Panasonic L1 vs S5 II

The Panasonic Lumix DMC-L1 and the Panasonic Lumix DC-S5 II are two digital cameras that were announced, respectively, in February 2006 and January 2023. The L1 is a DSLR, while the S5 II is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (L1) and a full frame (S5 II) sensor. The L1 has a resolution of 7.4 megapixels, whereas the S5 II provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic L1		Panasonic S5 II
Digital single lens reflex		Mirrorless system camera
Four Thirds lenses		Leica L mount lenses
7.4 MP – Four Thirds sensor		24 MP – Full Frame sensor
no Video		6K/30p Video
ISO 100-1,600		ISO 100-51,200 (50 - 204,800)
Optical viewfinder		Electronic viewfinder (3680k dots)
2.5" LCD – 207k dots		3.0" LCD – 1840k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
3 shutter flaps per second		9 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
750 shots per battery charge		370 shots per battery charge
146 x 87 x 64 mm, 606 g		134 x 102 x 90 mm, 740 g

Check L1 offers at
ebay.com
Check S5 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-L1 and the Panasonic Lumix DC-S5 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic L1 and the Panasonic S5 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 II is notably larger (8 percent) than the Panasonic L1. Moreover, the S5 II is markedly heavier (22 percent) than the L1. It is noteworthy in this context that the S5 II is splash and dust-proof, while the L1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The power pack in the S5 II can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic L1	146 mm	87 mm	64 mm	606 g	750	n	Feb 2006	EUR 999	ebay.com
2.		Panasonic S5 II	134 mm	102 mm	90 mm	740 g	370	Y	Jan 2023	EUR 2 199	amazon.com
3.		Canon 300D	142 mm	99 mm	72 mm	649 g	400	n	Aug 2003	EUR 1 095	ebay.com
4.		Canon 350D	127 mm	94 mm	64 mm	540 g	400	n	Feb 2005	EUR 899	ebay.com
5.		Leica Digilux 3	146 mm	87 mm	77 mm	606 g	750	n	Sep 2006	EUR 1 499	ebay.com
6.		Leica V-LUX 1	141 mm	86 mm	142 mm	734 g	360	n	Sep 2006	EUR 799	ebay.com
7.		Nikon D70s	140 mm	111 mm	78 mm	679 g	500	n	Apr 2005	EUR 949	ebay.com
8.		Nikon D80	132 mm	103 mm	77 mm	668 g	600	n	Aug 2006	EUR 969	ebay.com
9.		Olympus E-300	147 mm	85 mm	64 mm	624 g	750	n	Sep 2004	EUR 799	ebay.com
10.		Olympus E-330	140 mm	87 mm	72 mm	637 g	750	n	Jan 2006	EUR 999	ebay.com
11.		Olympus E-500	130 mm	95 mm	66 mm	479 g	750	n	Sep 2005	EUR 599	ebay.com
12.		Panasonic G9 II	134 mm	102 mm	90 mm	658 g	390	Y	Sep 2023	EUR 1 899	amazon.com
13.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	EUR 1 999	ebay.com
14.		Panasonic GH6	138 mm	100 mm	100 mm	823 g	360	Y	Feb 2022	EUR 2 199	amazon.com
15.		Panasonic GH7	138 mm	100 mm	100 mm	805 g	380	Y	Jun 2024	EUR 2 199	amazon.com
16.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	EUR 599	ebay.com
17.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	EUR 1 999	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The L1 was launched at a markedly lower price (by 50 percent) than the S5 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic L1 features a Four Thirds sensor and the Panasonic S5 II a full frame sensor. The sensor area in the S5 II is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the L1 has a native 4:3 aspect ratio, while the one in the S5 II offers a 3:2 aspect.

With 24MP, the S5 II offers a higher resolution than the L1 (7.4MP), but the S5 II nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 5.51μm for the L1) due to its larger sensor. Moreover, the S5 II is a much more recent model (by 16 years and 10 months) than the L1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S5 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic S5 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S5 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.

The S5 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the L1, the S5 II has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-L1 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DC-S5 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

