per battery charge
117 x 91 x 69 mm, 407 g		120 x 83 x 71 mm, 396 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL1 and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon SL1 and the Panasonic G5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The SL1 can be obtained in two different colors (black, white), while the G5 is also available in two color-versions, but different ones (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is notably smaller (6 percent) than the Canon SL1. Moreover, the G5 is slightly lighter (3 percent) than the SL1. In this context, it is worth noting that neither the SL1 nor the G5 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (SL1) and the Micro Four Thirds Lens Catalog (G5). Mirrorless cameras, such as the G5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the SL1 gets 380 shots out of its Canon LP-E12 battery, while the G5 can take 320 images on a single charge of its Panasonic DMW-BLC12 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon SL1	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	US$ 549	ebay.com
2.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	US$ 599	ebay.com
3.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	US$ 549	ebay.com
4.		Canon M	109 mm	66 mm	32 mm	298 g	230	n	Jul 2012	US$ 599	ebay.com
5.		Canon M10	108 mm	67 mm	35 mm	301 g	255	n	Oct 2015	US$ 499	ebay.com
6.		Canon SL2	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	US$ 549	ebay.com
7.		Canon T3i	133 mm	100 mm	80 mm	570 g	440	n	Feb 2011	US$ 599	ebay.com
8.		Canon T4i	133 mm	100 mm	79 mm	575 g	440	n	Jun 2012	US$ 849	ebay.com
9.		Canon T5	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	US$ 449	ebay.com
10.		Canon T5i	133 mm	100 mm	79 mm	580 g	440	n	Mar 2013	US$ 649	ebay.com
11.		Canon T6	129 mm	101 mm	78 mm	485 g	500	n	Mar 2016	US$ 449	ebay.com
12.		Canon T100	129 mm	102 mm	77 mm	436 g	500	n	Feb 2018	US$ 399	amazon.com
13.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	US$ 599	ebay.com
14.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	US$ 599	ebay.com
15.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	US$ 499	ebay.com
16.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	US$ 699	ebay.com
17.		Panasonic GX850	107 mm	65 mm	33 mm	269 g	210	n	Jan 2017	US$ 549	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SL1 was somewhat cheaper (by 8 percent) than the G5 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon SL1 features an APS-C sensor and the Panasonic G5 a Four Thirds sensor. The sensor area in the G5 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the SL1 has a native 3:2 aspect ratio, while the one in the G5 offers a 4:3 aspect.

With 17.9MP, the SL1 offers a higher resolution than the G5 (15.9MP), but the SL1 nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.76μm for the G5) due to its larger sensor. Moreover, the SL1 is a somewhat more recent model (by 8 months) than the G5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon SL1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL1 for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic G5 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The SL1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS Rebel SL1 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon SL1	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
2.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
3.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
4.		Canon M	APS-C	17.9	5184	3456	1080/30p	22.1	11.2	827	65
5.		Canon M10	APS-C	17.9	5184	3456	1080/30p	22.2	11.4	753	65
6.		Canon SL2	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
7.		Canon T3i	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	793	65
8.		Canon T4i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	722	62
9.		Canon T5	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
10.		Canon T5i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	681	61
11.		Canon T6	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	781	66
12.		Canon T100	APS-C	17.9	5184	3456	1080/30p	21.9	11.4	695	63
13.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
14.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
15.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
16.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
17.		Panasonic GX850	Four Thirds	15.8	4592	3448	4K/30p	23.2	13.3	586	73

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G5 provides a faster frame rate than the SL1. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the G5 has an electronic viewfinder (1440k dots), while the SL1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G5 offers a wider field of view (100%) than the one in the SL1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G5 has a higher magnification (0.70x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon SL1 and Panasonic G5 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon SL1	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
2.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
3.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
4.		Canon M	none	n	3.0 / 1040	fixed	Y	1/4000s	4.3/s	n	n
5.		Canon M10	none	n	3.0 / 1040	tilting	Y	1/4000s	4.6/s	Y	n
6.		Canon SL2	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
7.		Canon T3i	optical	n	3.0 / 1040	swivel	n	1/4000s	3.7/s	Y	n
8.		Canon T4i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
9.		Canon T5	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
10.		Canon T5i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
11.		Canon T6	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
12.		Canon T100	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
13.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
14.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
15.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
16.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
17.		Panasonic GX850	none	n	3.0 / 1040	tilting	Y	1/500s	10.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

