Fujifilm GFX 100S vs Leica SL
The Fujifilm GFX 100S and the Leica SL (Typ 601) are two digital cameras that were announced, respectively, in January 2021 and October 2015. Both the GFX 100S and the Leica SL are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100S) and a full frame (Leica SL) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Leica provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Check GFX 100S price at
amazon.com

Check Leica SL offers at
ebay.com
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100S and the Leica SL (Typ 601)? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Fujifilm GFX 100S and the Leica SL is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.



If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica SL is somewhat smaller (2 percent) than the Fujifilm GFX 100S. Moreover, the Leica SL is markedly lighter (6 percent) than the GFX 100S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 100S gets 460 shots out of its Fujifilm NP-W235 battery, while the Leica SL can take 400 images on a single charge of its Leica BP-SCL4 power pack. The power pack in the GFX 100S can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100S | 150 mm | 104 mm | 87 mm | 900 g | 460 | Y | Jan 2021 | EUR 5 999 | amazon.com | |
| 2. | Leica SL | 147 mm | 104 mm | 39 mm | 847 g | 400 | Y | Oct 2015 | EUR 6 899 | ebay.com | |
| 3. | Canon 80D | 139 mm | 105 mm | 79 mm | 730 g | 960 | Y | Feb 2016 | EUR 1 285 | ebay.com | |
| 4. | Canon R3 | 150 mm | 143 mm | 87 mm | 1015 g | 760 | Y | Sep 2021 | EUR 5 999 | amazon.com | |
| 5. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | EUR 4 499 | ebay.com | |
| 6. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | EUR 6 499 | ebay.com | |
| 7. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | EUR 3 999 | amazon.com | |
| 8. | Fujifilm GFX 100 | 156 mm | 144 mm | 75 mm | 1320 g | 800 | Y | May 2019 | EUR 10 999 | ebay.com | |
| 9. | Fujifilm GFX 100 II | 152 mm | 117 mm | 99 mm | 1030 g | 540 | Y | Sep 2023 | EUR 7 999 | amazon.com | |
| 10. | Fujifilm GFX 100S II | 150 mm | 104 mm | 87 mm | 883 g | 530 | Y | May 2024 | EUR 5 499 | amazon.com | |
| 11. | Hasselblad X2D 100C | 149 mm | 106 mm | 75 mm | 895 g | 420 | Y | Sep 2022 | EUR 8 699 | amazon.com | |
| 12. | Leica M Typ 240 | 139 mm | 80 mm | 42 mm | 680 g | 500 | Y | Sep 2012 | EUR 6 199 | ebay.com | |
| 13. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | EUR 6 499 | ebay.com | |
| 14. | Leica SL2 | 146 mm | 107 mm | 42 mm | 953 g | 370 | Y | Nov 2019 | EUR 5 999 | amazon.com | |
| 15. | Nikon D5 | 160 mm | 159 mm | 92 mm | 1415 g | 3780 | Y | Jan 2016 | EUR 6 989 | ebay.com | |
| 16. | Nikon D500 | 147 mm | 115 mm | 81 mm | 860 g | 1240 | Y | Jan 2016 | EUR 2 399 | ebay.com | |
| 17. | Sony A1 | 129 mm | 97 mm | 81 mm | 737 g | 530 | Y | Jan 2021 | EUR 7 299 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GFX 100S was launched at a somewhat lower price (by 19 percent) than the Leica SL, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 100S features a medium format sensor and the Leica SL a full frame sensor. The sensor area in the Leica SL is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 100S has a native 4:3 aspect ratio, while the one in the Leica SL offers a 3:2 aspect.

With 101.8MP, the GFX 100S offers a higher resolution than the Leica SL (24MP), but the GFX 100S has smaller individual pixels (pixel pitch of 3.76μm versus 6.00μm for the Leica SL). However, the GFX 100S is a much more recent model (by 5 years and 3 months) than the Leica SL, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 100S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Leica SL are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The GFX 100S has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the Leica SL, the GFX 100S has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm GFX 100S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica SL (Typ 601) are ISO 50 to ISO 50000 (no boost).