In terms of underlying technology, the L1 is build around a CMOS sensor, while the S5 II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic L1	Four Thirds	7.4	3136	2352	none	20.8	10.4	80	52
2.		Panasonic S5 II	Full Frame	24.0	6000	4000	6K/30p	25.4	14.6	3158	96
3.		Canon 300D	APS-C	6.3	3072	2048	none	21.0	10.8	544	55
4.		Canon 350D	APS-C	8.0	3456	2304	none	21.8	10.8	637	60
5.		Leica Digilux 3	Four Thirds	7.4	3136	2352	none	21.0	10.6	127	53
6.		Leica V-LUX 1	1/1.8	10.0	3648	2736	480/30p	18.4	9.5	-727	29
7.		Nikon D70s	APS-C	6.0	3008	2000	none	20.4	10.3	529	50
8.		Nikon D80	APS-C	10.0	3872	2592	none	22.1	11.2	524	61
9.		Olympus E-300	Four Thirds	8.0	3264	2448	none	20.4	10.1	-40	48
10.		Olympus E-330	Four Thirds	7.4	3136	2352	none	20.8	10.4	73	52
11.		Olympus E-500	Four Thirds	8.0	3264	2448	none	20.7	10.3	45	51
12.		Panasonic G9 II	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.5	1710	78
13.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
14.		Panasonic GH6	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.4	1555	77
15.		Panasonic GH7	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.6	1784	78
16.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
17.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The S5 II indeed provides for movie recording, while the L1 does not. The highest resolution format that the S5 II can use is 6K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the S5 II has an electronic viewfinder (3680k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the S5 II offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the S5 II has a higher magnification (0.78x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic L1 and Panasonic S5 II along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic L1	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
2.		Panasonic S5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	9.0/s	n	Y
3.		Canon 300D	optical	n	1.8 / 118	fixed	n	1/4000s	2.5/s	Y	n
4.		Canon 350D	optical	n	1.8 / 115	fixed	n	1/4000s	3.0/s	Y	n
5.		Leica Digilux 3	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
6.		Leica V-LUX 1	235	n	2.0 / 207	tilting	n	1/2000s	2.0/s	Y	Y
7.		Nikon D70s	optical	n	2.0 / 130	fixed	n	1/8000s	3.0/s	Y	n
8.		Nikon D80	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
9.		Olympus E-300	optical	n	1.8 / 134	fixed	n	1/4000s	2.5/s	Y	n
10.		Olympus E-330	optical	n	2.5 / 215	tilting	n	1/4000s	3.0/s	Y	n
11.		Olympus E-500	optical	n	2.5 / 215	fixed	n	1/4000s	2.5/s	Y	n
12.		Panasonic G9 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	10.0/s	n	Y
13.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
14.		Panasonic GH6	3680	n	3.0 / 1840	full-flex	Y	1/8000s	14.0/s	n	Y
15.		Panasonic GH7	3680	n	3.0 / 1840	full-flex	Y	1/8000s	14.0/s	n	Y
16.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
17.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The L1 has one, while the S5 II does not. While the built-in flash of the L1 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic S5 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The L1 writes its imaging data to SDHC cards, while the S5 II uses SDXC cards. The S5 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the L1 only has one slot. The S5 II supports UHS-II cards (on both slots), while the L1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-L1 and Panasonic Lumix DC-S5 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic L1	Y	- / -	-	-	-	2.0	-	-	-
2.		Panasonic S5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Canon 300D	Y	- / -	-	-	-	1.1	-	-	-
4.		Canon 350D	Y	- / -	-	-	-	2.0	-	-	-
5.		Leica Digilux 3	Y	stereo / mono	-	-	-	2.0	-	-	-
6.		Leica V-LUX 1	Y	mono / mono	-	-	-	2.0	-	-	-
7.		Nikon D70s	Y	- / -	-	-	-	2.0	-	-	-
8.		Nikon D80	Y	- / -	-	-	-	2.0	-	-	-
9.		Olympus E-300	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-330	Y	- / -	-	-	-	2.0	-	-	-
11.		Olympus E-500	Y	- / -	-	-	-	2.0	-	-	-
12.		Panasonic G9 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
13.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
14.		Panasonic GH6	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Panasonic GH7	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
16.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-
17.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y

It is notable that the S5 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the L1 does not provide wifi capability.

The S5 II is a recent model that features in the current product line-up of Panasonic. In contrast, the L1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the L1 was succeeded by the Panasonic L10. Further information on the features and operation of the L1 and S5 II can be found, respectively, in the Panasonic L1 Manual (free pdf) or the online Panasonic S5 II Manual.

Review summary

So how do things add up? Is there a clear favorite between the Panasonic L1 and the Panasonic S5 II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Panasonic Lumix DMC-L1:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Less heavy: Is lighter (by 134g or 18 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (750 versus 370) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in February 2006).

Arguments in favor of the Panasonic Lumix DC-S5 II:

• More detail: Has more megapixels (24 vs 7.4MP), which boosts linear resolution by 84%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can capture not only stills but also 6K/30p video.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.47x).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1840k vs 207k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (9 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 16 years and 10 months of technical progress since the L1 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the S5 II is the clear winner of the contest (31 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic L1 and the Panasonic S5 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the L1 and the S5 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic L1	..	85/100	..	+	..	3.5/5	Feb 2006	EUR 999	ebay.com
2.		Panasonic S5 II	4.5/5	+ +	5/5	90/100	4.5/5	5/5	Jan 2023	EUR 2 199	amazon.com
3.		Canon 300D	..	..	..	+ +	..	..	Aug 2003	EUR 1 095	ebay.com
4.		Canon 350D	..	80/100	..	+ +	o	..	Feb 2005	EUR 899	ebay.com
5.		Leica Digilux 3	..	..	..	..	..	..	Sep 2006	EUR 1 499	ebay.com
6.		Leica V-LUX 1	..	..	..	..	..	..	Sep 2006	EUR 799	ebay.com
7.		Nikon D70s	..	..	..	..	..	5/5	Apr 2005	EUR 949	ebay.com
8.		Nikon D80	..	+	..	+ +	o	4.5/5	Aug 2006	EUR 969	ebay.com
9.		Olympus E-300	..	..	..	+	o	4.5/5	Sep 2004	EUR 799	ebay.com
10.		Olympus E-330	..	..	..	+	o	..	Jan 2006	EUR 999	ebay.com
11.		Olympus E-500	..	76/100	..	+ +	..	..	Sep 2005	EUR 599	ebay.com
12.		Panasonic G9 II	5/5	..	4.5/5	87/100	..	4.5/5	Sep 2023	EUR 1 899	amazon.com
13.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	EUR 1 999	ebay.com
14.		Panasonic GH6	5/5	+ +	5/5	87/100	5/5	5/5	Feb 2022	EUR 2 199	amazon.com
15.		Panasonic GH7	..	..	..	..	..	..	Jun 2024	EUR 2 199	amazon.com
16.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	EUR 599	ebay.com
17.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	EUR 1 999	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check L1 offers at
ebay.com
Check S5 II price at
amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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