Concerning the storage of imaging data, both the SL1 and the G5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL1 and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon SL1	Y	mono / mono	Y	-	mini	2.0	-	-	-
2.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
4.		Canon M	Y	stereo / mono	Y	-	mini	2.0	-	-	-
5.		Canon M10	-	stereo / mono	-	-	mini	2.0	Y	Y	-
6.		Canon SL2	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
7.		Canon T3i	Y	mono / mono	Y	-	mini	2.0	-	-	-
8.		Canon T4i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
9.		Canon T5	Y	mono / mono	-	-	mini	2.0	-	-	-
10.		Canon T5i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
11.		Canon T6	Y	mono / mono	-	-	mini	2.0	Y	Y	-
12.		Canon T100	Y	mono / mono	-	-	mini	2.0	Y	Y	-
13.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
15.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
16.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Panasonic GX850	-	stereo / mono	-	-	micro	2.0	Y	-	-

It is notable that the SL1 has a microphone port, which is missing on the G5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Both the SL1 and the G5 have been discontinued, but can regularly be found used on ebay. The G5 was replaced by the Panasonic G6, while the SL1 was followed by the Canon SL2. Further information on the features and operation of the SL1 and G5 can be found, respectively, in the Canon SL1 Manual (free pdf) or the online Panasonic G5 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Canon SL1 or the Panasonic G5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Advantages of the Canon EOS Rebel SL1:

• More detail: Offers more megapixels (17.9 vs 15.9MP) with a 8% higher linear resolution.
• Better low-light sensitivity: Requires less light for good images (0.4 stops ISO advantage).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
• Longer lasting: Can take more shots (380 versus 320) on a single battery charge.
• More modern: Is somewhat more recent (announced 8 months after the G5).

Arguments in favor of the Panasonic Lumix DMC-G5:

• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.54x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (6 vs 4.9 flaps/sec) to capture the decisive moment.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• More heavily discounted: Has been on the market for longer (launched in July 2012).

If the count of relative strengths (bullet points above) is taken as a measure, the G5 comes out slightly ahead of the SL1 (9 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon SL1 and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SL1 or the G5. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon SL1	4/5	+	..	78/100	4/5	4/5	Mar 2013	US$ 549	ebay.com
2.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	US$ 599	ebay.com
3.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	US$ 549	ebay.com
4.		Canon M	3/5	+	..	..	4/5	4/5	Jul 2012	US$ 599	ebay.com
5.		Canon M10	..	..	..	..	..	4/5	Oct 2015	US$ 499	ebay.com
6.		Canon SL2	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	US$ 549	ebay.com
7.		Canon T3i	3/5	o	..	77/100	4.5/5	4.5/5	Feb 2011	US$ 599	ebay.com
8.		Canon T4i	4/5	+ +	..	77/100	4.5/5	4.5/5	Jun 2012	US$ 849	ebay.com
9.		Canon T5	3/5	+	..	..	4/5	4.5/5	Feb 2014	US$ 449	ebay.com
10.		Canon T5i	..	..	..	76/100	4.5/5	4.5/5	Mar 2013	US$ 649	ebay.com
11.		Canon T6	4/5	o	4/5	73/100	4/5	4/5	Mar 2016	US$ 449	ebay.com
12.		Canon T100	..	o	3/5	..	3.5/5	3.5/5	Feb 2018	US$ 399	amazon.com
13.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	US$ 599	ebay.com
14.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	US$ 599	ebay.com
15.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	US$ 499	ebay.com
16.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	US$ 699	ebay.com
17.		Panasonic GX850	..	+	..	76/100	4.5/5	4.5/5	Jan 2017	US$ 549	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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