In terms of underlying technology, the GFX 100S is build around a BSI-CMOS sensor, while the Leica SL uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100S | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.8 | 14.7 | 3391 | 100 | |
| 2. | Leica SL | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 13.4 | 1821 | 88 | |
| 3. | Canon 80D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.2 | 1135 | 79 | |
| 4. | Canon R3 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.0 | 14.7 | 4086 | 96 | |
| 5. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
| 6. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
| 7. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
| 8. | Fujifilm GFX 100 | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.7 | 14.5 | 3227 | 99 | |
| 9. | Fujifilm GFX 100 II | Medium Format | 101.8 | 11648 | 8736 | 8K/30p | 25.9 | 15.0 | 3651 | 101 | |
| 10. | Fujifilm GFX 100S II | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.9 | 15.1 | 3720 | 101 | |
| 11. | Hasselblad X2D 100C | Medium Format | 102.1 | 11656 | 8762 | none | 25.9 | 14.9 | 3550 | 101 | |
| 12. | Leica M Typ 240 | Full Frame | 23.7 | 5952 | 3976 | 1080/25p | 24.0 | 13.3 | 1860 | 84 | |
| 13. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
| 14. | Leica SL2 | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 25.3 | 14.3 | 2866 | 95 | |
| 15. | Nikon D5 | Full Frame | 20.7 | 5588 | 3712 | 4K/30p | 25.1 | 12.3 | 2343 | 88 | |
| 16. | Nikon D500 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.0 | 14.0 | 1324 | 83 | |
| 17. | Sony A1 | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.9 | 14.5 | 3163 | 98 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the Leica SL offers a higher resolution than the one in the GFX 100S (4400k vs 3690k dots). The table below summarizes some of the other core capabilities of the Fujifilm GFX 100S and Leica SL in connection with corresponding information for a sample of similar cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100S | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
| 2. | Leica SL | 4400 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 11.0/s | n | n | |
| 3. | Canon 80D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 7.0/s | Y | n | |
| 4. | Canon R3 | 5760 | Y | 3.2 / 4150 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 5. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
| 6. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
| 7. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
| 8. | Fujifilm GFX 100 | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
| 9. | Fujifilm GFX 100 II | 9440 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 8.0/s | n | Y | |
| 10. | Fujifilm GFX 100S II | 5760 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 7.0/s | n | Y | |
| 11. | Hasselblad X2D 100C | 5760 | Y | 3.6 / 2360 | tilting | Y | 1/4000s | 3.3/s | n | Y | |
| 12. | Leica M Typ 240 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | n | n | |
| 13. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
| 14. | Leica SL2 | 5760 | Y | 3.2 / 2100 | fixed | Y | 1/8000s | 10.0/s | n | Y | |
| 15. | Nikon D5 | optical | Y | 3.2 / 2359 | fixed | Y | 1/8000s | 14.0/s | n | n | |
| 16. | Nikon D500 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 10.0/s | n | n | |
| 17. | Sony A1 | 9437 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 30.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
One feature that differentiates the GFX 100S and the Leica SL is in-body image stabilization (IBIS). The GFX 100S reduces the risk of handshake-induced blur with all attached lenses, while the Leica SL offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100S and the Leica SL both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 100S and the Leica SL write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. However, while the GFX 100S supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s) on both slots, the Leica SL supports UHS-II only on its first slot and UHS-I (data transfer speed up to 104 MB/s) on the second one.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100S and Leica SL (Typ 601) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100S | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 2. | Leica SL | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | - | |
| 3. | Canon 80D | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
| 4. | Canon R3 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 5. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
| 6. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
| 7. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
| 8. | Fujifilm GFX 100 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
| 9. | Fujifilm GFX 100 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 10. | Fujifilm GFX 100S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 11. | Hasselblad X2D 100C | Y | stereo / mono | - | - | - | 3.2 | Y | - | - | |
| 12. | Leica M Typ 240 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
| 13. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
| 14. | Leica SL2 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
| 15. | Nikon D5 | Y | stereo / mono | Y | Y | mini | 3.0 | - | - | - | |
| 16. | Nikon D500 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | Y | Y | |
| 17. | Sony A1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Travel and landscape photographers will find it useful that the Leica SL has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The GFX 100S is a recent model that features in the current product line-up of Fujifilm. In contrast, the Leica SL has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the Leica SL was succeeded by the Leica SL2. Further information on the features and operation of the GFX 100S and Leica SL can be found, respectively, in the Fujifilm GFX 100S Manual (free pdf) or the online Leica SL Manual.
Review summary
So how do things add up? Is there a clear favorite between the Fujifilm GFX 100S and the Leica SL? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Fujifilm GFX 100S:
- More detail: Offers more megapixels (101.8 vs 24MP) with a 102% higher linear resolution.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Longer lasting: Can take more shots (460 versus 400) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced segment (19 percent cheaper at launch).
- More modern: Reflects 5 years and 3 months of technical progress since the Leica SL launch.

Advantages of the Leica SL (Typ 601):
- More detailed viewfinder: Has higher resolution electronic viewfinder (4400k vs 3690k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.77x).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in October 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 100S is the clear winner of the match-up (16 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 100S and the Leica SL place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 100S or the Leica SL. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Fujifilm GFX 100S | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jan 2021 | EUR 5 999 | amazon.com | |
| 2. | Leica SL | 4/5 | .. | 4/5 | 84/100 | 4.5/5 | 4/5 | Oct 2015 | EUR 6 899 | ebay.com | |
| 3. | Canon 80D | 4/5 | + + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2016 | EUR 1 285 | ebay.com | |
| 4. | Canon R3 | 5/5 | o | 4.5/5 | .. | 5/5 | 4.5/5 | Sep 2021 | EUR 5 999 | amazon.com | |
| 5. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | EUR 4 499 | ebay.com | |
| 6. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | EUR 6 499 | ebay.com | |
| 7. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | EUR 3 999 | amazon.com | |
| 8. | Fujifilm GFX 100 | 4.5/5 | + + | 4.8/5 | 90/100 | 5/5 | 4.5/5 | May 2019 | EUR 10 999 | ebay.com | |
| 9. | Fujifilm GFX 100 II | 5/5 | + | 5/5 | .. | .. | 4.5/5 | Sep 2023 | EUR 7 999 | amazon.com | |
| 10. | Fujifilm GFX 100S II | .. | .. | .. | .. | .. | .. | May 2024 | EUR 5 499 | amazon.com | |
| 11. | Hasselblad X2D 100C | 4/5 | .. | 5/5 | .. | .. | .. | Sep 2022 | EUR 8 699 | amazon.com | |
| 12. | Leica M Typ 240 | 4/5 | .. | .. | .. | 4/5 | .. | Sep 2012 | EUR 6 199 | ebay.com | |
| 13. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | EUR 6 499 | ebay.com | |
| 14. | Leica SL2 | 4/5 | .. | 4.5/5 | .. | 4.5/5 | 4/5 | Nov 2019 | EUR 5 999 | amazon.com | |
| 15. | Nikon D5 | .. | .. | 4/5 | 89/100 | 4.5/5 | 5/5 | Jan 2016 | EUR 6 989 | ebay.com | |
| 16. | Nikon D500 | 5/5 | + + | 4.7/5 | 91/100 | 4.5/5 | 5/5 | Jan 2016 | EUR 2 399 | ebay.com | |
| 17. | Sony A1 | 5/5 | o | 4.5/5 | 93/100 | 4.5/5 | 5/5 | Jan 2021 | EUR 7 299 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Check GFX 100S price at
amazon.com

Check Leica SL offers at
ebay.com
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon R6 vs Fujifilm GFX 100S
- Canon RP vs Fujifilm GFX 100S
- Canon SX730 vs Leica SL
- Canon T7i vs Leica SL
- Fujifilm GFX 100S vs Nikon P1100
- Fujifilm GFX 100S vs Olympus E-1
- Fujifilm GFX 100S vs Panasonic GX8
- Fujifilm GFX 100S vs Sony A6400
- Leica SL vs Olympus E-330
- Leica SL vs Olympus E-5
- Leica SL vs Panasonic G3
- Leica SL vs Panasonic ZS200
Specifications: Fujifilm GFX 100S vs Leica SL
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Fujifilm GFX 100S | Leica SL |
|---|---|---|
| Camera Type | Mirrorless system camera | Mirrorless system camera |
| Camera Lens | Fujifilm G mount lenses | Leica L mount lenses |
| Launch Date | January 2021 | October 2015 |
| Launch Price | USD 5,999 | USD 7,449 |
| Sensor Specs | Fujifilm GFX 100S | Leica SL |
| Sensor Technology | BSI-CMOS | CMOS |
| Sensor Format | Medium Format Sensor | Full Frame Sensor |
| Sensor Size | 43.8 x 32.9 mm | 36.0 x 24.0 mm |
| Sensor Area | 1441.02 mm2 | 864 mm2 |
| Sensor Diagonal | 54.8 mm | 43.3 mm |
| Crop Factor | 0.79x | 1.0x |
| Sensor Resolution | 101.8 Megapixels | 24 Megapixels |
| Image Resolution | 11648 x 8736 pixels | 6000 x 4000 pixels |
| Pixel Pitch | 3.76 μm | 6.00 μm |
| Pixel Density | 7.06 MP/cm2 | 2.78 MP/cm2 |
| Moiré control | no AA filter | no AA filter |
| Movie Capability | 4K/30p Video | 4K/30p Video |
| ISO Setting | 100 - 12,800 ISO | 50 - 50,000 ISO |
| ISO Boost | 50 - 102,400 ISO | no Enhancement |
| Image Processor | X-Processor 4 | Maestro II |
| DXO Sensor Quality (score) | .. | 88 |
| DXO Color Depth (bits) | .. | 25.0 |
| DXO Dynamic Range (EV) | .. | 13.4 |
| DXO Low Light (ISO) | .. | 1821 |
| Screen Specs | Fujifilm GFX 100S | Leica SL |
| Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.77x | 0.80x |
| Viewfinder Resolution | 3690k dots | 4400k dots |
| Top-Level Screen | Control Panel | Control Panel |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.2inch | 3.0inch |
| LCD Resolution | 2360k dots | 1040k dots |
| LCD Attachment | Fully flexible screen | Fixed screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Fujifilm GFX 100S | Leica SL |
| Focus System | On-Sensor Phase-detect | Contrast-detect AF |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
| Continuous Shooting | 5 shutter flaps/s | 11 shutter flaps/s |
| Electronic Shutter | up to 1/16000s | up to 1/16000s |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | Lens stabilization only |
| Fill Flash | no On-Board Flash | no On-Board Flash |
| Storage Medium | SDXC cards | SDXC cards |
| Single or Dual Card Slots | Dual card slots | Dual card slots |
| UHS card support | Dual UHS-II | Single UHS-II |
| Connectivity Specs | Fujifilm GFX 100S | Leica SL |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | PC Sync socket |
| USB Connector | USB 3.2 | USB 3.0 |
| HDMI Port | micro HDMI | full HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | Headphone port | Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | no Bluetooth |
| Geotagging | no internal GPS | GPS built-in |
| Body Specs | Fujifilm GFX 100S | Leica SL |
| Environmental Sealing | Weathersealed body | Weathersealed body |
| Battery Type | Fujifilm NP-W235 | Leica BP-SCL4 |
| Battery Life (CIPA) | 460 shots per charge | 400 shots per charge |
| In-Camera Charging | USB charging | no USB charging |
| Body Dimensions |
150 x 104 x 87 mm (5.9 x 4.1 x 3.4 in) |
147 x 104 x 39 mm (5.8 x 4.1 x 1.5 in) |
| Camera Weight | 900 g (31.7 oz) | 847 g (29.9 oz) |

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